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Some presets for the mighty Valhalla Supermassive... https://www.studiobrootle.com/valhalla-supermassive-tutorial-with-presets/
Moons Of Mars-
Effects used:
Ring (2), EQ (4), Cabinet (2), Phaser, Flanger, Granular, Delay, Convolution (2), Dynamic EQ (2), AutopanMB, Morph, Reverb, Bandpass, Limiter

Moons Of Mars is a creative reverb, multi fx device. It’s mostly a reverb effect, though I’ve never really approached it as one. I use it for adding ridiculous amounts of filtered/textured space. Using it for busy or rhythmic audio can sound cool, especially with the ducker. But I intended it more for long sustained notes for shaping drones and ambiences.

Up top the “DRY” & “WET” knobs respectfully control the output of each signal. “PRE DELAY”, “WIDTH”, “SIZE”, & “DECAY” are pretty self explanatory for reverb parameters. However it is worth noting that since Moons Of Mars primarily uses convolution reverb, these parameters also have an effect on the pitch and color. A longer decay or size will result in a darker sounding texture. The “HOLD” button freezes the effected signal, note that increasing the “V1” parameter will increase the audibility of the hold. The “REVERSE” button reverses the effected signal, note that at longer size and decay time the reverse signal will take longer to playback. The “MOVE” button introduces a random stereo panning effect, note that the more the width parameters is turned down, the less audible the move effect is. At the very top is a mode selector with 12 different modes. Each one of these modes gives the three main parameters, V1, V2, and MOON, different characteristic behavior in sound. “V1” controls the level of the delay and granular modules and increases the audible tail. “MOON” switches between the two moons.. or impulse responses (since Mars has two moons, hence the gimmicky title of the device). “V2” increases the drone sound of the effect created by the phaser and flanger. There are two “HARMONIC” sections where can choose up to two different notes that will resonate more in the effected signal. Each has an “EMBELISH” button which makes the harmonic effect way more apparent in the mix. It is worth noting that with The HARMONIC and V2 controls that resonances can become very loud in the effected signal, and I encouraged these controls to be played with moderately at first until you fully understand their behavior. The bottom panel is pretty self explanatory where the “LO CUT” & “HI CUT” controls respectively cut off the low and high end. And the “ATTACK” & “RELEASE” control envelope time of the “DUCKING” effect.

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Mountain Flanger-
Effects used:
Bassador, Flanger (2), Wobbler, Comb, Dynamic EQ

Mountain Flanger is a flanger with comb filter resonances.

There are 9 modes to choose from in the mode selector. Each one gives a different color and has it’s own characteristic to the other parameters. “SPLIT” determines the stereo field in which the effected signal gains width. The blue buttons once activated turn the signal into mono while still keeping the phase difference. “DELAY”, “RATE”, “FEEDBACK” and “RANGE” are all pretty self explanatory in terms of flanger parameters. These parameters do also have small, random effects on the the comb filter behaves with the flanger signal. Also note that by default the rate is hz, but can be synced by clicking the two blue button by the parameter’s units. The shape of the LFO contains options for a sine, triangle, exponential, rectangle, downward saw, upward saw, 8 sequence stepper, and a random noise shape that changes with the modulators from the edit section. The noise/mess shape works better at very slow rates.
 
SurfVerb
for Guitar Rig Pro [Show all for]
by djflashpoint [Show all by] on 16 April 2019
Downloaded: 137 timesClean Compressor Delay Guitar Reverb
A clean sound I use alot on my album 777

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