|Type / Tags|
- Realtime, Polyphonic, Multi-timbral synthesizer.
- Microtonal capabilities with any scale, any number of notes per octave (up to 127) and keymapping.
- 3 synthesizer engines:
- ADsynth" or "ADnote" is a complex engine which makes sounds by adding a number of voices. Each one has filters, envelopes, LFOs, morphing, modulation (Ring Modulation, Phase Modulation, the modulators can have any shape), resonance, etc. Each voice includes a very powerful waveform generator with up to 128 sine/nonsine harmonics. This engine includes antialiasing.
- "SUBsynth" or "SUBnote" is a simpler engine which allows you to make sounds by subtraction of harmonics of sounds from white noise.
- "PADsynth" or "PADnote") makes beautiful pads and other instruments.
- Instruments can be organized in kits, which allows you to make drum kits or layered (mixed) instruments; this makes it possible to use more than one instrument for a single part. It is possible to choose what items from the kit should be processed by the Part's effects.
- Effects: Reverb, Echo, Chorus/Flange, Phaser, AlienWah (a kind of vocal morpher), Distortion (Waveshaping), EQ, DynamicFilter.
- The effects can behave as System Effects or as Insert Effects; this allows you to use many effects at the same time. You can put any insert effect on any part (or more insert effects to same parts, if you like) or you can put the insert effect to Master output. Also, you can have instrument's effect (that is saved with the instrument).
- Filters up to 60dB/octave (or more); filters can be analogue (LPF,HPF, BPF,etc.), formant (advanced formant filters) and state variable (SVF).
- Envelopes can have ADSR (or ASR, etc.) modes or can be free modes (with any shape).
- Many settings have a "randomness" option; this produces a very pleasant effect (like analogue synths or natural instruments that can't produces exactly same sound twice).
- Intuitive and easy to use User Interface.
- MIDI support (supports many controllers) and (if you want) JACK support.
- Virtual Keyboard.
- It is free, licensed under version 2 of the GNU General Public License.
Reviewed By fleetmouse
October 14, 2004
The sound quality is very good, far better than I'd expect for a free project that is this far gone into complex propellerheadedness. The oscillators can be made to sound trashy when you create very complex waveforms but I didn't detect aliasing unless I pushed it really hard and played really high notes.
There are some very usable presets - in particular, some realistic reed instruments, pads and atmospheres, and miscellaneous odd noises. The presets could be more extensive and imaginative - there are worlds of sound design to explore here.
The VST works pretty well in FL Studio - just remember to minimize instead of closing the Zyn window. You can only load one instance of it but it's 16 part multitimbral, so you can direct 16 midi channels to it - in FL you give it a port number in the fruity wrapper, then create midi channels and route them to that port. I'm not using Cubase these days but you should be able to do much the same thing there. In Zyn you click on the button marked panel window to pull up the channel selector which also includes faders and knobs for the volume and pan of each channel.
The documentation is, like a lot of open source projects, not the best - it seems to be scattered and in the process of being rewritten. But it's not hard to pick up on what's happening in the program if you have some synthesis experience.
Interface is not the prettiest but it works well and I was able to find my way around - which is more than I can say for a lot of commercial VSTis.
I'll give the author top marks for support as he answers questions on a forum right here on KVR.
This is an outstanding instrument from a sound design perspective - I want to encourage the author to keep working on it.Read more