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VST, AU, AAX, CLAP, etc. Plugin Virtual Effects Discussion
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Curtis Roads as a consultant and helper?!!? Man that's like the Steven Spielberg of granular!

:-o :shock: :party: :party:
Last edited by Neon Breath on Wed Jan 24, 2018 10:30 pm, edited 1 time in total.

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Wow..! I new you guys must have thought about it! :hihi:
Great news!

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dandezebra wrote:You guys going to have the first synth that PA sells? :eek:
They already have the first SpecOps and first Sandman and first Fault that PA sells. :party:

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Sounds quite interesting, innovative, instabuy...

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thelizard wrote:The granulator is something that we've wanted to do since starting the company. Curtis Roads showed me a lot of excellent OS 9 granular software that had crazy amounts of power. A lot of these had, ehhh, "academic" interfaces and/or required a lot of work to use and run. He emailed me to let me know that he will happily consult with us while we design and test it. We plan on doing a granular effect this year, and potentially a granular instrument next year. Our goal is to do something similar to what we did with SpecOps: lots of algorithms and techniques distilled down to a modulation and performance friendly interface.
Oh, nice! Will we see any dictionary-based/matching pursuit granular concepts in there? I've been absolutely fascinated with the concept since reading about it, but can't find any PC software implementing it (and I'm not sure if Scatter for OSX by Roads et al is freely available outside university walls anyway). I've used Michael Klingbeil's SPEAR since my university days and that's let me play with some of the editing possibilities (e.g. deleting 'atoms' above/below a certain amplitude or duration threshold), but I'm sure I'm missing an awful lot when the only item in the 'dictionary' is a sine wave function.

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cron wrote:Oh, nice! Will we see any dictionary-based/matching pursuit granular concepts in there?
-v

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SpecOps for some auto vocal shifting:

https://soundcloud.com/synth-presets-co ... io-specops

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which of their plugs do you guys prefer if u could only get one?

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I'd say Sandman Pro since it has so many great uses. Of course SpecOps is the more exotic one now so it depends on what you want.

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Sandman Pro for me too. I bought Sandman the day it was released, and Sandman Pro likewise.

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So after a lot of playing around with SpecOps I made another video.

I used my Ableton Push 2 this time for the live performance and I think SpecOps works great this way. Sandman Pro does the delay/reverb.

https://www.youtube.com/watch?v=46Q8BosAvIc

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bundoo wrote:which of their plugs do you guys prefer if u could only get one?
I use G8 Gate all the time, but in the bizarre circumstance that I could only have one of their plugins (nobody has ever been able to explain why :hihi:) I'd find another gate and stick with SpecOps.

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Of the ones I have, you cannot really go wrong. G8, Fault, and Sandman Pro are all amazing. It really depends what you want to do. I would guess Sandman Pro might have a more broad application for general use.

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thelizard wrote:
The granulator is something that we've wanted to do since starting the company. Curtis Roads showed me a lot of excellent OS 9 granular software that had crazy amounts of power. A lot of these had, ehhh, "academic" interfaces and/or required a lot of work to use and run. He emailed me to let me know that he will happily consult with us while we design and test it. We plan on doing a granular effect this year, and potentially a granular instrument next year. Our goal is to do something similar to what we did with SpecOps: lots of algorithms and techniques distilled down to a modulation and performance friendly interface.
Wow, that's seriously cool. I vote for a granulator that isn't that simple. Something that goes deep down the granular rabbit hole! :ud:
gadgets an gizmos..make noise https://soundcloud.com/crystalawareness Restocked: 3/24
old stuff http://ww.dancingbearaudioresearch.com/
if this post is edited -it was for punctuation, grammar, or to make it coherent (or make me seem coherent).

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Soarer wrote:So after a lot of playing around with SpecOps I made another video.

I used my Ableton Push 2 this time for the live performance and I think SpecOps works great this way. Sandman Pro does the delay/reverb.

https://www.youtube.com/watch?v=46Q8BosAvIc
That's rad :clap:

Did you start with a specops preset or your own setting?

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