KVR Audio

thehouse · Post by **thehouse** » Thu Sep 08, 2011 12:24 am

Nice to meet you clever bunch. Hope to get to know a few of you alot better the more I spend time here, and one day be able to help other new people from what I learn here!

Regalo Vampire · Post by **Regalo Vampire** » Fri Sep 09, 2011 9:55 am

1. Ivan Baev.
2. NI Massive, Diversion, Korg Legacy, Minimoog V, Zebra.
3. Self.
4. http://soundcloud.com/regall-vampire.
5. Nope.
6. --.
7. ibaev at yahoo.com

Yuroun · Post by **Yuroun** » Mon Oct 03, 2011 8:03 am

1. State name
Jeroen van Rooij/Yuroun

2. What synths you have worked on
Alchemy, CronoX3, Absynth, Kontakt, Sylenth1, Morphine

3. What developers you have worked for
Camel Audio

4. Any web references
www.jeroenvanrooij.com

5. Prefered synthesis method (if any).
Sample based, but I can work with all methodes. I just like to turn a normal, non ordinary sound in something else.

6. Any other comments about your work you would like to present
My design style is suitable for ambient, cinematic, game music, new age productions.

7. Contact info
www.jeroenvanrooij.com

Bruce2k12 · Post by **Bruce2k12** » Mon Feb 27, 2012 10:08 am

1. State name: Bruce

2. What synths you have worked on: If I get this right it's the synths were i developed sounds for before they are on the market - so no one. But the ones which were available for me, i did a lot of sounds on.

3.What developers you have worked for: none

4.Any web references: i should get one huh

5.Prefered synthesis method (if any): subtractive synthesis

6.Any other comments about your work you would like to present: it's made with love - my first synthesizer was an fm synthesis child casio shit rocker. You could not change any setting! That sucked! That's why I like the people you modify child play toys better known as circiut bending:
http://www.youtube.com/watch?v=InoEaSur ... re=related

7.Contact info: here.

Nice to be here

SoundSonicTeam · Post by **SoundSonicTeam** » Thu Mar 08, 2012 2:56 pm

Great thread...

Ingonator · Post by **Ingonator** » Sat Mar 10, 2012 11:05 am

deleted, updated

satYatunes · Post by **satYatunes** » Mon Mar 12, 2012 3:17 pm

1. State name: Satya Choudhury aka satYatunes
Presets are tagged with "sT"

2. What synths you have worked on:
Contribution to factory / expansion soundsets:
Wusikstation, Tone2 (Saurus, RayBlaster, Nemesis), MeldaProduction MXXX, Linplug Spectral, Synapse-Audio Dune2, Arto Vaarala Cream, Supersynths Supercore2

Free presets: Kirnu (available on my website)

3. What developers you have worked for:
Arto Vaarala, William K, Tone2, Linplug, Synapse-Audio and Melda

4. Any web references: http://satyatunes.com/
My entire portfolio is available on my website. Demo tracks as well as plugin skins/themes

5. Prefered synthesis method (if any): Like them all

6. Any other comments about your work you would like to present: I enjoy sound design and put my heart and soul in every project that I do

Some links on my work:
http://www.tone2.com/html/arpmania.html
http://www.tone2.com/html/chartbreaker.html
http://www.tone2.com/html/futuron.html
http://www.tone2.com/html/ambisphere.html
http://www.tone2.com/html/epic%20pads.html
http://www.tone2.com/html/ims%20exclusive.html
http://www.tone2.com/html/arpeggiator.html
http://www.tone2.com/html/top%20of%20the%20clubs.html
http://www.linplug.com/spectral.html
http://www.synapse-audio.com/dune2.html
http://www.kirnuarp.com/
http://www.wusik.com/ww/products/new-so ... thbank-one
http://www.supersynths.com/Synths/supercorev2.html

Links to sound design contests that I participated and the results:

Zebralette patch ended up at #2:
http://www.kvraudio.com/forum/viewtopic ... highlight=

Diva Mini patch bank ended up at #4:
http://www.kvraudio.com/forum/viewtopic ... sc&start=0

ACE patch ended up at #5:
http://www.kvraudio.com/forum/viewtopic ... highlight=

7. Contact info: PM or e-mail from this site (KVR)

Eclipse.Sound · Post by **Eclipse.Sound** » Tue Apr 17, 2012 5:32 pm

1. State name:

Eclipse

2. What synths you have worked on:

Native Instruments: Massive, Absynth, FM8

Rob Papen: Albino, Predator

U-he: Zebra

4. Web references:

http://eclipse-sound.com/

5. Prefered synthesis method (if any):

Anything that leads to Desired results.

