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 Virtual Console Collection (VCC) by Slate Digital is a Virtual Effect Audio Plugin. It functions as a VST Plugin, an Audio Units Plugin, a VST 3 Plugin, an RTAS Plugin and an AAX Plugin.
Virtual Console Collection (VCC)
Virtual Console Collection (VCC)
Product Virtual Console Collection (VCC)
Developer Slate Digital
Price (MSRP) $249.99 (download) / $274.99 (boxed with iLok2)
Type / Tags
Plug-in, App & Soundware Format(s)
Operating System Availability
Download Released
 2.0  Downloads Released
 2.0  Downloads Released
Miscellaneous Information
Copy ProtectionDongle (PACE iLok Smart Key)

The Virtual Console Collection consists of two plug-ins, Virtual Channel and Virtual Mixbuss. Each plug-in allows the user to choose from one of six modeled consoles:

  • Virtual Channel is applied on individual mixing channels.
  • Virtual Mixbuss goes on the first insert of the master fader.

When using the Virtual Console Collection, your DAW instantly takes on the personality of a real analog mixing desk. The imaging and depth improves, instruments sit better in the frequency spectrum, and mixing becomes easier and more musical. You can even push the DAW faders up to find each mixer's 'sweet spot'. This is due to the algorithms being dynamic, just like a real console.

User Rated

Review Virtual Console Collection (VCC) Now!

Discussion: Active


14 May 2013 at 5:35pmBDeep

Wow, thanks for the very thorough review Aiynzahev, much appreciated.

14 May 2013 at 5:44pmAiynzahev

Your welcome :).

14 May 2013 at 8:34pmBathrobe

A very nice review .

Just want to add some things that alone would not justify a separate review.

At first VCC was so subtle that i could not understand all the hype about it. It takes some time to appreciate the models.

E.g. Trident rounds of the transients a bit. The documentation really could be more verbose on this.

Many people still hit their tracks at 0 dbfs in their DAWs despite running at 24-bit resolution, so VCC gives them different clipping sound.

Then there is an advantage of VCC that i don't read too often about: The Volume resolution goes from -6db to +6db in steps of 0.1 over a midisignal that has 128 steps. This means you can fine tune the volume automation in which each midistep corresponds to 0.1db. Not many DAWs allow to automate the trackvolume in that fine resolution. So all in all VCC is a nice mixing tool that i'd give 9 out of 10 because of the lack of a verbose documentation of the models.

14 May 2013 at 11:29pmAiynzahev

It is a great mixing tool. I tried to emphasize that in my review but failed I think. I didn't mean to come across to hard on it.

17 May 2013 at 1:52ammasterhiggins

Hi Sami.

Did you ever get a chance to compare it to the Waves NLS? I was just wondering which one you preferred. I think you need an iLok to demo VCC right? I only have the v1 iLok. :( Thanks.


17 May 2013 at 10:39pmAiynzahev

No I've never done that. I just did another trial today however with the SSL console on huge mix, 50 instances of Reaktor + Drums and so on.

Could I hear a difference after mixdown? With casual listening between with and without, Nope. More than likely I would notice with other consoles, but then its the EQ curve I think that would make the difference.

17 May 2013 at 10:18pmJ4R1O

Thanks for the review! I guess I have to buy iLok to demo VCC myself. The hype is strong... :D.

17 May 2013 at 10:39pmAiynzahev

Yes the hype is strong! I have to remind myself of that, as nice as it is in actual use it just doesn't do that much in the grand scheme of things.

25 May 2013 at 1:27amAiynzahev

Updated this. Now a 7 because it does do something nice even on the near flat SSL model.

26 May 2013 at 6:21pmjam92189

I use a SSL aws 900 every day and a neve 75 almost every day i noticed two things NEVE is low end heavy its hard to get things to sound thin with a neve. a ssl is clean but when you hit it hard i notice this slight coloration that seems to sound like its hitting harder more in your face when you hit the ssl emulation at +3VU on its meeter is when you can really hear its tone. I agree with you about how its a subtle sound that is not "NEEDED" but when you need to help something gel together easy i love it. all in all I agree with most of your review great job. also i would like to add sometimes for fun when im on the SSL i put VCC on neve mode for bass its fun.

with all that said try calibrating your groups to be hit in a certain way I like to make my drums one group and calibrate the group when you do this you notice a change in the sound of the VCC it helps add to the emulation of a console. I also do with on my subgroups with VTM and it works wonders less compression and eq but it sounds full and fat.

28 May 2013 at 12:10amAiynzahev

That's a really neat input. My contention is simply this, it's great n all that, but when it boils down to it most of what you can actually hear is simply the EQ adjustment it is making, which can be done with just a nice EQ.

Having said that, sometimes it feels like it's doing a tad bit of compression, probably it's saturation. That's cool too, but I mostly don't like to push it that far, if others do then they get more mileage.

VTM is definitely doing some compression. But you know sometimes I found I was tricked a little by seeing the meters move back and forth and I think that re-inforced the idea of it making it "lively" and adding movement. This is for VCC as well as VTM though VTM is much less subtle. Though more subtle if you just take out the noise.

Anyway, when it starts to get to that stage where I am not sure if I am hearing right or if my mind is playing tricks on me I start to wonder how much this processor is really doing if I have to squint and second guess myself like that!

29 May 2013 at 4:11pmwaltercruz

Really nice review. Just wondering… maybe kvr should have a way to 'subscribe' to another user reviews :D.

30 May 2013 at 3:03amAiynzahev

Yes that would be neat. I think that sometimes. I am back and forth about 6 or 7 points for this. Think of it as 6.5 maybe.

30 May 2013 at 8:04amObsoleteAcc99

It's nice that you have really done an in depth review rather than 2 lines.. but i got to disagree. they are a 9.5 for me.. they would be a 10 if the gain had more range.. that's it. I can't fault them in any other way.. GUI, usability, CPU usage, zero latency, sound quality.. just totally transformed my sound.. love it.

30 May 2013 at 8:53amxtrax

I agree with TheoM. If you rate one kind of the product and give 7 out of 10 there must be another who is 10 out of ten.

I mean must be some kind of rank between all mixer simulations for adequate ranking.

30 May 2013 at 4:55pmObsoleteAcc99

and the others don't really compare.. not satson.. not cs1v.. not waves.. but of course that's IMO.

It's in my standard template now in logic but what i am going to do in my next song is print it with all instances disabled then all enabled (i mix with it from the beginning and gain stage correctly, always). Then people can here the dramatic difference it makes to many aspects of the music. (for the better!).

30 May 2013 at 4:56pmAiynzahev

Ranking is a bit of a problem. What exactly is the reference? I am ranking it based on:

  • how useful it is overall.
  • how much it contributes to a good sound.
  • How much it costs vs what it does.
  • What it does vs what it's advertised to do.

Overall my score is actually positive.

6 June 2013 at 2:26pmAiynzahev

I've had some more experience with it and added an edit note at the end. I was wrong about SSL not doing anything noticable, I was right about it being that way on one track I tested, but on something a bit heavier and sparser I'm working on right now there was a difference when adding the SSL.

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Virtual Console Collection (VCC)

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