Compressors - Confused about compressing and how to use it
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Hermetech Mastering Hermetech Mastering https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=7418
- KVRAF
- 1619 posts since 30 May, 2003 from Milan, Italy
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Nathan Alexander Nathan Alexander https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=400694
- KVRer
- 4 posts since 1 Jul, 2017
Ok so there are 3 overlapping perspectives I’ve used to understand what compression really is:
1. Compression is just an automatic volume fader. This is literally what a compressor should mean to you. It’s not compression, it’s an automatic volume fader.
2. Anything a compressor can do, volume automation can do.
3. Compressors are designed to make loud sounds quieter
Knowing when you need compression can be answered by whether you want to 'Control the Average Level' of your sound i.e. a vocalists dynamic performance or if you want to 'Control the Volume Shape' of your sound like giving a snare hit more attack, or more punch. So you're just shaping the sound in the same way a sculptor might shape a statue to make certain parts more prominent than others.
If you want to better understand the Controls of a compressor you may want to watch this:
https://youtu.be/qYvzCYeSNB8
To see how you might use a compressor in an actual session you can check this out:
https://www.youtube.com/edit?o=U&video_id=6fPtYN_YUbc
1. Compression is just an automatic volume fader. This is literally what a compressor should mean to you. It’s not compression, it’s an automatic volume fader.
2. Anything a compressor can do, volume automation can do.
3. Compressors are designed to make loud sounds quieter
Knowing when you need compression can be answered by whether you want to 'Control the Average Level' of your sound i.e. a vocalists dynamic performance or if you want to 'Control the Volume Shape' of your sound like giving a snare hit more attack, or more punch. So you're just shaping the sound in the same way a sculptor might shape a statue to make certain parts more prominent than others.
If you want to better understand the Controls of a compressor you may want to watch this:
https://youtu.be/qYvzCYeSNB8
To see how you might use a compressor in an actual session you can check this out:
https://www.youtube.com/edit?o=U&video_id=6fPtYN_YUbc
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- Banned
- 181 posts since 29 Mar, 2017
Compressors can increase sustain and make quiet sounds lowder but they make sound dead. You don't need them. You must find studio quality grade equalizer. That's what you actually need (secret info...)
samplitude is the best daw for me. To have studio like sound before asking questions on any audio forums in the internet please read the book by alex unlocking fx creative potential
- KVRian
- 896 posts since 8 Aug, 2011
You can actually use an upward compressor to make a dead sound more alive. Saying you don't need them is very much a black and white opinion. Need might be a strong word but compressors are part of the sound a lot of people like plus it's faster to use than automating volume. Eqs in many DAWs are just fine but if you want some tone out of them EQs than yeah you can look in some freeware, hardware or buy alternatives to your DAW eqs.solomute wrote:Compressors can increase sustain and make quiet sounds lowder but they make sound dead. You don't need them. You must find studio quality grade equalizer. That's what you actually need (secret info...)
MXLinux21, 16 Gig RAM, Intel i7 Quad 3.9, Reaper 6.42, Behringer 204HD or Win7 Steinberg MR816x
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- KVRAF
- 3477 posts since 27 Dec, 2002 from North East England
I'd go further and say even 'normal' downward compression can liven up a dead sound, especially when mouse programmers aren't making use of velocity. You can even increase perceived dynamic range with downward compression assuming your channel contains discrete events where the release can back off during silence (e.g., a kick drum track.)Boone777 wrote:You can actually use an upward compressor to make a dead sound more alive...solomute wrote:Compressors can increase sustain and make quiet sounds lowder but they make sound dead. You don't need them. You must find studio quality grade equalizer. That's what you actually need (secret info...)
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- Banned
- 181 posts since 29 Mar, 2017
Never heard about upward copmressor solution. How do you do it?
samplitude is the best daw for me. To have studio like sound before asking questions on any audio forums in the internet please read the book by alex unlocking fx creative potential
- Boss Lovin' DR
- 12621 posts since 15 Mar, 2002 from the grimness of yorkshire
Is it finally the long awaited return of JP22?solomute wrote:Compressors can increase sustain and make quiet sounds lowder but they make sound dead. You don't need them. You must find studio quality grade equalizer. That's what you actually need (secret info...)
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- KVRist
- 126 posts since 4 Feb, 2012
This is the best compression explanation I have ever seen: https://www.youtube.com/watch?v=NdGdtJgayTU
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- Banned
- 181 posts since 29 Mar, 2017
what do you mean?Is it finally the long awaited return of JP22?
samplitude is the best daw for me. To have studio like sound before asking questions on any audio forums in the internet please read the book by alex unlocking fx creative potential
- Boss Lovin' DR
- 12621 posts since 15 Mar, 2002 from the grimness of yorkshire
There was long, long ago on KVR and other music forums, a rather interesting individual under the moniker of JP22, who advocated the rather novel concept of using eq to control dynamics;solomute wrote:what do you mean?Is it finally the long awaited return of JP22?
https://encyclopediadramatica.rs/Jp22
"I could easily give back any minimal dynamics lost compressing with a bit more eq on my mixer"
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- Banned
- 181 posts since 29 Mar, 2017
I prefer short videos where they briefly summarize the essense. I have never met a situation where i would really need a compressor. Unless you record live performance you don't need it unless you make some electronic, dance and other type of non-intellectual music. You need to focus on quality of sound. There are airwindows plugins like console4 which are claimed to produce studio like air. that's what everyone needs and not some cheap emulation of hardware. Also you need to focus on panning and equalization. I.e. compressor won't help you to get good sound, on the contrary you are sure to get some deterioration from my experience. Instead of compressing you for example can lower down highs of less important tracks if you need to cut down volume. I.e. the compressor is not the solution to improve your sound and thus since all compressor emulations are crappy and worse than hardware ones you are sure to lose your time. Again this is from my experience and experience of some other people i know. I recommend your trying genwave eq instead of any compressors. It will definitely make your sound much much better and you won't want to lose your time on compressing... Of course if you produce non-intellectual electronic crap you may compress as much as you want.This is the best compression explanation I have ever seen: https://www.youtube.com/watch?v=NdGdtJgayTU
samplitude is the best daw for me. To have studio like sound before asking questions on any audio forums in the internet please read the book by alex unlocking fx creative potential
- Boss Lovin' DR
- 12621 posts since 15 Mar, 2002 from the grimness of yorkshire
- Boss Lovin' DR
- 12621 posts since 15 Mar, 2002 from the grimness of yorkshire
Oooof, I think you may just have picked the wrong audience for your pearls of wisdom here...solomute wrote: electronic, dance and other type of non-intellectual music.....
Of course if you produce non-intellectual electronic crap you may compress as much as you want.
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- Banned
- 181 posts since 29 Mar, 2017
the guy is asking if he should use compression. and definitely if he makes intellectual non-electronic non-dance music he must stay away from compression and crappy software emulators. That's not the instrument to shape the sound. If he wants to add colors he would better use some separate saturators and not compressors.
samplitude is the best daw for me. To have studio like sound before asking questions on any audio forums in the internet please read the book by alex unlocking fx creative potential
- Boss Lovin' DR
- 12621 posts since 15 Mar, 2002 from the grimness of yorkshire
What about non-intellectual, non-dance, non-electronic crap? Is it ok then?