Post
by zwhita » Sun Feb 14, 2021 3:08 pm
A blind test is pointless and no one cares. Any comparison someone else offers is generated outside your own controlled environment where the composition phase happens. You want something that sounds good with as little hassle as possible and if it happens to match something else you liked, then yippee skip. My argument is that Obsession, along with every other VA vst I ever tried, doesn't sound good on its own.
Perhaps I should clarify this as pure subjectivity: The OBX-a I once owned never once gave me the temptation to so much as tweak the channel EQ. I played. I tweaked the synth controls for a bit sometimes, but then I was happy and inspired. I recorded some of it to tape.
To get a sound I found inspiring and pleasing with Obsession, I had to run it through Britson channel, The Drop with a lowpass filter at high cutoff and some resonance, True Iron's UTC D-12 with pre-boost on, and +4db of low-shelf EQ at 800 hz. Then it was lovely on a few presets. I can make a track template for that, so it's fine.
Other times it still has a screechy 'bump' that doesn't go away until something is changed, usually by adjusting filter envelope decay time or resonance slightly, but that then of course changes the patch. A new sound means backtracking to adjust. This is a distraction and deters creativity.
Can't decide if this is worth spending $100 on if I have to put $200 worth of plugins in front of it first. If this is as good as VA gets for now, then maybe. I spent $400 on my OBX-a in 1996. Guess if Obsession sounds half as good, then it's fair in the long run, considering the hardware goes for a million bajillion dollars now on the auction market.