Vibrating emotional synth
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- Patchmeister
- 1774 posts since 3 Nov, 2010
They are simply chords with the filter opening and closing but not all that much so you dont hear the high frequencies. after that it's gated or LFO linked to volume.
Let me know if I made sense
Let me know if I made sense
CHOOSX Remakes on my Youtube Channel
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- KVRian
- 1189 posts since 11 Jun, 2019
It´s a pretty soft spectrum, nothing a usual subtractive Toybox could produce. It might/should be some additive Synth, Harmor maybe, but I suppose it´s a preset from professional Harware Gear. The Chorus is pretty awesome and those spectrums are absolutely not easy to make.
- KVRAF
- 8828 posts since 6 Jan, 2017 from Outer Space
This is eventually played with a Seaboard. The modulation does not sound constructed. If so it could be Equator, Strobe 2, Cypher 2... Or any other MPE synth with a noise generator...borjadja wrote: ↑Fri Jul 05, 2019 1:23 pm Does anyone know how to make the synth at 2.20, the vibrating/gated one=
https://soundcloud.com/afterlifeofc/colyn-amor-1
Thanks a lot!
What a cool piece, thanks for sharing...
- KVRAF
- 3390 posts since 5 Mar, 2004 from Gold Coast Australia
Yes the essence of this is the performance. This could well be from an enhanced MIDI controller or simply very detailed automation. I would say a human performance (the contrast with human against machine makes it vibrant) or a couple of layers of LFOs to get it to flow outside the expected tidy things we tend to mouse in.
Benedict Roff-Marsh
http://www.benedictroffmarsh.com
http://www.benedictroffmarsh.com
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- KVRAF
- 4064 posts since 2 Jul, 2005
Modulation of the lfo speed is the key to the sound. Tons of synths out there could make this sound. The key is to have a nice round wave (somewhere between a sine and a square) modulating the amplitude and the cutoff. You would then want to add a controller to the speed and the depth/ depths of the modulations. Then a nice reverb. Zebra could do this sound nicely.
Don't F**K with Mr. Zero.
- KVRist
- 240 posts since 9 Aug, 2013 from The Hague, The Netherlands
If you listen carefully, it's a timed step random LFO controlling the speed of another sine LFO that is connected to filter and gain of a noisy supersaw with a little lowpass filter and a reverb through a filter.