The stuff not carved from stone
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- KVRAF
- 2625 posts since 2 Jun, 2016
Shout out to Zero-G too!
I'm always excited when one of their sales happens.
I'm always excited when one of their sales happens.
- KVRAF
- 21196 posts since 8 Oct, 2014
It wasn't just the instruments. Do you have any idea what it cost to put together a home studio that could do what we can do today in our DAW? Oh wait, you couldn't. Not unless you were a freakin millionaire. My Teac A3440 4 channel reel to reel was $1200. Just for the reel to reel, for 4 channels. So if you were a solo artist, you had a track for vocals, piano, bass and drums. That was it. If you wanted more, you had to bounce stuff around. And the more you bounced, the worse it sounded.
I wouldn't go back to those days with a gun to my head.
- Boss Lovin' DR
- 12621 posts since 15 Mar, 2002 from the grimness of yorkshire
Always amuses me to see the crazy kids on the FL forum indignantly banging on about being limited to 125 mixer tracks. Ere you go lads, this is yer recording gear. Crack on...wagtunes wrote: ↑Sun May 19, 2019 12:07 amIt wasn't just the instruments. Do you have any idea what it cost to put together a home studio that could do what we can do today in our DAW? Oh wait, you couldn't. Not unless you were a freakin millionaire. My Teac A3440 4 channel reel to reel was $1200. Just for the reel to reel, for 4 channels. So if you were a solo artist, you had a track for vocals, piano, bass and drums. That was it. If you wanted more, you had to bounce stuff around. And the more you bounced, the worse it sounded.
I wouldn't go back to those days with a gun to my head.
I used to eat coal etc..
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- KVRAF
- 21196 posts since 8 Oct, 2014
We are definitely spoiled today.donkey tugger wrote: ↑Sun May 19, 2019 3:09 amAlways amuses me to see the crazy kids on the FL forum indignantly banging on about being limited to 125 mixer tracks. Ere you go lads, this is yer recording gear. Crack on...wagtunes wrote: ↑Sun May 19, 2019 12:07 amIt wasn't just the instruments. Do you have any idea what it cost to put together a home studio that could do what we can do today in our DAW? Oh wait, you couldn't. Not unless you were a freakin millionaire. My Teac A3440 4 channel reel to reel was $1200. Just for the reel to reel, for 4 channels. So if you were a solo artist, you had a track for vocals, piano, bass and drums. That was it. If you wanted more, you had to bounce stuff around. And the more you bounced, the worse it sounded.
I wouldn't go back to those days with a gun to my head.
p1.jpg
I used to eat coal etc..
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- KVRist
- 51 posts since 26 Jun, 2018
Yes, I still have a Porta.
Even the first track sounded bad. At least on reel to reel the first sounded good.
Though there were and are uses for tape degradation sounds. (And digital degradation can be just awful - there are also consequences to overmanipulation audio in digital, and the results are not attractive. That's much easier to avoid, however.) Working with limitation can inspire new approaches to doing things. Once inspired, a relative lack of limitation turns out to be really pleasant.
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- KVRist
- 43 posts since 16 Feb, 2018
I would not confuse "music" (70s-80s-90s: people playing - or at least trying to play - real instruments and performing on stage) with "computer music" (nowadays: people mixing audio loops in their bedroom and calling themselves "producers" or smth). From this standpoint, a 50$ acoustic guitar + a lowly recorder were more than enough for your dream of success. At present, on the contrary, so called "producers" need at least $1,000$-1,500 (hardware+software) to express their artistic aspirations (still wishful thinking in 99% of cases, as it has always been). I guess something similar happens with photography (Photoshop and the likes + millions of smartphone cameras making everyone a photograph) and cinema (Premiere, Final cut, and again millions of smartphones + youtube...)? Let alone ebooks, blogs, social media(s) and the multitude of aspiring writers, reporters, thinkers and influencers around the digital world... Is it an optical illusion, due to virtualization? I think it is. Even money ("bitcoin") is starting to get virtual now...
- KVRAF
- 25053 posts since 20 Oct, 2007 from gonesville
unnecessary dichotomies
Not all people using a computer to create their tracks are loops-mixing Producers.
Perhaps not even a majority. That's a sort of illusion, I don't know what that is supposed to do on topic.
They need at least 1000 dollars, really? So? What am I supposed to do from no money in any period? I was a classical guitarist and the main reason i dropped it was the instrument needed was far too dear (easily over $1000), particular after I had one stolen.
