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Effects used:
Rhythmizer, Convolution, Morph, Transform, Unison, Vocoder, Bassador, Doubletracker, Dynamic EQ

Artificial Oxygen is a spectral, pitch shifting, multi fx device. It seems complex under the hood but is laid out pretty simply I think. It’s a weird device with an extra weird GUI, and for that I apologize. I personally use it to add soft warbly textures and alter pitch/frequency. It is very cpu intensive and will introduce considerable latency.

There are two main level or gain sliders. The one up to the left is intended for the overall effected signal, and the one to the bottom left by the sequencer is intended for the dry signal when the “DRY/WET SEQUENCE” button directly above it is enabled. “RESPIRE” basically controls the amount of the signal is effected, but acts differently at different levels. “FORM”, “ALTER”, “HELIUM”, & “SPECTRUM” shift mostly formants, frequency, pitch & harmonics. They can also be used to brighten or darken the color of the texture. “BINDING” also can be used for texture but can also noticeably increase cpu the more clockwise it is set. “MASS” is basically a variety of stereo widening and imaging effects. The “AREA” slider enables the convolution. Using this parameter enables the “LOCATION” knob which selects from left to right between two paired impulse responses. Area also enables the “SPACE” menu parameter up top (unlabeled). This is just the selection of impulse responses to filter the effects through. The four buttons in the middle determine the spectral quality vs cpu intensity. “HAZARDOUS” is the lowest spectral setting and therefore the easiest on cpu. While “ACCEPTABLE” sets all the modules at a higher spectral rate, which in return introduces more latency and cpu resources. The gate sequencer at the bottom has a pink knob under each step. These knobs divide the corresponding step into stairs going up (clockwise) or down (counter cw). Worth noting that when adjusting the parameters of the sequencer during playback, the phase or timing may become off. I recommend starting at the beginning of a measure after setting the steps to get an accurate sound.