7. Contact info:

http://eclipse-sound.com/index.php/contact

jethrobull · Post by **jethrobull** » Tue Apr 17, 2012 5:41 pm

1.State name : Paul Roach
2.What synths you have worked on: Memorymoon & Messiah.
3.Web references: http://www.memorymoon.com/downloads.htm

arachnaut · Post by **arachnaut** » Sun Jul 01, 2012 6:42 pm

1. State name.

Jim Hurley - arachnaut

2. What synths you have worked on.

Moog, PAIA8700, ESQ-1, VFX, Oberheim Matrix-6, too many to list (I forget them all)...

3. What developers you have worked for.

NI, 2C-Audio

4. Any web references.

www.arachnaut.net

5. Prefered synthesis method (if any).

I feel that there are (at least) two types of sound design - instruments and soundscapes.

Instruments are the things that you use to make a song part in an ensemble.
Soundscapes are things that don't mix very well with other stuff - they stand alone.

I used to be an instrument designer, but I think that area is very well represented by the huge number of sound designs out there already.

I still do that, but mostly the work today is on soundscapes - making that evolving sound that has not been heard before.

Whether that sound can be used by others is another issue - a difficult one.

6. Any other comments about your work you would like to present.

My own preferences in sound design are a mixed bag. I really enjoy percussive sounds and these are short one-shots where every sample of the sound matters.

But I also enjoy evolving sounds where the spectrum changes (slowly or quickly) over a time.

I think that the history of orchestration has evolved instruments design to a point where subtlety and mastery of nuance is paramount. The standard Western (and global) orchestra is at a pinnacle of performance and sound quality.

This implies that samplers are the way to go - and I greatly enjoy fine sampled instruments. I don't do that as I don't have good mics, access to instruments, etc.

On the other hand, it seems that the trend towards samples and sound presets is moving towards a 'soundscape' - a sound that stands on its own.

This is a miniature song format in its own right.

But for users - how does one use a soundscape? It is immediately recognizable and is a detriment to creativity by that point.

As a result, I tend to use soundscapes as sources which create further soundscapes. In fact, nowadays, I treat every sample or instrument preset as an INPUT to a chain of processes that make an evolving sound.

That makes the concept of a preset paramount - the choice of a chain of (relatively simple) instruments and effects that modify and modulate the incoming sound.

I wish there were some standard way of creating a shareable preset that can reproduce sounds. I think the time is right to deliver on this.

Final comments:

Modern music is influenced by the use of MP3 tags - a recent phenom. I don't really know what some of the genres mean. To me 'electronic music' means one thing, but to others it is a dance style (?). It seems to me that every new group defines a new genre and calls some followers.

7. Contact info.

arachnaut@gmail.com

himalaya · Post by **himalaya** » Sun Jul 01, 2012 9:30 pm

1. State name.

Raphael S. aka Electric Himalaya

2. What synths you have worked on.

Software - contributing to factory/expansion presets:

Ableton Live Tension, Live Corpus, Live collision, Live sampler, Gladiator, ElectraX, Saurus, RayBlaster, DCAM Cypher + Fusor, Tremor, Krakli synths, Xoxos Radian, Camel Audio Alchemy expansion sets:Dream Voices, Guitar Mutations, Dubstep, Arp Dimensions, Cinematic Atmospheres, Cinematic Impacts, Planet Earth, Electronic Bass and my own sets (Pads and Vintage), FXpansion Cypher Antiquity, Modernity and Electricity expansions, Steinberg Halion Sonic and Padshop Pro, plus more still under NDA.

