Songs Always "Sound Like a Soundtrack"
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- KVRer
- Topic Starter
- 6 posts since 6 Feb, 2017 from Chicago
Just want a little help with figuring out why when I play songs I've composed to people they always remark that it sounds like it could be a soundtrack. Is it the keys I'm writing in or chords I'm using? What makes a song sound like an EDM or pop song? Is there a music theory course that explains this?
Obviously in songs like this I was aiming for a soundtrack feel.
https://soundcloud.com/fvmp/randy-fvmp-challenge-4
But not in this one
https://soundcloud.com/ph4g3th3r4py/runway-lights
Obviously in songs like this I was aiming for a soundtrack feel.
https://soundcloud.com/fvmp/randy-fvmp-challenge-4
But not in this one
https://soundcloud.com/ph4g3th3r4py/runway-lights
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Winstontaneous Winstontaneous https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=98336
- KVRAF
- 2351 posts since 15 Feb, 2006 from Berkeley, CA
"What makes something an EDM or pop song?" A hook and an understanding of the convention(s) of the genre, whether you choose to work with or against them.
I enjoy both pieces, if I hadn't seen a title for the first one I would have guessed "Coronation of the Elven Queen".
With the second one I'm not getting a strong sense of melody or thematic development. Interesting you classify it as "chill", to me it's a bit more on the edgy/ominous side and evokes both Gary Numan and some of NIN's more reflective moments. Having some sort of strong focus (vocals, saucy lead line) starting around 0:20 would move it away from cinematic/program music into "song of its own" territory. Then 1:50 to 3:10 ish could be an instrumental section, with vox/lead coming back in 3:15-ish with a higher level of intensity. The phrase "Runway Lights" brought up "fashion show" rather than "airport" for me.
I enjoy both pieces, if I hadn't seen a title for the first one I would have guessed "Coronation of the Elven Queen".
With the second one I'm not getting a strong sense of melody or thematic development. Interesting you classify it as "chill", to me it's a bit more on the edgy/ominous side and evokes both Gary Numan and some of NIN's more reflective moments. Having some sort of strong focus (vocals, saucy lead line) starting around 0:20 would move it away from cinematic/program music into "song of its own" territory. Then 1:50 to 3:10 ish could be an instrumental section, with vox/lead coming back in 3:15-ish with a higher level of intensity. The phrase "Runway Lights" brought up "fashion show" rather than "airport" for me.
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thecontrolcentre thecontrolcentre https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=76240
- KVRAF
- 35169 posts since 27 Jul, 2005 from the wilds of wanny
Second song sounds like a 1980s John Carpenter soundtrack ... so no wonder you're getting those sort of comments
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machinesworking machinesworking https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=8505
- KVRAF
- 6209 posts since 15 Aug, 2003 from seattle
ph4ge wrote: ↑Sun Feb 09, 2020 7:26 am Just want a little help with figuring out why when I play songs I've composed to people they always remark that it sounds like it could be a soundtrack. Is it the keys I'm writing in or chords I'm using? What makes a song sound like an EDM or pop song? Is there a music theory course that explains this?
Litening to your "EDM" song the first thing that pops up is a more old school Skinny Puppy or Depeche Mode style drum thing. This isn't really big in modern EDM etc.
None of that is important unless you're attempting to be commercial, then concentrating on kiping modern drum line feel into your stuff would help.
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- KVRAF
- 2565 posts since 2 Jul, 2010
Compare and contrast to something like https://confrontational.bandcamp.com/tr ... onus-track
It's also instrumental and also has a dark, atmospheric feel to it. But this track is much more willing to demand attention, focus it on melodies, and make obvious use of structure.
You might find it a helpful exercise to try writing something in sonata form, or even just a rigid pop song structure, so that have to focus on what the main motifs are and how you move between sections.
It's also instrumental and also has a dark, atmospheric feel to it. But this track is much more willing to demand attention, focus it on melodies, and make obvious use of structure.
You might find it a helpful exercise to try writing something in sonata form, or even just a rigid pop song structure, so that have to focus on what the main motifs are and how you move between sections.
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- addled muppet weed
- 105849 posts since 26 Jan, 2003 from through the looking glass
indeed.thecontrolcentre wrote: ↑Sun Feb 09, 2020 8:32 pm Second song sounds like a 1980s John Carpenter soundtrack ... so no wonder you're getting those sort of comments
the issue is, most music can be described as such, depending on what films youve seen.
if you where in to some of the late 80s/early 90s horror, you might hear nin and say "sounds a bit soundtracky"
who cares anyway. if you like the result, its a good piece
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- addled muppet weed
- 105849 posts since 26 Jan, 2003 from through the looking glass
- KVRAF
- 11001 posts since 15 Apr, 2019 from Nowhere
You can study and apply theory with little focus on specific instruments though. Transposition is the biggest factor I can think of, but not sure if any transposing instruments are being discussed here.
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- addled muppet weed
- 105849 posts since 26 Jan, 2003 from through the looking glass
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- KVRian
- 595 posts since 14 Apr, 2019
Maybe try an ABABCB form. It does sound like John Carpenter though not with the pad so much. I enjoyed it.
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AngelCityOutlaw AngelCityOutlaw https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=409281
- Banned
- 215 posts since 4 Dec, 2017
The reason people are telling you this is because your pieces have no distinct tune/melody to them nor a clear, coherent structure. As such, it sounds more like underscore than a "song".
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- KVRist
- 350 posts since 11 May, 2008
Hi there!
If you're trying to make songs, then you need to understand the theory behind how songs have been made. Your instrumental pieces don't sound like songs, well, because they're not! Study songwriters. You should read the book "tunesmith" by Jimmy Webb or "the addiction formula" by Findeisen and check out his youtube channel tutorials (https://youtu.be/UcmrgTNE9Cs) if you're trying to make songs so you can understand what a "song" is.
A song is a poetic form. It is a story - a poem, a lyric, that then is sung to someone.
As such, the music heavily relies on having melodies with length, melodic contours and rhythms that derive from phrases that can be said (Namely 5-7 note patterns that keep repeating with some variation, within patterns of question-answer format) on top of ostinati-driven-accompaniments (nowadays called "beats").
Therefore you have to shape your music around that framework.
Most "pop songs" today follow generic formulae. Just check out those books/tutorials and take care!
If you're trying to make songs, then you need to understand the theory behind how songs have been made. Your instrumental pieces don't sound like songs, well, because they're not! Study songwriters. You should read the book "tunesmith" by Jimmy Webb or "the addiction formula" by Findeisen and check out his youtube channel tutorials (https://youtu.be/UcmrgTNE9Cs) if you're trying to make songs so you can understand what a "song" is.
A song is a poetic form. It is a story - a poem, a lyric, that then is sung to someone.
As such, the music heavily relies on having melodies with length, melodic contours and rhythms that derive from phrases that can be said (Namely 5-7 note patterns that keep repeating with some variation, within patterns of question-answer format) on top of ostinati-driven-accompaniments (nowadays called "beats").
Therefore you have to shape your music around that framework.
Most "pop songs" today follow generic formulae. Just check out those books/tutorials and take care!
Play fair and square!
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- KVRian
- 595 posts since 14 Apr, 2019
I do think it's harder to manage that standard pop form without vocals.
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thecontrolcentre thecontrolcentre https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=76240
- KVRAF
- 35169 posts since 27 Jul, 2005 from the wilds of wanny
If you have a melodic part or hook it's a lot easier ...