Yeah, no
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- addled muppet weed
- 105790 posts since 26 Jan, 2003 from through the looking glass
hmm, sounded more spacious?
maybe a trick of the ears when not as stoned as before
all sounded cool as f**k :moo: (sorry, old madchester reference)
youre going to have to work hard to top this un!
maybe a trick of the ears when not as stoned as before
all sounded cool as f**k :moo: (sorry, old madchester reference)
youre going to have to work hard to top this un!
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- KVRAF
- 1683 posts since 29 Sep, 2013
!-
- KVRAF
- Topic Starter
- 25053 posts since 20 Oct, 2007 from gonesville
Yes, the cymbals on that kit, this is from a factory "Preset" are somewhat wet in the kit. I turned the returns way down on it tho. As it goes I'm thinking of some delay and weirdness, cross-rhythms.
But that one on the last '1' rings a hell of a long time anyway. I was pretty excited to find that one.
I'm still manufacturing the drum parts in this section.
There are three kits of quite different character in the acoustic sections.
I've been listening to a number of young drummers lately, who use these stacks and dry exotic cymbals, fortunately I have the Sabian Digital Vault which has some of this. I don't have any of these tiny hihat stacks which is a popular thing in fusion today. Meinl Cymbals has all kind of unique things, but I'm just in the samples world now.
thanks gents
But that one on the last '1' rings a hell of a long time anyway. I was pretty excited to find that one.
I'm still manufacturing the drum parts in this section.
There are three kits of quite different character in the acoustic sections.
I've been listening to a number of young drummers lately, who use these stacks and dry exotic cymbals, fortunately I have the Sabian Digital Vault which has some of this. I don't have any of these tiny hihat stacks which is a popular thing in fusion today. Meinl Cymbals has all kind of unique things, but I'm just in the samples world now.
thanks gents
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- KVRAF
- Topic Starter
- 25053 posts since 20 Oct, 2007 from gonesville
Actually the reverb return is fairly high but the only thing sent to it is the overheads channel; "Ambient 3" channel (far/wide mic'ing of the room) is very low. It's kind of deep but still crisp.
What I did do was use a Near decorrelation vs a Wide decorrelation in the convolution of the Teldex Stage, the drums are very near, the other sharp attacks are near, the winds are Wide, but only 33.3% diffuse. But that's been the case from the outset. It seems like I moved a couple of things but they were very limited parts.
I have only some rather cheap headphones atm so there's too much guessing and supposition.
ah, yeah. quelle surprise, you was high
What I did do was use a Near decorrelation vs a Wide decorrelation in the convolution of the Teldex Stage, the drums are very near, the other sharp attacks are near, the winds are Wide, but only 33.3% diffuse. But that's been the case from the outset. It seems like I moved a couple of things but they were very limited parts.
I have only some rather cheap headphones atm so there's too much guessing and supposition.
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- KVRAF
- 11502 posts since 13 Mar, 2009 from UK
I'm enjoying the new addition. The cymbal parts sound great with the sparser arrangement
Good work
Good work
