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It's a direct rapidshare linkm, so no waiting. Comments are appreciated.

http://rapidshare.com/files/215182447/473.mp3 :)

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Has that charming handmade feel you do so well. Multi-faceted yet very cohesive. And a mini drum solo! God this is good, really enjoyed it Junk!

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Thanks for listening polyslax. I woke up early and read the first sentence of your reply as "Has that charming handmaid you feel down?" Don't know how I managed a question out of a statement.

Glad you enjoyed and thanks for the comments too.

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Love the spacey guitars and alt-ish melodies. Some truly beautiful moments. What do you use for guitar fx? You hooked up with a singer for this stuff yet? Seems like a few of your jams would really go over the top with vocals treated like your guitars in them. The buzz bass is awesome in the 4-5 minute mark. Great jam.

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Thanks for listening Jazzyspoon. For the clean guitars I used overloud's TH1 and soundtoys echoboy. For the distorted guitars and bass I used waves GTR 3.5, Revalver 3 and Line 6 Podfarm. Part of the fun is hearing the different sorts of sounds I can summon from these plugins.

Singing would be cool. If you want to take a stab at it, that would be cool.

I appreciate the comments. :)

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Did you really strum that intro?

I like everything, especially the lead and the spaces, floating feel - except the intro - which I love - but distracts from the whole by sounding unrelated and preparing you for something entirely different (possibly a good thing, sequenced on an album) and the outro simply because it tapers off.

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I'm another fan of the floating feel.Love those warm fuzzy tones.
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Very nice track! Some really killer guitar sounds in here. I'm curious about the part starting just after 4:30ish: is that layers of the same instrument or just extremely tight guitar/bass playing? Not flashy or anything, but that's one of my favorite parts just for the tone, however it came about.
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runagate wrote:Did you really strum that intro?

I like everything, especially the lead and the spaces, floating feel - except the intro - which I love - but distracts from the whole by sounding unrelated and preparing you for something entirely different (possibly a good thing, sequenced on an album) and the outro simply because it tapers off.
Well I strummed it, but pitchshifted it up an octave without preserving the original speed. So it's double the original strum speed.

I agree about the intro. I think it's formally distinct from the rest of the song which as you say may or may not be a bad thing depending on the context.

Glad you enjoyed this one, wasn't sure you'd go for it. Thanks for listening and for the comments. :)

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Kmeister wrote:I'm another fan of the floating feel.Love those warm fuzzy tones.
Thanks for listening Kmeister. I rarely cut the low freq's becuase I enjoy the warmth which I think partly comes from that range. Although sometimes I'm unsure if I'm sacrificing clarity.

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synthgeek wrote:Very nice track! Some really killer guitar sounds in here. I'm curious about the part starting just after 4:30ish: is that layers of the same instrument or just extremely tight guitar/bass playing? Not flashy or anything, but that's one of my favorite parts just for the tone, however it came about.
Both prior to and after 4:30, the guitars are double tracked but the bass is a single take. Sometimes I purposely play a bit off/out of time so the double track is more apparent (sounds like two different players) but this time I tried to be as tight as possible.
At about 4:36 when the slower guitars come in is my favorite part. I love slow overdriven distorted guitar sounds.


Thanks for listening and commenting synthgeek. I'm happy you enjoyed. :)

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feel free to destructively criticize

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uno mas

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