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KVR Rank: 10 8 9 [30-Day: 26; 7-Day: 47; Yesterday: 66]
218 members are following Zebra and 264 members are following u-he @ KVR.
Product Zebra
Developer u-he
Price (MSRP) $199 (with Zebrify)
Type / Tags
Plug-in, App & Soundware Format(s)
Instrument(s)    
Operating System Availability
Operating
System
Latest
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Download Released
 2.6  Downloads Released
 2.6  Downloads Released
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Important Note
RTAS version is Mac only
Zebra

Zebra is a wireless modular synthesizer that combines subtractive and additive synthesis with a powerful modulation engine and built-in effects section. Version 2.0 adds the sonic capabilities of FM, modeling of natural sounds and advanced wavetable synthesis.

Zebra 2 offers many different types of synthesis and sound manipulation options, and you can mix them up in any way you choose. For instance, you can easily combine additive synthesis with phase distortion and frequency modulation. Or you can recreate the structure of your favourite analogue synthesizer. All this is done in an intuitive drag-and-drop fashion, without cluttering the user interface with cables.

Zebra is meant to be the most flexible yet easy to use synthesizer one can think of. Zebra presents you with as much complexity as you need for a particular sound, but not more. It's layout is arranged so that nothing gets in your way, unless you explicitly want it.

Features:

  • Modular architecture with up to: 4 oscillators, 4 dedicated FM oscillators, 4 filters (19 types), 4 VCA/pan, comb filters, wave-shapers, ring-modulators, noise-generators for each voice -- 24 audio modules, 28 modulation sources, thousands of parameters to tweak; accessible via an intuitive user interface.
  • Drag and drop circuit building.
  • 4 syncable Multi-Stage envelopes/step-sequencers.
  • 4 ADSR envelopes, 4 LFOs per voice.
  • Play-modes: polyphonic, single trigger, legato modes and arpeggiator/step sequencer.
  • Spectral Editor: Unlimited number of Waveforms (including additive synthesis).
  • Flexible Modulation Matrix.
  • 16 on-board Effects: ModFX (Chorus, Flanger, Phaser), Delay, Reverb, Ring-modulator, Filters, Waveshapers, Mixers.
  • 2 internal send busses and flexible effects routing.
  • Many effect parameters can be modulated.
  • 4 XY-controls, allowing for deep realtime sound morphs.
  • MIDI Learn: All knobs remotely controllable by MIDI Control Changes, also with relative/incremental controllers.
  • More than 1000 presets.
Discussion: Active

Discussion

16 December 2011 at 11:33pmFarleyCZ

Yep. Agreed! :) When you got Zebra and you can't imagine any new sound to make, something's wrong with your imagination. (Perhaps tired...)

Love this one too!... so much! Got it around second year now and I can promise you this fascination with OSC's, OSCFX, MSEGs etc etc doesn't end.... AMAZING synth.

18 December 2011 at 12:17pmproletkult

Glad you agree Farley. Should have added that there is a very clever promotion going on... after taking a photograph of what ever analogue synth you are retiring because of Zebra and sending it in - you get a $50 discount!! Good for your pocket and their ego!!

18 December 2011 at 2:20pmUrs

Thanks so much proletkult! Happy that you like it :)

Cheers,

;) Urs

18 December 2011 at 5:16pmproletkult

You're welcomed, Urs and congratulations on a stunning product.

22 December 2011 at 8:45amHoward

"So inspiring is the whole experience of discovering Zebra2 that the manual (which has been critised by some) works, quite rightly, more as a great reference point as you venture through this sonic jungle".

Ha! I reviewed Zebra in 2007 and criticised the documentation as well as the presets. Since then the manual has been completely rewritten, and the presets have been retired/replaced... ;-)

22 December 2011 at 10:53amproletkult

I'll be honest with you, Howard. I'd tried Zebra 1 and found it fun but no replacement for other synths I had. The development since then has been on a scale you'd expect from a big set up like Spectrasonics. Fantastic acheivement.

30 April 2012 at 2:04amliquidsound

There are two synth I can't live without, Zebra and Surge.

if I had to choose, I'll keep Zebra.

18 June 2012 at 4:35amaudiomac

Thanks to everyone for sharing your Talent..

2 April 2013 at 9:31pmbabyblue

hi,.

i just bought zebra today, because i like some of its sounds, but i agree, many sounds are over-effected. When turning the wet knob down, the sound is not really good anymore. In my opinion, the reason is first of all the looppoint of the waveforms. Especially with Pad Sounds, you can hear the loop of the used sample, the higher note is looping faster than the lower, resulting in an unsteady, not smooth sound. But this i heard nearly with every Softsynth. But i heard a few sounds, where this is not so obvious. So i hope, it is possible, to create really smooth pad sounds.

Is there a tutorial online "How to make Sounds with Zebra"? The userguide is not sufficient for me: The interface is really overwhelming.

2 April 2013 at 9:50pmHoward

@Babyblue: There are no samples in Zebra2, and therefore no looping or loop points.

BTW Zebra2 Tutorials are here: http://www.youtube.com/playlist?list=PL8B3F7A60F7C76BA
... but I would recommend that you study the manual in more depth first - start at the beginning, read very carefully, understand.

2 April 2013 at 10:53pmontrackp

I agree with Howard completely. Read the manual carefully, tweak the various parameters to understand what they do, and turn modules off and on to hear the results. You might also want to research some basics of different types of synthesis so you can really understand. I also recommend that as you go thru the presets you focus on the simpler structures so it is easier to understand what is going on.

And watch every single one of the tutorials! More than once....

You may have to dig around a little to find the waves that "speak" to you -- and remember, each wave has 16 possible iterations, some of which are completely different as you cycle through them.

Zebra is a beast for sound design, it's worth the time to learn how to use it.

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3 April 2013 at 8:42ambabyblue

thanks Howard and ontrackp for your constructive words! I will do my best and dive into the secrets of zebra. When you say there are no samples used as groundstructeres for tweaking them with the different oscs, LFOs, envs etc., i must believe you. I came to that conviction, when i played a (one) note, i heard a repeating cycle, playing this note lets say 3 notes lower, i hear this repeating cycle too, but this cycle lasts a bit longer, resulting in an unsteady, not smooth sound, when playing both notes together.

But as i said, i try my best, to achieve what i am looking for. Thanks again for your advice and the link.

uups! just tried the Link, doesn't work....

6 April 2013 at 7:00amHoward

True Babyblue, the direct link to the YT playlist doesn't work (strange!), so here's the channel:

http://www.youtube.com/user/uheplugins.

3 April 2013 at 2:44pmontrackp

The cycle speed of a LFO or MSEG can be modulated by key follow (or by specific notes for that matter) so the speed can change as you go up or down the keyboard. My advice is to deconstruct the patches. Go thru module by module and double click on modulation controls, zero out modulation amounts in the matrix and you'll start seeing how the modulators can affect cycling of filter cutoff, pitch, etc....

Just search on youtube for the tutorials, they come up all over the place.

3 April 2013 at 11:04pmPhader

@ontrackp.

you say you want warmer filters in the next version,,,.

Have you thought about getting the dark zebra upgrade?

it has a few additions, DIVA filters being one of them.

4 April 2013 at 12:22amhollo

Hehe, this was my fav because it's so presonal to me :).

"For me, the biggest downside of this synth is that it's easy to get so involved in the fun of experimenting with sound that you lose time getting work done.".

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