Get variations to drums without pitching them.
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- KVRist
- Topic Starter
- 342 posts since 14 Mar, 2004 from Sweden
To get variations and a more natural touch to a snare sample (or other drums sounds), and avoid the machine gun effect, you often get the tip to pitch the sample slightly different. You could do this by assign pitch to velocity in a sampler.
I don't like this because I think it sounds like a melody played with the drum sample! So is there another old trick in the book to use here?
I don't like this because I think it sounds like a melody played with the drum sample! So is there another old trick in the book to use here?
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- Patchmeister
- 1774 posts since 3 Nov, 2010
True but you only allow the variation to go up or down a few cents so it stays within reason.
Also use:
different velocity
Swing
you can even add a transient shaper to it and automate the louder hits to have more attach (recreating reality... kinda)
multi-sampled snares
process a the same snare slightly differently and re-sample them
That's it for now
Also use:
different velocity
Swing
you can even add a transient shaper to it and automate the louder hits to have more attach (recreating reality... kinda)
multi-sampled snares
process a the same snare slightly differently and re-sample them
That's it for now
CHOOSX Remakes on my Youtube Channel
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- KVRian
- 986 posts since 8 Mar, 2009
Change the sample start point and add fades to the beginnings and ends of the samples.instant "ghost"hits or softer articulations.you can also link them to a very gentle lowpass filter modulated by an envelope to push them back a bit when they need to be
I don't repitch drums personally and especially not for articulations
I don't repitch drums personally and especially not for articulations
I
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- Banned
- 1780 posts since 26 Aug, 2012
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- KVRian
- 1189 posts since 11 Jun, 2019
Feel free to try everything possible. We´re not in School.
A contemprary Method would be to split the Sample up into a tonal and a Noise Part and modulate the Balance (Groove Agent, ...).
But Layering (with anything), Pitch, Pan and also the Amp Envelpe are probably more common. The Amp Envelope is one of the most powerful Tools of a regular Sampler.
I remember very well seducing every Parameter of my ASR10. Be creative!
A contemprary Method would be to split the Sample up into a tonal and a Noise Part and modulate the Balance (Groove Agent, ...).
But Layering (with anything), Pitch, Pan and also the Amp Envelpe are probably more common. The Amp Envelope is one of the most powerful Tools of a regular Sampler.
I remember very well seducing every Parameter of my ASR10. Be creative!