untitled - new, space
- KVRAF
- 6304 posts since 18 Jul, 2008 from New York
The initial version is already an impressive piece of music. Very intense. You seem to have generated an entire world from one patch.
- KVRAF
- 11481 posts since 13 Mar, 2009 from UK
To me, this sounds a little like an amalgam of the quiet parts of Larks' Tongues in Aspic Part 1 with the noisy pre-intro section of part II. It's a great combo. Your Jenks quote reminds me of the seventh principle of King Crimson
Good work
P.S. I think you may have a rendering error on the track currently uploaded to dropbox (at 00:50 GMT 13/07). It sounds like the last 30 seconds (3:27-3:57) are a duplicate of the previous 30. Maybe some kind of buffering issue.
Good work
P.S. I think you may have a rendering error on the track currently uploaded to dropbox (at 00:50 GMT 13/07). It sounds like the last 30 seconds (3:27-3:57) are a duplicate of the previous 30. Maybe some kind of buffering issue.
- KVRAF
- Topic Starter
- 25051 posts since 20 Oct, 2007 from gonesville
Damnit.
not the first time, either. This system is right now 192 samples for 8.5ms round trip latency, which is unbelievable for this Absynth patch, let alone adding a big-ass BFD3 patch and the rest; the last system using the onboard drivers was typically 768 if not 1024 in the buffers at some godawful latency. Beyond my pay grade to even grasp this, so I re-rendered a full PCM and then an mp3 off that. First one of these overwrote the older file, and the render itself did add that ~half a minute past the Right Locator.
Did it again, clean, and now the file is 3:29, not 3:58 so let's replace that at the Dropbox.
not the first time, either. This system is right now 192 samples for 8.5ms round trip latency, which is unbelievable for this Absynth patch, let alone adding a big-ass BFD3 patch and the rest; the last system using the onboard drivers was typically 768 if not 1024 in the buffers at some godawful latency. Beyond my pay grade to even grasp this, so I re-rendered a full PCM and then an mp3 off that. First one of these overwrote the older file, and the render itself did add that ~half a minute past the Right Locator.
Did it again, clean, and now the file is 3:29, not 3:58 so let's replace that at the Dropbox.
- KVRAF
- Topic Starter
- 25051 posts since 20 Oct, 2007 from gonesville
Which at the site is what I rendered. I checked the old one and it's in the render, exact same problem as last year, it restarts (then I dealt with it enough to know it was not an exact point but general, where it starts up after the ending) at some point. Bizarre.
OK, so thanks for that. 1AM render and upload and I went to bed. Always be paranoid about renders, Civil.
I'm hearing something (a big surprise harmony) for the last sonorities that it will take some doing. The original Absynth-only deal lacks finality.
This is the first thing I've done since November '19.
It's a bit strange to me a system with high buffering and one with quite low buffering doing the exact same thing (it must be some kind of rendering SNAFU), and past the Right Locator is just weird to me, in itself.
OK, so thanks for that. 1AM render and upload and I went to bed. Always be paranoid about renders, Civil.
I'm hearing something (a big surprise harmony) for the last sonorities that it will take some doing. The original Absynth-only deal lacks finality.
This is the first thing I've done since November '19.
It's a bit strange to me a system with high buffering and one with quite low buffering doing the exact same thing (it must be some kind of rendering SNAFU), and past the Right Locator is just weird to me, in itself.
- KVRAF
- Topic Starter
- 25051 posts since 20 Oct, 2007 from gonesville
Funny thing, Alden Jenks, that's all he ever said to me really. I mean Electronic Music Lab was <ok, we got some equipment here, knock yourself out>.
Two identical Revox A-77s for the Eno/Frippertronics setup which I knew how to do because Eno told how in the liner notes, Music for Airports or one o' those. I tend to think those being in there was not mere coincidence. Then there was the Otari mastering deck with the splicing board attached. So I was all about tape then.
I wish I had the audio from that project. I recorded microphone/speaker feedback, very clean tones for feedback because the speakers were high-end, and sent it through the system. There is still no other really viable way to do that, software inadequate, possibly forever.
Two identical Revox A-77s for the Eno/Frippertronics setup which I knew how to do because Eno told how in the liner notes, Music for Airports or one o' those. I tend to think those being in there was not mere coincidence. Then there was the Otari mastering deck with the splicing board attached. So I was all about tape then.
I wish I had the audio from that project. I recorded microphone/speaker feedback, very clean tones for feedback because the speakers were high-end, and sent it through the system. There is still no other really viable way to do that, software inadequate, possibly forever.
- KVRAF
- Topic Starter
- 25051 posts since 20 Oct, 2007 from gonesville
This turned into a whole thing, adding an orchestral overlay. Last night was a truly irritating experience, sorting thru the part-writing against this monstrosity of a patch. I had some troubleshooting to do on the connection between VE Pro and Cubase today, and as a result I ended up hitting play with no Absynth connected, forgetting to reconnect that inst. And it surprised me. This is the orchestra overlay by itself:
Farfetch_Orch-only
It's a new piece practically.
Farfetch_Orch-only
It's a new piece practically.
- KVRAF
- Topic Starter
- 25051 posts since 20 Oct, 2007 from gonesville
- KVRist
- 75 posts since 31 Mar, 2019 from California
Very nice, I like it
- KVRAF
- 2736 posts since 5 Jun, 2011 from Preston, England, UK
Nice creepy/dark atmosphere. Enjoyed, good work!
The inner workings of vurts mind are a force to be reckoned with.
music is a need in my life...yes I could survive without it but tbh I dont know how
myfeebleeffort
https://paulroach2.bandcamp.com/
https://hearthis.at/83hdtrvm/
music is a need in my life...yes I could survive without it but tbh I dont know how
myfeebleeffort
https://paulroach2.bandcamp.com/
https://hearthis.at/83hdtrvm/
- KVRAF
- 5718 posts since 29 Sep, 2010 from Maui
Pretty cool , a lot of tension in there. I always liked absynth but never got round to buying it.
I never thought about dropbox either, here I've been suffering soundcloud to post junk here at kvr.
-Cheers
I never thought about dropbox either, here I've been suffering soundcloud to post junk here at kvr.
-Cheers
- KVRAF
- 2941 posts since 31 Jan, 2020
""Farfetch so far". Well i listened it. I don't know what to say about this sort of music. I did enjoy it.
- KVRAF
- Topic Starter
- 25051 posts since 20 Oct, 2007 from gonesville
glad y'all could make it
Now for the hard part. The orch is basic, crude, get the notes on there to find out what the harmonies gwyne do;, now to voice things and bring lines out of the fog of war there.
Now for the hard part. The orch is basic, crude, get the notes on there to find out what the harmonies gwyne do;, now to voice things and bring lines out of the fog of war there.