| Product | Convolution Space |
| Developer | Best Service |
| Price (MSRP) | €199 |
| Type / Tags |
| Instrument(s) |
| Operating System |
Latest Version |
Download | Released |
| 1.0 | - | ![]() |
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| 1.0 | - | ![]() |
| Copy Protection | Online Activation (Challenge / Response) |
| Avg. User Rating |
Convolution Space is described as "an entirely new region of the sound universe containing unexplored and uncharted sonic landscapes". 8.5GB of lovingly hand-crafted Stereo and 5.1 Surround textures is packed into the included Native Instruments Kontakt 2 Player - with 625 instruments built in to combine and explore these textures endlessly through the wonders of Convolution Based Spectral Recombination.
Select an instrument, play it on your keyboard and tweak the ModWheel - and the texture you're playing suddenly starts transforming into something completely different. You have entered Convolution Space.
Convolution Space was designed for all kind of atmospheres and is claimed to be the first one using this convolution technology:
- Abstract: Metaphysical and esoteric sounds that really fits no other description.
- Emotional: The beautiful, sad and ecstatic. Simply sounds that evoke emotion - mostly positive.
- Fantasy: Magical and otherworldly, these are sounds for your imagination.
- Mental: Sounds of the states of mind, ranging all the way from psychotic to the spiritual and psychedelic.
- Scary: Sinister and malice, all for your horror soundtrack. This is not for the faint of heart.
- SciFi: For the future and all of it's technology - and your high concept soundscape.
- Underground: dark and devoid of hope, these sound vibrate only downwards.
- Deep&Rumble: Earth-shattering and relentless in the one pursue of deeper realms.
- Structures: The eerie and strange; these are places you normally avoid.
- Technology: The imaginary sounds of communicating CPUs, searchlights and future machines.

Discussion
jjaran Hi,
Well, I have this and it is my first VST smple library to use with my Korg Triton to make my soundscapes.
Question: I always take all the volume attack off the sound to have it come up slowly but I find in Kontakt2 that the 15 k ms. time is far too short especially higher up the keyboard octaves. This is just TOO BAD. I wish I could use my keyboard settings for the samples.
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