Dr. Who Theme Song
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- KVRist
- Topic Starter
- 166 posts since 4 Aug, 2004 from New Orleans, Louisiana
Hey everybody,
I'm looking for an lead synth that sounds like that lead in Dr. Who's theme song. I read somewhere it was made from serious tape manipulation, but I'm sure some of you out there know how to get that sound with a VSTi. I think the thing I like the most about it, other than the spacy reverb, is the squelch of the note right before it changes. I've heard some similarities in some of Arturia's miniMoog presets. Any suggestions?
I'm looking for an lead synth that sounds like that lead in Dr. Who's theme song. I read somewhere it was made from serious tape manipulation, but I'm sure some of you out there know how to get that sound with a VSTi. I think the thing I like the most about it, other than the spacy reverb, is the squelch of the note right before it changes. I've heard some similarities in some of Arturia's miniMoog presets. Any suggestions?
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- Banned
- 18651 posts since 2 Oct, 2001 from England
I used the old JunoX2 in my version, so i guess you have to try the Vanguard as its called now, from reFX.
http://www.groovecell.com/music/kovers/drwho-theme.mp3
http://www.groovecell.com/music/kovers/drwho-theme.mp3
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- KVRAF
- 2070 posts since 2 Apr, 2004
..its all tape manipulation, synths didnt exist back then.
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- KVRAF
- 2458 posts since 3 Oct, 2002 from SF CA USA NA Earth
Depending on which version of the theme you mean, and on whether you count gangs of individual tone generators as "synths". Here's the scoop.Barf wrote:..its all tape manipulation, synths didnt exist back then.
Mark Ayres wrote:There being no "synthesisers", the Workshop needed a source of electronic sound. They found this in a bank of twelve high-quality test tone generators, the usual function of which was to output various tones (square waves, sine waves) for passing through electronic circuits for testing gain, distortion and so on. They also had a couple of high-quality equalisers (again, test equipment - equalisers, or "tone controls", were not that easy to come by at the time) and a few other gadgets including a "wobbulator" (a low frequency oscillator) and a white noise generator.
Each sound in the Doctor Who theme was individually created using these instruments, and recorded to magnetic tape. By "each individual sound" I mean just that - each note was individually hand-crafted. The swooping sounds were created by manually adjusting the pitch of the oscillator to a carefully-timed pattern. The rhythmic hissing sounds were created by filtering white noise to "colour" it, as were the "bubbles" and "clouds". Examination of the original makeup tapes suggests that one of the two bass lines alone is a "concrete" sound, a plucked string sample.
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- KVRist
- Topic Starter
- 166 posts since 4 Aug, 2004 from New Orleans, Louisiana
Thanks for the suggestion Kriminal. I really liked your version of the Dr. Who theme...much more rock than the Orbital remake.
Anyone know of any free VSTis (more specifically which patch) to get the Dr. Who sound?
Anyone know of any free VSTis (more specifically which patch) to get the Dr. Who sound?
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- KVRist
- 74 posts since 4 Apr, 2003
Here's the scoop.
exellent! we watched the process the theme was made at uni. delia is a great pioneer in fact i love pretty much all the radiophonic stuff. shame the bbc still doesnt fund such projects. i remember the program we watched saying how badly funded it was.Mark Ayres wrote:There being no "synthesisers", the Workshop needed a source of electronic sound. They found this in a bank of twelve high-quality test tone generators, the usual function of which was to output various tones (square waves, sine waves) for passing through electronic circuits for testing gain, distortion and so on. They also had a couple of high-quality equalisers (again, test equipment - equalisers, or "tone controls", were not that easy to come by at the time) and a few other gadgets including a "wobbulator" (a low frequency oscillator) and a white noise generator.
Each sound in the Doctor Who theme was individually created using these instruments, and recorded to magnetic tape. By "each individual sound" I mean just that - each note was individually hand-crafted. The swooping sounds were created by manually adjusting the pitch of the oscillator to a carefully-timed pattern. The rhythmic hissing sounds were created by filtering white noise to "colour" it, as were the "bubbles" and "clouds". Examination of the original makeup tapes suggests that one of the two bass lines alone is a "concrete" sound, a plucked string sample.
- Beware the Quoth
- 33174 posts since 4 Sep, 2001 from R'lyeh Oceanic Amusement Park and Funfair
OneDalekOnly
my other modular synth is a bugbrand
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- addled muppet weed
- 105855 posts since 26 Jan, 2003 from through the looking glass
in the original first series it was my great grandad who was hired to go "ooeeoo oooo ooeeooeeoo oooooooooooooooo oooo"
he got 2 n 6 for that gig apparently
he got 2 n 6 for that gig apparently
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- KVRAF
- 3096 posts since 3 Nov, 2002 from Kettering UK
This cropped up a year or so ago and I turned out this.. s'free, you might have fun trying to play it with your mod wheel..
http://www.krakli.co.uk/zips/Whooo.zip
http://www.krakli.co.uk/zips/Whooo.zip