+binaural places a sound at a specific position around the listener's head. Use it with a reverb to create a virtual environment. When used with its LFO, +binaural can place various beats or parts of a loop in specific repeatable positions.... [more]

+chebyshev is a distortion unit which uses various low-order chebyshev polynomials to add even or odd harmonic distortion.... [more]

+compand is a combined compressor/expander plugin. It has a soft-knee control as well as a switchable RMS/peak level detector.... [more]

+decimate offers bit depth and sample rate reduction for added aliasing and decimation noise.... [more]

+decimate VST is a bit-depth and sample-rate reduction plug-in for adding aliasing and decimation noise.... [more]

+matrix is a mid-side to left-right encoder and decoder. For mid-side microphone arrays, but also useful when needing to apply effects to only the center or the sides of a stereo mix.... [more]

+morphfilter holds two filter shapes; these shapes are set by drawing, or by capturing the spectra from the incoming sound. You can morph between these two filters. +morphfilter's depth control can change the strength of filtering, or even invert the filter for an "anti-filtered" sound.... [more]

+phasescope is a standard studio tool for seeing the phase relation between your left and right channels.... [more]

+spectralcompand performs smooth timbral filtering. It can be used to tame resonant frequencies or for radical changes of tone. In expansion mode, +spectralcompand becomes a highly tunable broadband noise remover, capable of removing hiss, hum and machine noise, without damaging the original sound.... [more]

+spectralgate is a spectral version of the noise gate/ducker dynamics processor. It combines a noise gate/ducker and a multiband processor to give you a plugin that can be used both as a frequency dependent gate or as a level dependent filter.... [more]

The Delay Trio is a collection of three plugins that Tom Erbe (SoundHack) developed as class demonstrations while teaching computer music and studio technique at UC San Diego. All of these are derived from the same basic delay algorithm: a hermite interpolated delay line with variable modulation, and a feedback loop with dc blocking and saturation. Pitch shifting is achieved with a dual head crossfading delay (ala Eltro Tempophon/Dennis Gabor/Pierre Schaeffer phonogene) and is decidedly low-fi. The saturating feedback also allows them to be great drone and noise generators. The three plu... [more]