Just for the record: UVI Plate is a lot more expensive than PA1.
Even this you could not get right.
Just for the record: UVI Plate is a lot more expensive than PA1.
You have probably unsubscribed to the the newsletter because we've sent a newsletter about this.Harry_HH wrote: ↑Thu Oct 18, 2018 7:40 pm Sounds interesting, worth to demo.
BTW, UVI is one of those lazy b*****ds in communicating new products to their clients. I haven't got a sinle message of this new product, although being UVI's customer about 10 years, order their mail, and own 9 of their products.
So you are saying this:
At the moment UVI's Plate is $79 (or £61) vs PA1's £79
That is a complete 100% non answer. Sounds like you are trying to pass the buck. Honestly this is isn't even a support issue.otristan wrote: ↑Thu Oct 18, 2018 2:39 pmHarry Truman said once: If you can't convince them, confuse them.cjwseven7 wrote: ↑Thu Oct 18, 2018 2:32 pm Ok, are you able to explain why you chose the material sequence Steel-Gold-Silver-Titanium-Aluminium, like in PA1? These are by no means standard materials for a plate reverb. There are thousands of materials and compounds to choose from. Why those?
Also, the ranges of the control knobs are surprisingly similar to PA1. Why are you letting the area to go up to 6m^2? That's again a non standard size for a plate reverb unit. Same goes for the tension, from 0 to 2000. By the way, I don't think you implemented these features correctly. You don't give physical units on the plate. Also, on your website you are measuring the plate area in metres, not square metres. The tension has no units, which is weird. Also, it is false to claim that the tension raises the frequency of the highest modes ... it should raise the frequency of all the modes, if implemented properly.
There are a number of things that look a little unclear, and I think they would deserve a better explanation.
Hopefully this is not what you are trying to do here...
You can contact UVI Plate developer (which is not me) directly through our support channel. He will be happy to answer your questions.
Thanks !
"Glory is infinitely divisible" - I am a big fan of thanking those that helped and contributed - film credits are a good example.cturner wrote: ↑Thu Oct 18, 2018 8:20 pm It wouldn't hurt to acknowledge the debt to Physical Audio. There is such a thing as "Acknowledgements". Here are the ones from Stefan Bilbao's book, "Numerical Sound Synthesis":
UVI has a "Credits and Thanks" at the end of the Plate Manual, so they understand the concept. Do we not stand on the shoulders of others? Why does this become something that PA gets alerted to by friends, after-the-fact?
Considering that the founders of PA1 are academics and published much of the publicly available research work in implementing this particular type of Plate reverb implementation. It is not surprising at all that other companies would look at those papers and implement similar ideas into their DSP for use in commercial plugins. In the past people would copy from classic Lexicon/Eventide etc reverbs, that included copying everything from the interface to the ranges of the controls. In fact the whole reverb plugin market is based on this.liquidsonics wrote: ↑Thu Oct 18, 2018 4:38 pm I was surprised to find so much information on PA's plate implementation published freely by the developers themselves in a paper available online, a very generous contribution to the art I felt at the time.
They had a sale in July £55jens wrote: ↑Thu Oct 18, 2018 8:20 pm
That's the intro price and as such of course irrelevant: PA1 is a lot older - who knows if they ever had an intro price and if so what it was or if they ever had any kind of sale. If you compare prices you of course have to compare undiscounted prices (except we are talking about Waves or so which are basically always on sale).
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