Would love opinions on Live's Wavetable synth
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generaldiomedes generaldiomedes https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=396947
- KVRian
- 674 posts since 15 Apr, 2017 from Canada
I would say no simply because of the user interface. Big reason why Serum is #1.
I think ableton should reconsider their decision to stick with tiny UIs for all the devices. The pop out interface isn’t that much better - should be a properly designed windowed UI for something as complex as operator analog or wavetable
I think ableton should reconsider their decision to stick with tiny UIs for all the devices. The pop out interface isn’t that much better - should be a properly designed windowed UI for something as complex as operator analog or wavetable
- KVRAF
- 3897 posts since 28 Jan, 2011 from MEXICO
That will never happen, "no floating windows" is one of Live main paradigms.
dedication to flying
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- KVRAF
- 3477 posts since 27 Dec, 2002 from North East England
Really? Serum sets a pretty low bar for sound quality IMO. I mean it's one of my favourite synths of all time because the workflow is just fantastic, but it's certainly not for its raw sound quality.It's not as flexible as Serum and the engine is not as clean as Serum but it's not an issue at all
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- Banned
- 1780 posts since 26 Aug, 2012
This must have been in the pipeline for a few years and I guess they reach the no turn back phase and said f#ck it! Cause quite frankly, I dont hear any wavetables being used anymore in music now with the exception of an occasional pop track with a distorted bass drone or some future bass stuff. Now music is much cleaner and dubstep is dead
- KVRAF
- 2752 posts since 15 Feb, 2017 from a worn out vinyl groove
Not in my World!... I find Icarus more powerful but prefer the sound of Dune2 to both Icarus and Serum!sinemotor wrote:Serum is the king of wavetables, period.
- KVRAF
- 2752 posts since 15 Feb, 2017 from a worn out vinyl groove
+1cron wrote:Really? Serum sets a pretty low bar for sound quality IMO. I mean it's one of my favourite synths of all time because the workflow is just fantastic, but it's certainly not for its raw sound quality.It's not as flexible as Serum and the engine is not as clean as Serum but it's not an issue at all
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- KVRAF
- 5664 posts since 7 Feb, 2013
I think Serum it technically very high quality (low aliasing, no artifacts at fast modulations etc), it just lacks character, generally its sound depends on what you put into it.toonertik wrote:+1cron wrote:Really? Serum sets a pretty low bar for sound quality IMO. I mean it's one of my favourite synths of all time because the workflow is just fantastic, but it's certainly not for its raw sound quality.It's not as flexible as Serum and the engine is not as clean as Serum but it's not an issue at all
You may think you can fly ... but you better not try
- KVRAF
- 1801 posts since 23 Sep, 2004 from Kocmoc
f**k yeah!Kinh wrote:Now music is much cleaner and dubstep is dead
Soft Knees - Live 12, Diva, Omnisphere, Slate Digital VSX, TDR, Kush Audio, U-He, PA, Valhalla, Fuse, Pulsar, NI, OekSound etc. on Win11Pro R7950X & RME AiO Pro
https://www.youtube.com/@softknees/videos Music & Demoscene
https://www.youtube.com/@softknees/videos Music & Demoscene
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- KVRist
- 275 posts since 28 Jun, 2017
What the hell? Wavetable synthesis was around 25 years before Dubstep even became a thing. The fact that a lot of garbage bandwagon producers used Serum to make the exact same kind of fart noises doesn't say anything about the merits of Wavetable synthesis.Kinh wrote:This must have been in the pipeline for a few years and I guess they reach the no turn back phase and said f#ck it! Cause quite frankly, I dont hear any wavetables being used anymore in music now with the exception of an occasional pop track with a distorted bass drone or some future bass stuff. Now music is much cleaner and dubstep is dead
- KVRAF
- 4968 posts since 26 Apr, 2007 from Noosphere
It is because of its lifeless and flat filters.recursive one wrote:I think Serum it technically very high quality (low aliasing, no artifacts at fast modulations etc), it just lacks character, generally its sound depends on what you put into it.toonertik wrote:+1cron wrote:Really? Serum sets a pretty low bar for sound quality IMO. I mean it's one of my favourite synths of all time because the workflow is just fantastic, but it's certainly not for its raw sound quality.It's not as flexible as Serum and the engine is not as clean as Serum but it's not an issue at all
- KVRist
- 353 posts since 24 Dec, 2015
It's not true. Serum is all over Electronic Dance Music. It has been the most popular synth for the last 3 years. Producers just don't use wavetables the typical way anymore (not just for growl basses but any type of sound). But it's all over the place in Future Bass, Trap, Bass House, Trance, DnB, Progressive House, well any sub genre really... That synth is shaping EDM of the last couple of years, just like Massive did before, and the Virus/JP8000 before, and the Korg M1 before etc...Kinh wrote:I dont hear any wavetables being used anymore in music now with the exception of an occasional pop track with a distorted bass drone or some future bass stuff. Now music is much cleaner and dubstep is dead
And yes Serum has high quality oscillators, it's one of its main selling point. It also has the best Unison mode on the market imo. Filters are good and versatile. Warp is an awesome feature to shape the waveform. Modulation is insane. You can create/import wavetables... It's a sound designer dream synth and I don't know one producer who would contest its power, flexibility and obviously its high quality sound.
