The Korg Mono/Poly is the most powerful virtual-analog soft synth that I have. The original hardware Mono/Poly was an excellent monophonic synth that was introduced at a time when poly synths were all the rage. To get some of the polysynth business, Korg enabled a polyphonic mode on the Mono/Poly where up to 4 voices could be played with one oscillator per voice and a shared filter section. This type of poly capability was half-assed and soudned like it. It was hard to fault the Mono/Poly as a monophonic synth, however. The software version cures the weaknesses of the hardware version. They polyphonic capability of the software Mono/Poly allows full polyphonic playing of what were previous 4-oscillator mono patches and there are integrated effects. Naturally, with the modern softsynth you have virtually unlimited program storage.
What kind of sounds can the Mono/Poly make? What CAN'T it make? The Mono/Poly can do imitative synthesis, including a surprisingly nice harspichord and an analog brass sound that almost sounds like real sampled horns. It's real forte is gated rhythm pattererns that would be at home in a Deadmaus track.
I usually play the various Korg Legacy synths from my laptop with the little Korg Microkey controller keyboard. I hooked the computer up to my big keyboard with polyphonic aftertouch, and it was a lot of fun controlling the Mono/Poly with the aftertouch.
Every synth has negatives, and the Mono/Poly's negatives are pretty minor. The blue panel is pretty but lack of contrast and small fonts can make it hard to read controls, and the signal flow isn't always obvious. I still get messed up in the loading and saving of sounds. I downloaded the pdf manual, but I can't say that I've spent much time looking at it. I suspect I'm not alone in this habit. It's easy to come up with a synth sound that is "too big for the mix", that is one that overwhelms the song.
Note: the Korg legacy synths including the Mono/Poly are multi-platform. I have run all of them with no problems on a Mac (Os-x 10.5 through 10.7) and Windows 7 pc. Two of the legacy synths, the MS-20 and Polysix have already made it to iOS (iPhone & iPad), so it might mean that a Mono/Poly for iOS might be right around the corner. I have the iPolysix, and I have barely touched it. I'm going to skip the MS-20 and wait for the Mono/Poly.
Overall, the Mono/Poly is a must have for most synthesizer players. Right now the various Korg legacy synths are available separately for $49 each. The Mono/Poly is well worth it.
Read ReviewHave you heard Howard Scarr's patches on the TimeWarp?
He has an amazing solo violin patch.....on an Arp 2600 emulation!
You can hear the string/bow noise and the actual tone / timbre is just a real violin!
Amazing stuff!
Anyone has a BCR2000 preset (or knows where to download one) for this beauty? I already found presets for the other two KLC synths i have - Polysix and MS-20...
I think it might be quite easy to create one oneself simply with the MIDI learn function of the Mono/Poly...
Glad to see a good review on the Korg MonoPoly. It's definitely way underrated, and my personal favorite out of the entire Korg Legacy Collection. The MS-20 is really nice, too, but man, the patch cord area always gets me confused. Maybe there's some good programming tutorials out there for it, though.
Yes, Frank.
Marc Doty has made an excellent tutorial playlist for the MS-20 and with long explanations for the patch bay use.
They are here:
How do I load these presets in to the MonoPoly?
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