This is a wonderful sounding synth...Very expressive and very musical and it never fails to impress me....

I love wavetable synths and this one,along with Zebra and Z3TA+2 are my favourites.....

Rene's creations have always been inspiring and Rapture is the evolution of many of those ground breaking ideas...

The open architecture of this synth with the importing of single cycle waveforms and sfz files,provides you with an almost infinite number of possibilties...

There is a real zen like quality to Rapture - where the instrument becomes invisible and you are absorbed inside the performance....

Mmmmm ....what a pleasant way to pass the time....

The sound engine is one of the best ones out there and the filters in this instrument are impressive...

Then you have the envelopes...Multi stage envelopes for Amplitude,Pitch and Pan plus Cutoff and Resonance for each of the two filters with an LFO and key tracking - for every element...

You can layer up to 6 elements - each element also has a 3 band parametric EQ,an FX insert,a multi stage DSP section and a step generator...

Then you have the global section with a dual FX insert,Master FX,another 3 band parametric EQ and a global step generator....

And let's not forget the modulation matrix and the XY pad....

So much of the time,we are bombarded with specs that are meant to impress us,but we are often disappointed with the actual outcome...

Well - Rapture has all the specs,but more importantly - it's got soul and there's a real magic about this very musical instrument...

It's the perfect companion to z3ta+ 2 - smoother and a little more refined.

Rapture and z3ta+ have stood the test of time and it's testament to Rene's inspired genius,that they will continue to stand tall forever..

When the mechanics at Cakewalk get around to tweaking this synth and releasing a V2,as they did with z3ta+ 2,they can advertise it as "Rapture -The Second Coming".....

Not a bad wrap for a God-like synth :)

5 Stars all the way....

User Interface:
Rene and company have done a good job at Cakewalk. Rapture's interface is quite functional although it may take some time getting used to it.
Having done so, you will be pleasantly surprised at the amount of data squashed into this multitimbral or single channel instrument; you decide as you work with it.


Sound
I was somewhat concerned when I saw the word wavetable synthesis as part of Rapture's features. The synthesis is wavetable based, but the wavetables are frequently single and relatively tiny.
The good news is the wavetables are well designed and enable a large number of sounds, mostly of the synthetic type, and frequently used as a performance based synth.
Many of the presets use two or more of the six channels available. They are similar to Korg's Combination patches and fairly similar to the Korg Radias' implementation of its various synth engine's techniques. The major difference being the Radias has 128 waveforms, one per sound, and a huge synth engine beyond, but both use extensive splits, layers, Mod Matrix expressions that some synths just don't feature.

Lastly, the synth engine, besides being compact but brutally capable, features many forward-looking ideas such as large, changeable controls of envelopes and functions such as pitch, filter cutoff and resonance ala Absynth.
Unlike the prior reviewer, I don't feel Absynth and Rapture are all that similar. Their approach is not at all similar. Also, comparing Rapture to M42 isn't exactly fair.
Keep in mind I'm a big fan of M42 and it's cousin M41, but they too work differently and can't get the same ammount of sounds per patch, nor can they work multitimbrally. They have two oscillators whilst Rapture has up to six, and they are heavily editable in comparison.
They are different synths and that is the only reason I point these things out.


Features
Though it took me a couple of weeks to really get the idea behind Rapture I'd have to say it is a massive synth!
The presets sometimes didn't serve it well, nor did the somewhat skimpy manual - though it should be pointed out that while skimpy, the manual is exceptionally good and if read, will teach you the synth's 'way' of making sound.
When I say the sounds are sometimes a disservice, I don't mean the quality. In fact, there are some star sound designers and Cakewalk has released two new sets.
Also, you can import your own samples. They are meant to be small, but I experimented with wavetables as I know them and got PPG/Wavetable type sounds. That said, you can get those sounds once you understand the way Rapture works.

One of the most pleasant things about Rapture, and this is where the synth programs can confuse, is that it can make perfectly simple, deep synth sounds as well as sizzling leads and patches that range from tepid to non-stop undulating and changing.
And to me, that's the beauty of Rapture. As a lot of people go for the incredible and flashy things it can do, I like synths of this type to be able to do everything, particularly since they have the capability to.

The arpeggiator is excellent, consider using it over several channels. The LFOs have over 100 waveforms. There is an X/Y controller and waveshaper ala' Z3ta.
There isn't a sound you can't make in here, but that speaks for digalog sounds, not rompler stuff.

Documentation
Great manual in many languages but short. Though short it is fact filled and that is better than most any hard or soft synths out there.

Presets
As mentioned, the sound developers and patch designers are like a who's who of great quality work. There's about 400 patches in a nicely designed database that helps you find what you are looking for.

Customer Support
Cakewalk and RGC audio have always offered great service to me. I'd expect nothing to have changed.
Value For Money
The first week I got it I questioned Rapture's value. There are a lot of killer synths at the $200 /$300 range. But once I learned to use it, the value is very, very reasonable.

Stability
I have yet to have a crash with Rapture and I'm using it on a Athlon XP2400 with 1 gig of ram. It does use considerable ram so don't bother if you don't have a gig minimum.

Conclusion
Slick design, smart interface with many options and excellent quality sound.
Pros: can take the place of a few synths
Cons: you probably have those synths
Realization: You may have a lot of the sounds Rapture can do all over your synth library, but there is a nice syncronicity to Rapture's sound.
It is in the Native Instruments, VirSyn range of sound quality and should be a serious contender as your next synth.

Wow, I'm shocked no one has reviewed this, so I guess I will. It's my first review.

First I'd like to say that I'm mainly a guitarist, but I cut my teeth in synthesis on old modular stuff at an audio engineering school in NYC, and later saved for a Roland Juno 106. That type of education doesn't get you all that far and I ended up in Music retail. Anyway, I *LOVE* synthesis and in the vain of Adrain Belew and Robert Fripp spent years in love/hate relationships with guitar synths.

So, over the last year I've had to dismantle much of my hardware rig and move to software. It's been a fun ride so far. Recently I asked myself, "why did you ignore Rapture?" I think I thought why have another wave table synth since I had the Korg Legacy Suite. Silly of me. Rapture is a totally different animal So I downloaded a Mac and PC version of the demo software and had at it.

I was blown away. This synth is about to become my go-to synth, I'm sure of it. Sure it's geared towards modern electronica, but the ability to import an audio file to use as an osc makes it AMAZING in a similar way that Absynth (another of my favorites for different reasons) is. This baby can ring like a DX, yet pump like a minimoog... often at the same time. Few VSTi's can really get a filter to "quack" in that really warm organic way that Rapture can. As an ex Virus C user I think Rapture does a better job at modern dance sounds and is easier to program. A A/B'd it to Albino too and I found it better to my ears as well.

Speaking of program, I spend my days (that often run into nights) as a graphic designer/animator and there is precious little time for making new tones. Most of my time has to be spent playing or I end up being a sound designer, which while very fun, isn't as fun as playing IMO. No problem here as Rapture comes with a TON of presets and there isn't a bad one in the bunch.

Then there's the arp and step/wave sequencing ability... wow. It's not quite an M1Galaxy (which I love) synth but boy can you get lost in the evolving, pulsing morphing madness this synth can do.

So... if you have $200, I'd say don't hesitate, go to your favorite retailer and pick this up. It really seems like it could be a "desert island" synth. My only request to Cakewalk is this: Why no MIDI learn with the X/Y pad? Silly. If you want to see how this is implemented perfectly, check out Zebra2 (which btw, is one of my favorite synths ever). Seem silly to include this and expect people to use a mouse or trackpad to control it.