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Reviewed By mekkanix [all]
October 29th, 2017
Version reviewed: alpha on Mac
I just tried the mac alpha version of Xhip effects. These fx are great for unique lofi mangling fsu experiments, as well as making things sound better. Such character and ear-pleasing, useful results. Neat stuff. I look forward to these plugins being guied, along with the xhip synth, which is also very cool-sounding and full of character. I'll be using these a lot. I'm rarely moved to review things, but this collection stood out so much that I wanted to make sure it got the attention it deserved.
Clipper: gives absolutely flat peak to clipped sound, except when OS (oversampling?) turned on, which includes peaks in a somewhat simplified version.
Follower: Filter cutoff follows input very nicely, easy to get settings that produce something cool, like dj scratching fx or transient shaping.
Gate: I was able to get a crispy staccatto sound on a hihat loop, which I was unable to duplicate using ableton's gate without losing some of the hits.
Compressor: Very clean sounding, was not able to get any of the horrible artifacts I can get with a lot of compressors when pushed to their extremes.
Limiter. Sounds cleaner, warmer and more musical than the 20 or so other dynamics plugins I compared it to. I can get some cool volume modulation with the attack and hold controls. I was able to bring out the reverb in a drum loop in a way that sounded smooth and pleasing, as if I had put reverb on a dry drum loop. Not able to duplicate this with other plugins. Amazing.
mDelay: Millisecond delay, up to 1 second. Just about anything you do with the parameters gives really fun results.
Multiplier: Not sure what this does, sounds a little like a cross between frequency modulation and distorting something through a small speaker. The mod control can make it sound a bit like a rotary speaker too.
Phaser: Easy to get sounds that don't hurt your ears with this one, unlike a lot of phasers. You can even create a pleasing pitch warbling effect with it set to 128 stages, rate to about 7hz, and frequency and depth fairly high.
Quantizer: This provides many more possible usable interesting bitcrush/sample redux results than I can get from ableton's redux.
RC filter: LP and HP Multimode filter with different slopes, no resonance. Clean.
Rectifier: Brings amplitude of negative or positive polarity of audio closer to 0. Anything over 50% starts to make the sound thinner, leaving you with harmonics an octave above. At mid settings, I found it helps tame midrange resonances in serum dubstep basses and gives them a flatter sound as if they were somehow produced by another type of synthesis, and they sit in the mix better with noisy drums.
Reverb: Plenty of options, includes delay, rate mod for swirling nightmarish fx, and can also put things in nice spaces from small rooms to the universe.
Ringmod: The depth and sidechain options and ease of use give this an edge over the ringmod in ableton's frequency shifter, although ableton's ringmod has some additional interesting options.
Tremolo: Includes width for autopanning. Very simple. No tempo sync.
Vocal: vocal filter. Sweeping the frequency sounds like a phaser, and sweeping the phoneme around creates some very sweet ohyeahaiyu kinds of sounds.
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