Last edited by sinemotor on Thu Jan 18, 2018 2:17 pm, edited 2 times in total.
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- KVRAF
- 1921 posts since 15 Nov, 2003 from London, UK
Indeed. It's an unfortunate association in a way. It's no more logical than associating subtractive synthesis with some specific genre. It's just a tool and people use every kind of synthesis for every kind of music. Still, people will always jump on bandwagons and make lazy associations with every kind of art. It's not malicious, people just like things to be simple.dubguy99 wrote:What the hell? Wavetable synthesis was around 25 years before Dubstep even became a thing. The fact that a lot of garbage bandwagon producers used Serum to make the exact same kind of fart noises doesn't say anything about the merits of Wavetable synthesis.Kinh wrote:This must have been in the pipeline for a few years and I guess they reach the no turn back phase and said f#ck it! Cause quite frankly, I dont hear any wavetables being used anymore in music now with the exception of an occasional pop track with a distorted bass drone or some future bass stuff. Now music is much cleaner and dubstep is dead
Also, dubstep isn't dead. Dubstep isn't only the aggressive bass sound that people associate with Skrillex etc. There was actual dub-related dubstep around before that, much of which originated in the UK. We also had what we called "dance music" in the UK from the late 1980s. but then some American coined the term EDM about 20 years later and it was the emperor's new clothes.
Anyway, I digress...
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- KVRAF
- 3477 posts since 27 Dec, 2002 from North East England
Funnily enough, it's the modulating the wavetable position where it falls short for me. It's generally fine if your wavetable is fairly simple (i.e. morphing back and forth between two or three timbres at reasonably high speed), but zippering/stepping becomes an issue if your wavetable is too complex or your modulation too slow. Even Massive could interpolate between wavetable frames really nicely at the oscillator level, whereas Serum expects you to build the interpolation 'into' the wavetable using the morph function because your table consists of 256 'hard jumps' with no 'inbetween' positions. It rather limits the complexity of your tables as you need enough 'free space' in the wavetable to do sufficient interpolation depending on the task at hand.recursive one wrote:I think Serum it technically very high quality (low aliasing, no artifacts at fast modulations etc), it just lacks character, generally its sound depends on what you put into it.toonertik wrote:+1cron wrote:Really? Serum sets a pretty low bar for sound quality IMO. I mean it's one of my favourite synths of all time because the workflow is just fantastic, but it's certainly not for its raw sound quality.It's not as flexible as Serum and the engine is not as clean as Serum but it's not an issue at all
- KVRAF
- 1959 posts since 21 Sep, 2007 from The Infinite Void
+1quincy wrote:Also, dubstep isn't dead. Dubstep isn't only the aggressive bass sound that people associate with Skrillex etc. There was actual dub-related dubstep around before that, much of which originated in the UK. We also had what we called "dance music" in the UK from the late 1980s. but then some American coined the term EDM about 20 years later and it was the emperor's new clothes.