I've not worried about the demos, for me kaivo has a lot of versatility - but I also have AAS chromaphone too and would use that for more conventional sounds. What sounds are you looking to make that Kaivo does not seem to cover?Gribs wrote:Is it capable of going beyond the sounds I hear on youtube demos (including Madrona's own channel)? I think the various demos all sound similar. I have an Aalto license but have not sprung for Kaivo because of this.woggle wrote:Kaivo is greatadydub wrote:
I'm planning on checking put Madrona Labs Kaivo, but was wondering what else was out there that's based on physical modelling, but takes a step up from the previous generation?
Physical modelling in 2017
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- KVRAF
- 2357 posts since 24 Nov, 2012
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- KVRAF
- 3477 posts since 27 Dec, 2002 from North East England
Oh wow, just clocked this is by some of the guys from the NESS research group. The NESS project was pretty much right on the cutting edge as far as physical modelling synthesis is concerned. Great to see some of those concepts trickling down into a more user-friendly format. Gutted there's no Windows version. Hopefully that's coming.himalaya wrote:Wow, a new comer to the Physical Modelling world. So exciting!
Incidentally, I believe Kaivo is using some of the FTDT (finite difference time domain) concepts that NESS was mostly focused on, although optimised to run real time on a general purpose processor rather than the massively parallel graphics-type hardware NESS was targeting.
Last edited by cron on Sun Jul 23, 2017 4:35 pm, edited 1 time in total.
- KVRAF
- 35294 posts since 14 Sep, 2002 from In teh net
And they also have a modelled plate reverb that sounds greatcron wrote:Oh wow, just clocked this is by some of the guys from the NESS research group. The NESS project was pretty much right on the cutting edge as far as physical modelling synthesis is concerned. Great to see some of those concepts trickling down into a more user-friendly format. Gutted there's no Windows version. Hopefully that's coming.himalaya wrote:Wow, a new comer to the Physical Modelling world. So exciting!
- KVRAF
- 2475 posts since 6 Jul, 2013
I had a quick play with this - it sounds in the ballpark to Sculpture, and seems to do similar things, although there's a cymbal percussion preset that while not perfect is scarily impressive. It shares the slightly chaotic and unpredictable pitch behaviour that I've often had with Sculpture, which seems to be a part of the modelling and is very hard to dial out, making something more pitch stable often times a slightly frustrating process. The user interface is pretty baffling but it would need a bit more time and manual reading to get into it.cron wrote:Oh wow, just clocked this is by some of the guys from the NESS research group. The NESS project was pretty much right on the cutting edge as far as physical modelling synthesis is concerned. Great to see some of those concepts trickling down into a more user-friendly format. Gutted there's no Windows version.himalaya wrote:Wow, a new comer to the Physical Modelling world. So exciting!
I prefer Sculpture overall at this point but that's because I'm more into creating playable musical sounds that just experimenting with PM for just sound design purposes, and I'm a lot more familiar with it.
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- KVRian
- 1218 posts since 9 Feb, 2007 from San Ramon, California
Thank you for the discussion and interesting information.cron wrote:I haven't checked out the sound demos, but I've had Kaivo for ages and it really depends on which bits of it you're using and how you're using them.Gribs wrote:Is it capable of going beyond the sounds I hear on youtube demos (including Madrona's own channel)? I think the various demos all sound similar. I have an Aalto license but have not sprung for Kaivo because of this.woggle wrote:Kaivo is greatadydub wrote:
I'm planning on checking put Madrona Labs Kaivo, but was wondering what else was out there that's based on physical modelling, but takes a step up from the previous generation?
There are basically 3 ways to get playable pitch out of Kaivo: repeating grains at audio frequencies (e.g. 440 times per second for A), using samples that already contain pitched tones and repitching the grains themselves, or using the resonator. It just depends on where you've routed pitch from the key section (although you can route to any combo of these or even elsewhere).
Maybe Inwill give the demo a try and see what it can do.
