Had this one for a while now and it definitely fills the part of being the "odd VST amongst your normal ones".
What I like about it the most is the attack and the digital kind of grittiness.
And as said before the GUi is actually very user friendly. For example, the way you drag and drop assign things in the modulation matrix by "drag and drop" is something I really miss on more expensive plugins. Vember has really ignored fancy looks (yeah it's ugly ) and instead focused on making a practical tool.
It just seat in every mix. It's truly a powerhouse and a learning tool for modulation and the effects routing is genius.
I would like to say that Surge is the only synth I've used that I've been able to make crazy-scary renditions of acoustic sounds from woodwind to brass to dog vocal tracts. Surge is definitely one of the only synths on the market that allows you to explore these things because of its combination of featureset and tweakability. To tap into this, just enable the feedback routing, add feedback, add resonance in the filters, enable keytracking of filter, etc.
I will, however, agree that it does not sound sweet like modern synths. But what modern synths lacks, Surge definitely has. Its tweakability invites insanity.
Hello everyone, just wanted to say I purchased Surge in Feb 2012 and haven't looked back yet.
Though it may not be the most technically advanced soft-synth out there it definitely has a certain something about it. I keep finding myself creating really exciting and attention-grabbing sounds whenever I just sit down and start experimenting with it. This is something I have not really found with the two other synths I have taken the time to learn in depth - Albino and Zebra.
Those 'in the know' say it is best to just pick one machine and learn to program it really well, as opposed to purchasing all the vsti's out there. So, following on from that I have made Surge my number one sound-software, along with Reaper and Halion 3. Surge seems to do a really good job of most of the basic sounds like bass, drums, keys and fx.
I think what makes it for me is it's fundamentally rock 'n' roll sound quality, everything sounds so fat and juicy with a great attitude - it seems incapable of making bland sounds. Claes, the developer, really has done a great job on this synth - it looks like he really knows about programming nice sounding oscillator and filter algorithms.
That's all for now, I've just got to go and program a totally overdriven, pulse-width-modulated, digitally aliased, resonant-comb-filtered, waveshaped, step-sequenced and delay-drenched monstrosity! Dave.
This Synth is an absolute BEAST!!!!! How this doesn't get more attention or credit is beyond me. I cant wait to see what Vember puts out next cause I'm a huge fan of theirs. Anybody who hasnt tried this synth out needs to ASAP!!! Amazing work to those involved in the development of this great machine. Please tell me you guys are working on VST's to release soon or in the near future.