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Baby Grand Piano

Piano Plugin by UVI
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No Longer Available
Baby Grand Piano
Baby Grand Piano by UVI is a Virtual Instrument Audio Plugin and Soundware (samples or presets that load into other products) for macOS and Windows. It includes, and is therefore "powered by", UVI Workstation, which functions as a VST Plugin, an Audio Units Plugin, a VST 3 Plugin and an AAX Plugin.
The OS and Format icons below are for the latest version of UVI Workstation. The version numbers are for Baby Grand Piano.
Product
Version
1.0
Product
Version
1.0
Instrument
Formats
Soundware
For
Soundware
Formats
UVI
Copy Protection
iLok USB Only
My KVR - Groups, Versions, & More
6 KVR members have added Baby Grand Piano to 3 My KVR groups 6 times.
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+3 in private groups

KVR Rank

Overall: 18412   11837   14989

30-Day: 20898; 7-Day: 23878; Yesterday: 12559

We are proud to introduce a new beautiful sounding piano, UVI Baby Grand Piano. This 6 GB library brings up a very unique and rare instrument with an exceptionally warm and emotional sound, something hard to find with old pianos.

After the success of our UVI Acoustic Grand Piano, we felt it was time to come up with something slightly different. So back in the road we were looking for a piano with sound and history. We did visit a serious amount of ancient piano addicts. As for the Acoustic Grand Piano, the alchemy is not easy to find, and we did try several models and places until we found the right one. During our investigation we fell in love with a gorgeous baby grand piano built in 1930 by the manufacturer Erard. This is one of the "smallest grand piano" ever built, and it sounds incredibly large in regard to its size.

This time, to capture the heart of this lovely piece of musical instrument history, we didn't bring the piano to a big studio, but came up with our own gear to record the piano in place. As usual, our gear consisted in extremely good microphones, excellent sounding mic pre and insanely good analog to digital converters. Every single note was carefully multi-sampled in multiple (up to 8) velocity levels; we did also introduce a new special technique to capture the true sound when playing with the sustain pedal, to add another level of realism.

Thanks to the UVI Engine advanced keygroup layers and rule switching, the sustain pedal and release samples perform and "feel" like a real piano.

At the end of the process, during the editing of samples, we consulted a great instrumentalist to test the result of this work, then we were able to even improve the instrument's response to make it really enjoyable.

Once again, we are very glad, for the result is a soulful sounding piano, full of history and true musicality.

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