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- KVRian
- 1218 posts since 9 Feb, 2007 from San Ramon, California
I am not looking for anything in particular. I just like to experiment. I have chromaphone and Pianoteq stage. I use the latter for ordinary piano playing... or at least I was using it until I had a major job change and cross-country move. It is taking me a while to get my home studio set up again.woggle wrote:I've not worried about the demos, for me kaivo has a lot of versatility - but I also have AAS chromaphone too and would use that for more conventional sounds. What sounds are you looking to make that Kaivo does not seem to cover?Gribs wrote:Is it capable of going beyond the sounds I hear on youtube demos (including Madrona's own channel)? I think the various demos all sound similar. I have an Aalto license but have not sprung for Kaivo because of this.woggle wrote:Kaivo is greatadydub wrote:
I'm planning on checking put Madrona Labs Kaivo, but was wondering what else was out there that's based on physical modelling, but takes a step up from the previous generation?
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- KVRAF
- 3477 posts since 27 Dec, 2002 from North East England
Good stuff. As an Aalto owner, you'll probably already be reasonably familiar with the mode of operation as they're pretty similar in terms of the user experience. For instance, in Aalto you can route pitch from the key section into the delay time, crank the feedback, and 'play' the delay like an oscillator (perfectly tuned if you leave the modulation amount at the default setting). It's much the same in Kaivo, except with a highly tweakable resonator. Routing pitch to the delay time was generally how I played Aalto in the first place, so Kaivo was like mana from heaven for me as it really took that process to the next level.
- KVRAF
- 3187 posts since 31 Dec, 2004 from People's Republic of Minnesota
Probably because it's not useful enough for trance or dubstep to increase demand.Ploki wrote:damn. Physical modeling is progressing slower than I had hoped it would when I first discovered it.
- KVRAF
- 6244 posts since 25 May, 2002 from Bobo-dioulasso\BF__Geneva/CH
likely...masterhiggins wrote:Probably because it's not useful enough for trance or dubstep to increase demand.Ploki wrote:damn. Physical modeling is progressing slower than I had hoped it would when I first discovered it.
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- KVRAF
- 3477 posts since 27 Dec, 2002 from North East England
I'd say that physical modelling has kept up with other forms of synthesis just fine in terms of DSP innovation. I suspect the real problem is that the name "physical modelling" instilled/instils unrealistic expectations of what was/is to come. As though a perfect copy of an instrument, somehow expressed in terms of code and mathematics, would be available to use. Cutting edge techniques like the FTDT methods used in Kaivo are unfathomably complex compared to the Karplus-Strong and digital waveguide methods used 20 years ago, yet they're still enormously simplified abstractions of the things that happen when you pluck a guitar in the real world. And that's just one string we're talking about.Krakatau wrote:likely...masterhiggins wrote:Probably because it's not useful enough for trance or dubstep to increase demand.Ploki wrote:damn. Physical modeling is progressing slower than I had hoped it would when I first discovered it.
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- KVRian
- 1479 posts since 14 Jun, 2003
agreed, it needs chaos and turbulence modeling.
i have 2 vl70ms for use with windsynth and that would be my gripe with them.
the guy who does this:
http://www.vl70m-editor.com/site/
says he is working on a vl synth that will go beyond what the yamaha vl series does.
i have 2 vl70ms for use with windsynth and that would be my gripe with them.
the guy who does this:
http://www.vl70m-editor.com/site/
says he is working on a vl synth that will go beyond what the yamaha vl series does.
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- KVRAF
- 5201 posts since 6 May, 2002
IK's MODO Bass and Moddart's Pianoteq 5 are examples of extremely good PM.Ploki wrote:damn. Physical modeling is progressing slower than I had hoped it would when I first discovered it.
Intel Core2 Quad CPU + 4 GIG RAM
- KVRAF
- 25421 posts since 3 Feb, 2005 from in the wilds
Sure there are a few examples, but still, the pickings are on the slim sideelectro wrote:IK's MODO Bass and Moddart's Pianoteq 5 are examples of extremely good PM.Ploki wrote:damn. Physical modeling is progressing slower than I had hoped it would when I first discovered it.