Yes and no - here's what he wrote:
Dan Gillespie wrote:The H8000 is an interesting piece of kit. It's got about 1800 presets, each of which, because of the VSig system are each unique combinations of about 150 signal processing modules. This means that the several hundred reverb presets in the H8000 are all unique reverb algorithms, often representing starkly different ideas of what a reverb should be. That said, there are a number of those 150 processing modules that are specific or common to reverb, and unique to Eventide - at least in their specific implementation.
The original concept for the Eventide Reverb plug-in for TDM was by a guy named Dave Fournier. He developed the concept of a reverb section, the delays, the EQs, the compressor, and the lofi section, and set up the controls and worked with an artist on the GUI. I designed and voiced the reverb section itself, and did the rest of the signal processing bits. The goal for the reverb section was to cover much of the ground in the Eventide hardware products as well as make the best classical sounding natural reverb we could, obviously all using the same DSP modules we used/use in the H8000. Because of this, it can cover a lot of the same large, modulated sounds from the hardware, but a lot of the new work probably tended toward my preference for smaller spaces, at least smaller than most of the stuff Eventide was known for at the time.
So is the UltraReverb a complete compilation of all reverb sounds that exist in the H8000? Not even close. However, it covers a lot of the same ground using the same exact code that is running in the H8000. Actually, a lot of the work on smaller spaces that we did for the original Eventide Reverb went back into the H8000 in updates over the years, so they're probably more similar now than they were when the initial version was released.
Blackhole, on the other hand, is a direct rip of the specific preset that's in the H8000 (it first appeared in the DSP4000). We did add stuff to it and change the parameter ranges so it's more fun to play with, but if you turn that stuff off, it's the same thing. There is a preset in the plug-in called H8000 Blackhole and if you test that against the H8000 preset (using digital interconnects) it sounds the same.
Edit: That was more typing than I intended to do. Sorry if I bored you, glad you're enjoying the reverb.
Edit2: I should add that two very smart guys named Jason Beck and Nick Rose actually made the plug-in work with PT and the TDM system. Much more grueling and thankless work than the fun stuff Dave and I got to do.
But before I started my long winded reminiscing my point was, I've worked on a lot of projects now, and I've never seen anyone intentionally dumb down any product or make anything worse than it could be on purpose. I doubt most any of our competitors would either, the only reason to be in this game is because you want to make the absolutely best sounding gear you can. Otherwise, banking.