Annihilation
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- KVRist
- Topic Starter
- 30 posts since 18 Jan, 2018
Apologies if there is a thread on this I did look.
The stand out point for me is this score: https://soundcloud.com/invadauk/ben-sal ... alien-edit
The sounds are very moog/diva-ish. Anyone know what's being used here?
The stand out point for me is this score: https://soundcloud.com/invadauk/ben-sal ... alien-edit
The sounds are very moog/diva-ish. Anyone know what's being used here?
My latest release 'News to Me' features at #4 on Traxsource Essential Garage charts: https://www.traxsource.com/title/924594/january-29th
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- KVRer
- 15 posts since 22 Apr, 2018
https://vi-control.net/community/thread ... ard.71428/
I think it’s a bespoke Kontakt library being controlled by a rolli controller. It’s amazing work really.
I think it’s a bespoke Kontakt library being controlled by a rolli controller. It’s amazing work really.
- KVRist
- 235 posts since 5 Jan, 2018 from Asheville, NC, USA
Pretty sure it's a heavily processed Oberheim Two Voice. They used a chain of them for their (unused) score for Dredd...
https://slate.com/culture/2018/02/annih ... alien.html
https://slate.com/culture/2018/02/annih ... alien.html
Stunning film and the soundtrack has been playing nonstop on my headphones for over a month.What exactly am I hearing in this melody, in terms of instruments?
You are hearing synths, and as I said, it’s the only time in the score that synths and electronics make an overt appearance. They do so purposefully in this part of the film so that it stands apart. It would’ve been done on Oberheim Two Voice and put through various secret ingredients, but it is essentially as simple as it can be. It’s four notes. Sometimes the most arresting things are the simplest things. They’re sort of mangled in the version you hear, but it’s just four notes. It’s the production of it that does it, which obviously Geoff is a master of.
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- KVRAF
- 6828 posts since 28 Apr, 2004 from france
That's funny : everyone is saying something different. I would have guessed a string sample played backwards and quite heavily modulated and filtered.
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- KVRist
- 33 posts since 19 Jun, 2018
The riff that kicks in about half-way through the track is awesome. It's so disturbing. It literally sounds like you're face-to-face with an alien. This movie was such a pleasant surprise and a fantastic score.
The riff sounds to me like some sort of horn sample that's absolutely mutilated
The riff sounds to me like some sort of horn sample that's absolutely mutilated
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- KVRist
- 59 posts since 9 Sep, 2012 from Vancouver BC
http://www.vulture.com/amp/2018/06/five ... -fear.html
They mentioned that they used a waterphone for the alien parts of that movie.
They mentioned that they used a waterphone for the alien parts of that movie.