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 drzewo Brzoza by Saltline is a Virtual Instrument Audio Plugin. It functions as a VST Plugin.
drzewo Brzoza
Product drzewo Brzoza
Developer Saltline
Price (MSRP)
Free
Type / Tags
Plug-in, App & Soundware Format(s)
Instrument(s) 
Operating System Availability
Operating
System
Latest
Version
Download Released
 
1.0.3
 
Downloads Released

Brzoza is a 2 operator, FM synthesizer. Each operator has 3 modulators. Brzoza can create a wide range of sounds from simple leads and bass patches to more complex evolving textures:

  • 2 operators (each consists of the following):
    • 4 waveforms (Sine, Saw, Triangle and Square).
    • Width (Square waveform).
    • Fixed or keyboard pitch.
    • Octave range (32, 16, 8, 4, 2).
    • Semitone (-12 to +12).
    • Fine tune (-1 to +1 semitone, reset to 0 switch).
    • 3 stage pitch envelope (Attack, Decay, Release and Amount).
    • FM Depth (dependant on the incoming signal from the operator's relative modulation editor Operator 1, modulator editor 1, operator 2, modulator editor 2).
    • ADSR volume envelope (Attack, Decay, Sustain, Release and Amount).
    • Operator pan (reset to 0 switch).
    • Operator 1 and 2 sync (operator 1 as master).
  • 6 Modulators, 3 per operator (each consists of the following):
    • Modulator 1:
      • Single Sine waveform.
      • Fixed or keyboard pitch.
      • Octave range (32, 16, 8, 4, 2).
      • Semitone (-12 to +12).
      • Fine tune (-1 to +1 semitone, reset to 0 switch).
      • 3 stage pitch envelope (Attack, Decay, Release and Amount).
      • FM Depth (dependant on the incoming signal from modulator 2 and 3).
      • 1 Modulation envelope (modulator 1 sends it's signal to operator 1 via it's modulation envelope, Attack, Decay, Sustain, Release, Amount and loop.).
    • Modulator 2 (as Modulator 1 with these differences):
      • FM Depth (dependant on the modulator 3).
      • 2 Modulation envelopes (modulator 2 sends it's signal to operator 1 via it's first modulation envelope. Modulator 2 also sends it's signal to modulator 1 via it's second modulation envelope.).
    • Modulator 3 (as Modulator 1 with these differences):
      • 3 Modulation envelopes (modulator 3 sends it's first signal to operator 1 via it's first modulation envelope. Modulator 3 sends it's second signal to modulator 1 via it's second modulation envelope. Modulator 3 then sends it's third signal to modulator 2 via it's third modulation envelope.).
  • State variable Filter:
    • Low pass, High pass, Band pass, Band reject.
    • Cut off.
    • Resonance.
    • Cut off ADSR envelope (Attack, Decay, Sustain, release, Amount and loop.).
  • Master Volume.
  • Midi Control
    • Pitch bend wheel.
    • Pitch bend range (1 to 12 semitones).
    • Modulation wheel.
    • Midi channel (All, 1 to 16).
    • Re-trigger.
    • Mono mode.
    • Left click controls for MIDI learn, unlearn and edit.
  • External Modulation Matrix
    • 6 Modulation slots (3 pages, with invert source signal and source to amount control).
    • 5 Sources:
      • Pitch wheel.
      • Mod wheel.
      • Velocity.
      • Aftertouch.
      • Key follow.
    • 32 Destinations (OP1 and 2=operator 1 and 2 M1,2 and 3 = Modulator 1,2 and 3):
      • OP1 PITCH.
      • OP1 WIDTH.
      • OP1 FM.
      • OP1 VOLUME.
      • OP1 M1 PITCH.
      • OP1 M1 FM.
      • OP1 M1>OP1 (operator 1, modulator 1 to operator 1 FM amount).
      • OP1 M2 PITCH.
      • OP1 M2 FM.
      • OP1 M2>OP1 (operator 1, modulator 2 to operator 1 FM amount).
      • OP1 M2>M1 (operator 1, modulator 2 to modulator 1 FM amount).
      • OP1 M3 PITCH.
      • OP1 M3>OP1 (operator 1, modulator 3 to operator 1 FM amount).
      • OP1 M3>M1 (operator 1, modulator 3 to modulator 1 FM amount).
      • OP1 M3>M2 (operator 1, modulator 3 to modulator 2 FM amount).
      • OP2 PITCH.
      • OP2 WIDTH.
      • OP2 FM.
      • OP2 VOLUME.
      • OP2 M1 PITCH.
      • OP2 M1 FM.
      • OP2 M1>OP1 (operator 2, modulator 1 to operator 1 FM amount).
      • OP2 M2 PITCH.
      • OP2 M2 FM.
      • OP2 M2>OP1 (operator 2, modulator 2 to operator 1 FM amount).
      • OP2 M2>M1 (operator 2, modulator 2 to modulator 1 FM amount).
      • OP2 M3 PITCH.
      • OP2 M3>OP1 (operator 2, modulator 3 to operator 1 FM amount).
      • OP2 M3>M1 (operator 2, modulator 3 to modulator 1 FM amount).
      • OP2 M3>M2 (operator 2, modulator 3 to modulator 2 FM amount).
      • Filter cut off.
      • Master Volume.

https://soundcloud.com/saltline/a-brzoza-dub

https://soundcloud.com/saltline/brzoza-bell

http://youtu.be/o_pbNnDiOKQ

https://soundcloud.com/saltline/korzenie

https://soundcloud.com/saltline/brzoza-demo

Made with SynthEdit
Latest User Reviews Average user rating of 4.00 from 1 review

Reviewed By The Chase
June 6, 2018

I didn't know dirty FM was a niche I was looking for.

Brzoza has an emphasis on gritty, dirty sounds rather than 80's funky basses or soap opera keys. It's easy to run into delicious mush and you can make lots of great faux-distorted leads and reeces. It's not the type of FM synth to chase the clear, bright qualities of a synth like Dexed, or a passing DX7 emulation; it's more for metallic grime. I love it for horrific dissonance.

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Discussion

Discussion

Discussion: Active
stunkit
stunkit
23 July 2014 at 11:39pm

Awesome VSTi.

urlwolf
urlwolf
10 September 2016 at 3:14pm

Fantastic for Bass.

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drzewo Brzoza

Average user rating of 4.00 from 1 review

Saltline
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