This time I made classical music.
Judgement
Gear used:
- Logic Pro 9
- East West Symphonic Orchestra
Judgement (classical music)
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- KVRAF
- Topic Starter
- 1609 posts since 13 Oct, 2003 from Oulu, Finland
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- D.H. MOD
- 16420 posts since 21 Jun, 2008
Nice. I enjoyed this. Thank you.
No longer a moderator.
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- KVRAF
- Topic Starter
- 1609 posts since 13 Oct, 2003 from Oulu, Finland
Glad that you liked it! 
Thanks for the comments!
Thanks for the comments!-
- KVRAF
- 5530 posts since 5 Aug, 2006 from UK - The Mudway Towns
I enjoyed this, but as a classical piece I didn't feel it really led anywhere, and the end came a bit unexpectedly.
It wasn't me! (well, actually, it probably was) - apparently now an 'elderly' so maybe I forgot!
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PurpleCatfishBettie PurpleCatfishBettie https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=211816
- KVRAF
- 3278 posts since 22 Jul, 2009
This is beautiful.
The only thing i might add, would be to put in a bit of 'stepwise movement' here and there. A very simple version of this would be; say you have a iiº at some point; enter the chord from an entirely sharp or flat position, then slide into the iiº proper; ie, if you were in 'A minor,' slide into bdf from cd#f#, or a#c#e.
Also, maybe here and there, substitute IV for iv, or #viºmin7 for a straight VI.
And as it is, you are already doing a couple of interesting things. In particular are; the brief modulation into seemingly 'Major' (can't suss out the specifics with my ear), and the apparent move from the 7 note to the #7 at certain points.
Be that as it may, this sort of reminds me of Eleanor Rigby.
Keep it up!
The only thing i might add, would be to put in a bit of 'stepwise movement' here and there. A very simple version of this would be; say you have a iiº at some point; enter the chord from an entirely sharp or flat position, then slide into the iiº proper; ie, if you were in 'A minor,' slide into bdf from cd#f#, or a#c#e.
Also, maybe here and there, substitute IV for iv, or #viºmin7 for a straight VI.
And as it is, you are already doing a couple of interesting things. In particular are; the brief modulation into seemingly 'Major' (can't suss out the specifics with my ear), and the apparent move from the 7 note to the #7 at certain points.
Be that as it may, this sort of reminds me of Eleanor Rigby.
Keep it up!
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- KVRAF
- Topic Starter
- 1609 posts since 13 Oct, 2003 from Oulu, Finland
Stepwise movement I understand but the rest of the music theory stuff goes a bit over my head since I haven't really studied that part of making music. I'll check out what all that meant and try it outmrblitz000 wrote:This is beautiful.
The only thing i might add, would be to put in a bit of 'stepwise movement' here and there. A very simple version of this would be; say you have a iiº at some point; enter the chord from an entirely sharp or flat position, then slide into the iiº proper; ie, if you were in 'A minor,' slide into bdf from cd#f#, or a#c#e.
Also, maybe here and there, substitute IV for iv, or #viºmin7 for a straight VI.
And as it is, you are already doing a couple of interesting things. In particular are; the brief modulation into seemingly 'Major' (can't suss out the specifics with my ear), and the apparent move from the 7 note to the #7 at certain points.
Be that as it may, this sort of reminds me of Eleanor Rigby.
Keep it up!
I do understand the basic chord number (I..VI), but if they're upper/lower-case, then I'm in trouble.But anyway, great comments. Thanks! I hope I'll learn something from them
