Over the past weeks I have been muddling through some old notebooks filled with pencil scribbled riffs so I can consign them to score/midi inside Cubase. In a few riffs I use octaves, I looked on the internet but could not really find anything more than a few rank arguments about the notational aspect.
In this example it is C# octave so I called it a C#8.
Do any of you have a specific take on writing octaves?
About notating an Octave Interval
- KVRAF
- 16790 posts since 8 Mar, 2005 from Utrecht, Holland
One note doubled in an octave, that's even less than a powerchord. I'd have to look up how to notate a power chord in letters & numbers. (edit: that would be "C# ind" https://en.m.wikipedia.org/wiki/Power_chord#Terminology ) It has no name as a chord, since it ain't no chord to begin with.
I'm not sure what trouble you have. Staff & tabs are clear, no trouble to notate it that way. Midi is simular.
I'm not sure what trouble you have. Staff & tabs are clear, no trouble to notate it that way. Midi is simular.
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- KVRian
- Topic Starter
- 1020 posts since 4 Jun, 2006
Hi Bert, it's not any kind of issue; I was interested to hear whether, if at all, anyone else has a take on such, or whether a consensus would be simply to leave it as note-values. Just idle curiosity really. Octaves are a guitar thing — Wes Montgomery was a big proponent.BertKoor wrote: Sun May 03, 2020 8:23 amI'm not sure what trouble you have. Staff & tabs are clear, no trouble to notate it that way. Midi is simular.
EDIT: maybe my question was redundant. I just had a look at some Wes Montgomery scores, I didn't think of doing that this morning.
- KVRAF
- 11000 posts since 15 Apr, 2019 from Nowhere
Look at the chord before and the chord after, and see if there is an implied melody line for each voice. If there is, you should be able to name a chord based on those implied melodies, even if the only vertical notes are tonic and octave.