Assuming you have golden/good ears.el-bo (formerly ebow) wrote:Use your ears, and not analysersCaine123 wrote:how do you use them
Visualization will, among other things, help you on your way to train your ears in that regard.
Assuming you have golden/good ears.el-bo (formerly ebow) wrote:Use your ears, and not analysersCaine123 wrote:how do you use them
+1chk071 wrote: My layman advice: Get Klanghelm SDRR. Only 23 €, and it is very versatile, with different modes
It is. Low air generates subharmonics which are then further processed. The questions regarding why the nots aren’t spread evenly at octaves seems to me to indicate you don’t understand how the harmonic series works. Any integer multiple of the fundamental frequency is going to be in that series. The ration of even to odd harmonics makes a large difference in the sound you get out, then the phase relationship between the generated harmonics and their relative phase to the fundamental also can have a large effect especially in the lower harmonics. I don’t know if you are into math but if so you should look into transfer functions and analyzing them using Fourier Analysis. Lots of the tools you showed do very different things, but the common thread is that they take the original signal and generate new frequency components that are mathematically related to the input frequency, and then they may further process the signal from there. This can be used in lots of different ways, but mostly for adding either a bit of information below the original signal, in order to give it more weight in the sub region, or to add a nice mix of higher frequencies that trick the ear into “hearing” the extremely low fundamental frequency without having to crank its volume up to the point that it eats all your headroom.MogwaiBoy wrote:Hmmmm LoAir in particular looks like just a big blobby lump, but actually that's a sub octave peak hiding under there. If you increase SPAN's 'Block Size' you should be able to see it in detail.
What kind of settings? Do you adjust the trim, select the filter model and adjust the saturation to taste? Every time I’ve tried to use this filter for saturation, it goes fizzy and cuts all the low end. What am I doing wrong?acousticglue wrote:if you want decent saturation just use the Drop. Turn off all other parameters on it. Personally I think a bit of it or free Krush does good job and use Trash from Izotope otherwise. I also now like Blueface of Audiority at slight bit. I made many presets in the Drop just for saturation.
Is this feature new? I remember requesting this exact same thing nearly 2 years ago. Nice to see it regardlessThe Noodlist wrote:
Melda's MEqualizer has a harmonics feature, where, you can adjust the fundamental and its overtones higher up the frequency range. The picture below is the harmonic feature set to negative values.
I don't think it's a new feature. The photo comes from a Sound on Sound article from 2011.Touch The Universe wrote: Is this feature new? I remember requesting this exact same thing nearly 2 years ago. Nice to see it regardless
+1MogwaiBoy wrote:This is just me... at the end of the day, if you can choose a bass synth that has all the harmonics built-in straight from the oscillators, you're golden and you won't need to resort to additional synthesis.
In saying that, carry on please
I actually think it's pretty easy. I jut open an instance of sound toys decapitator, quickly click on each of it's options until I find what I like. Then tweak a few knobs and I'm done.chk071 wrote:IMO, saturation/distortion is very difficult to get right in digital/software form
I do believe he meant that it is difficult to proper emulate saturation/distortion from hardware to software.badass_billy wrote:I actually think it's pretty easy. I jut open an instance of sound toys decapitator, quickly click on each of it's options until I find what I like. Then tweak a few knobs and I'm done.chk071 wrote:IMO, saturation/distortion is very difficult to get right in digital/software form
Couldn't be any easier.
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