My drum machine in 1986 cost 900 + tax. Then there's the DX7 for 1699, the Ensoniq Mirage the same, then you get some kind of 4-track, we had the cassette one and I had the Teac reel-to-reel.
in 2003 I bought BFD for 349. I'm doing what I could never do short of having hundreds of millions all told (one orchestral project already close to a million), and all the people making fake music in the world changes nothing about it.
Not all people using a computer to create their tracks are loops-mixing Producers.
Perhaps not even a majority. That's a sort of illusion, I don't know what that is supposed to do on topic.
They need at least 1000 dollars, really? So? What am I supposed to do from no money in any period? I was a classical guitarist and the main reason i dropped it was the instrument needed was far too dear (easily over $1000), particular after I had one stolen.
My drum machine in 1986 cost 900 + tax. Then there's the DX7 for 1699, the Ensoniq Mirage the same, then you get some kind of 4-track, we had the cassette one and I had the Teac reel-to-reel.
in 2003 I bought BFD for 349. I'm doing what I could never do short of having hundreds of millions all told (one orchestral project already close to a million), and all the people making fake music in the world changes nothing about it.
- Boss Lovin' DR
- 12621 posts since 15 Mar, 2002 from the grimness of yorkshire
You've got the first part at least completely arse roads round lad. The 'lowly recorder' alone for example (before any instruments, effects, mics, cables etc) cost around £300-400 in the late 80s- well over £1000 in today's money..mheo wrote: ↑Sun May 19, 2019 11:49 pm I would not confuse "music" (70s-80s-90s: people playing - or at least trying to play - real instruments and performing on stage) with "computer music" (nowadays: people mixing audio loops in their bedroom and calling themselves "producers" or smth). From this standpoint, a 50$ acoustic guitar + a lowly recorder were more than enough for your dream of success. At present, on the contrary, so called "producers" need at least $1,000$-1,500 (hardware+software) to express their artistic aspirations (still wishful thinking in 99% of cases, as it has always been). I guess something similar happens with photography (Photoshop and the likes + millions of smartphone cameras making everyone a photograph) and cinema (Premiere, Final cut, and again millions of smartphones + youtube...)? Let alone ebooks, blogs, social media(s) and the multitude of aspiring writers, reporters, thinkers and influencers around the digital world... Is it an optical illusion, due to virtualization? I think it is. Even money ("bitcoin") is starting to get virtual now...
Know them..
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- addled muppet weed
- 105826 posts since 26 Jan, 2003 from through the looking glass
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- KVRAF
- 7751 posts since 15 Sep, 2005 from East Coast of the USA
I had that same model of 4 track recorder.wagtunes wrote: ↑Sun May 19, 2019 3:14 amWe are definitely spoiled today.donkey tugger wrote: ↑Sun May 19, 2019 3:09 amAlways amuses me to see the crazy kids on the FL forum indignantly banging on about being limited to 125 mixer tracks. Ere you go lads, this is yer recording gear. Crack on...wagtunes wrote: ↑Sun May 19, 2019 12:07 amIt wasn't just the instruments. Do you have any idea what it cost to put together a home studio that could do what we can do today in our DAW? Oh wait, you couldn't. Not unless you were a freakin millionaire. My Teac A3440 4 channel reel to reel was $1200. Just for the reel to reel, for 4 channels. So if you were a solo artist, you had a track for vocals, piano, bass and drums. That was it. If you wanted more, you had to bounce stuff around. And the more you bounced, the worse it sounded.
I wouldn't go back to those days with a gun to my head.
p1.jpg
I used to eat coal etc..
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- KVRAF
- 7751 posts since 15 Sep, 2005 from East Coast of the USA
It’s crazy what you can get for the price of one of those 4-tracks today:
Tascam DP-24SD Portastudio 24-Track Digital Recorder $499.99
https://www.zzounds.com/item--TASDP24SD ... gIgrPD_BwE
Tascam DP-24SD Portastudio 24-Track Digital Recorder $499.99
https://www.zzounds.com/item--TASDP24SD ... gIgrPD_BwE
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- KVRAF
- Topic Starter
- 9132 posts since 6 Oct, 2004
I wonder how many daw disaster plugin-reg refugees have one of these?
I've been pondering opening up an old ide portastudio, and trying to format a
small old SSD with the Tascam. Got a spare ide to sata adaptor for newer drives.
Might be 40 miinutes well spent.
Cheers
I've been pondering opening up an old ide portastudio, and trying to format a
small old SSD with the Tascam. Got a spare ide to sata adaptor for newer drives.
Might be 40 miinutes well spent.
Cheers