Software - my own commercial releases

Tassman4, String Studio VS-1, Korg MonoPoly KLC, Big Tik Rhino2, Alchemy, Saurus

Software - just using in my own projects

Too many to mention, in addition to the above: Z3ta+, Zebra, DIVA, SonicSynth2, Modelonia, Firebird, FabFilter Twin...etc.

Hardware synths - released sound banks, presets for:

Yamaha Sy77, Arturia Minibrute

Hardware synths - worked with in projects and used for the creation of samples:

Arp Solina, Moog Minimoog Model D, Oberheim OBXa, Korg mini700, Roland VP330, Roland, RS-202, Roland SH-2, Roland MKS70, Roland XP80, Doepfer Dark Energy, Clavia Nord Lead 3, Creamware Prodyssey, Novation Super Bass Station, Roland Jupiter 8. Most of these are part of my private collection.

3. What developers you have worked for.
Apple, Ableton, Applied Acoustic Systems, Camel Audio, FXpansion, Roli, Steinberg, Sugar Bytes, Tone2, etc.

4. Any web references.

http://www.fxpansion.com/index.php?page=108&tab=292
http://www.fxpansion.com/index.php?page=134
http://www.fxpansion.com/index.php?page=175
http://www.camelaudio.com/Himalaya-Vint ... ibrary.php
http://www.camelaudio.com/Himalaya-Soun ... ibrary.php

plus my website

5. Prefered synthesis method (if any).
Two metal spoons hitting a brass bowl

6. Any other comments about your work you would like to present.
Sound design has always been part of every music composition I have ever created, which includes commercial CD releases and music for the media.

7. Contact info.
http://www.electric-himalaya.com/contact.html

Aiynzahev · Post by **Aiynzahev** » Sat Jul 21, 2012 5:22 pm

Name:
Sami Rabia aka AiynZahev

Synths Worked on:
Commercial sets:

Native Instruments Massive
Synapse-Audio DUNE
u-he DIVA
Waldorf Largo
DiscoDsp Corona
Lennar-Digital Sylenth1
AAS Ultra Analog

Created Factory Presets for:
Oxium
Rayblaster
Saurus

Developers worked for:
Tone2 & Xils-Lab

Web:
www.Aiynzahev-sounds.com

http://www.waldorfmusic-shop.de/epages/ ... ts/wsetl04

Preferred Synthesis:
VA paired with Wavetable

Comments:
Up till now my sets were designed to give you
1) A lot of good authentic trance patches
2) Sounds you might not expect to find in a trance bank

In the future I may produce banks that have minimal trance content, the focus shifting to something else. But they will likely always lend themselves to dance music. It is just my framework.

Contact:
I have a contact page on www.aiynzahev-sounds.com and will get messages if pm'd here.

IRL303 · Post by **IRL303** » Sun Aug 05, 2012 8:49 pm

State name: Oddball
What synths you have worked on: Korg MS2000, Roland, SH 01, Korg M1, TB303
What developers you have worked for: None
Prefered synthesis method: Modular
Any other comments about your work you would like to present. I design SFX and make old 90s sounds
Contact info. PM me

hollo · Post by **hollo** » Tue Aug 28, 2012 3:37 pm

1. State name.

Joseph Hollo

2. What synths you have worked on.

As a keyboard player/composer:
Roland A90, Emu e6400, Dx7/II, D-50

4. Any web references.

http://www.youtube.com/watch?v=lZGnVbHd ... e=youtu.be

http://soundcloud.com/hollosound/zebra- ... aven-demo2

5. Prefered synthesis method (if any).
6. Any other comments about your work you would like to present.

The U-HE Zebra inspired me with it's perfectly balanced, open minded possibilities/limitations to write my first soundbank.

7. Contact info.

www.sound.artenuovo.com

aMUSEd · Post by **aMUSEd** » Tue Aug 28, 2012 3:46 pm

Are you related to Anselm Hollo in any way?

The Sound Designers of KVR Thread