• Multi-Routed ENV and LFO Destinations, with Depth and Post ON/OFF switches for quick switching of Patch variations.
• The JX-3P PWM 'trick'. Set Cross Mod to Sync, Mix to DCO-2 and control the tuning of DCO-2 (manually or with the LFO) to achieve Pulse Width Modulation.
• Separate POS. and NEG. ADSR positions for the Pitch and Filter.
• 3 Cross Modulation modes: NONE, SYNC, and METAL (a type of Ringmod w/ DCO-1 as the carrier).
• Built in Chorus.
• Turn Velocity Sensitivity to 0 to accurately recreate the JX-3P's keyboard, or turn it to 10 to recreate the velocity sensitivity that was only to it available through MIDI-IN.
• Global Highpass Filter and VCA Modes: ENV (which uses the ADSR) or GATE (on/off response, no velocity sensitivity).
• 6 Voice, 12 Oscillators with Sine, Narrow-Pulse, Pulse-Saw, and Noise waveforms.

Full Specifications:

• Polyphonic.
• DCO:
  Osc1:
  • Sine, Narrow-Pulse and Pulse-Saw.
  • Octave Range: 16', 8', 4'.
  • Modulation: LFO or ENV (Positive or Negative).
  Osc2:
  • Sine, Narrow-Pulse, Pulse-Saw, Noise.
  • Octave Range: 16', 8', 4'.
  • Tune (transpose) ± 12 semitones.
  • Fine Tune ± .65 semitones.
  • Modulation: LFO or ENV (Positive or Negative).
  • Cross MOD: None, Sync and Metal (sync+ringmod).
• Oscillator Mix.
• Hi-pass Filter.
• VCF:
  • Low-pass Filter.
  • Cutoff and Resonance.
  • Envelope intensity.
  • Pitch Follow.
  • LFO MOD Amount.
  • ADSR Envelope (Positive or Negative).
  • Velocity control adjust.
• VCA:
  • Main Level.
  • ADSR Envelope or Gate.
• LFO:
  • Shape: Sine, Pulse-Saw and Random (combination).
  • Frequency.
  • Delay Time.
  • Destinations: DCO1, DCO2, VCF.