One of my audio for film guys took a 64GB workstation around a decade ago... and then came back the following week for another 64GB.chk071 wrote:Wow. Never heard that someone maxes out 32 GB of RAM.
It's not that uncommon!
One of my audio for film guys took a 64GB workstation around a decade ago... and then came back the following week for another 64GB.chk071 wrote:Wow. Never heard that someone maxes out 32 GB of RAM.
I'm impressedI think this one is perfect:
https://petapixel.com/2017/09/13/hp-z8- ... b-storage/
Actually, that build is not quite decent at all if you compare it to the performance of more recent chips. For instance, the OP's i7-4790 is barely faster than my 6 year old 3770k!Mushy Mushy wrote:Are you sure you're not doing something wrong? That spec looks quite decent already.
This. I’m pretty sure that serious orchestral composers often use multiple networked machines to host all their samples.Zexila wrote:Think that most folks who are heavy into Kontakt use another machine to host it via VEPro or similar.
I'm at a loss as to why someone would want a £3k new PC and to keep going with the Audiobox.kevvvvv wrote:Am looking to get a new Win 10 machine to run Studio One, Kontakt and all the usual music stuff.
I'm looking for better performance to replace my current i7-4790 32gb RAM machine with invidia GTX 60 graphics card. I'm happy with my Presonus Audiobox.
The current system struggles when too many kontakts or synths are open.
What processor, memory, graphics card, and any other accessories do you recommend?
Also: Do you know a good UK music PC builder?
I've got £2k-£3K GBP to spend.
All advice welcome.
thanx = kevvvvv
Well, to be fair, the Audiobox is built like a tank.Heartfeltdawn wrote: I'm at a loss as to why someone would want a £3k new PC and to keep going with the Audiobox.
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