Lullagag (hitek 190bpm)

[ZoomDagaZoom]

https://soundcloud.com/zoomdagazoom/lullagag

almost all sound design by yours truly

[recursive one]

Properly mind-shredding but at the same time quite musical

Great track, enjoyed it. Quite competent production.

[SneakyBeats]

The name of the track somehow reminds me of dirty chewbacca.

[ZoomDagaZoom]

Properly mind-shredding but at the same time quite musical

Great track, enjoyed it. Quite competent production.

thank you that is very nice

[guitarmiester]

This was pretty interesting. At first I wasn't too into it and let the song play anyway. I liked where you went with it. I'll have to give this another listen with headphones later on.

[ZoomDagaZoom]

This was pretty interesting. At first I wasn't too into it and let the song play anyway. I liked where you went with it. I'll have to give this another listen with headphones later on.

thank you for your feedback. I can see how the first part might throw people off. In my mind it had more impact when I was composing it but I realize that it may have turned out a bit different. The impact of that part really hinges on the production quality of the song since it is the part with the least musical elements), but the production quality is far from being on par.

[ChameleonMusic]

Listened LOUD on headphones...my mind is short-term f#cked...in a good way!

Enjoyed it...mix was a tiny, little bit 'flat' in terms of dynamics maybe, but it didn't spoil the experience at all.

[ZoomDagaZoom]

Listened LOUD on headphones...my mind is short-term f#cked...in a good way!

Enjoyed it...mix was a tiny, little bit 'flat' in terms of dynamics maybe, but it didn't spoil the experience at all.

thank you this flatness is something im struggling with a lot actually. I think there might also some benefit in more. aggressive stereo-widening / layering of some elements.. Also, I have the tendency to clog up the mids (and underutilise the highs) and end up taking away a lot there which might also contribute to the problem

[ChameleonMusic]

Listened LOUD on headphones...my mind is short-term f#cked...in a good way!

Enjoyed it...mix was a tiny, little bit 'flat' in terms of dynamics maybe, but it didn't spoil the experience at all.

thank you this flatness is something im struggling with a lot actually. I think there might also some benefit in more. aggressive stereo-widening / layering of some elements.. Also, I have the tendency to clog up the mids (and underutilise the highs) and end up taking away a lot there which might also contribute to the problem

Ha! 'Flat Mix Syndrome' - suffered from it myself many times!

Suggestions from my many mistakes that might help...

1) Yep - Stereo spread...MID/SIDE processing can sometimes help as well.
2) Sound Stage from front to back as well as from side to side is important...variety in the use of reverb for example.
3) Excessive use of limiters and compressors... at least not using them with sufficient subtly and nuance!
4) Overlapping frequency bands - piano and guitar for example and having to learn how to sculpt with EQ to let both 'shine'.

You'll get there...your mixes are pretty good already!

[ZoomDagaZoom]

Listened LOUD on headphones...my mind is short-term f#cked...in a good way!

Enjoyed it...mix was a tiny, little bit 'flat' in terms of dynamics maybe, but it didn't spoil the experience at all.

thank you this flatness is something im struggling with a lot actually. I think there might also some benefit in more. aggressive stereo-widening / layering of some elements.. Also, I have the tendency to clog up the mids (and underutilise the highs) and end up taking away a lot there which might also contribute to the problem

Ha! 'Flat Mix Syndrome' - suffered from it myself many times!

Suggestions from my many mistakes that might help...

1) Yep - Stereo spread...MID/SIDE processing can sometimes help as well.
2) Sound Stage from front to back as well as from side to side is important...variety in the use of reverb for example.
3) Excessive use of limiters and compressors... at least not using them with sufficient subtly and nuance!
4) Overlapping frequency bands - piano and guitar for example and having to learn how to sculpt with EQ to let both 'shine'.

You'll get there...your mixes are pretty good already!

thanks for taking the time and sharing your personal advice man! It's so good to learn from peoples experiences. Ive got all of this noted down as focus points for my next one

[layzer]

this is good for listening while being chased by a lion

[SneakyBeats]

I now got over the dirty chewbacca thing and listened the track.

oh my..

Crash Bandicoot on speed and mushrooms. Seriously my brain tickled in a very weird way

I need to take a break and listen to it again to be able to comment something useful

[ZoomDagaZoom]

this is good for listening while being chased by a lion

OK now you've got me considering to change my artist name to CrashBandicootOnSpeedAndMushRooms

[lessera]

Whoa... That was a trip. My head needs a quaalude (or 5) now.

So this is what Robert DeLong sounds like after taking wayyy too many uppers.

Nice work!

[Allomerus]

Plenty of energy and good changes to create interest. Perhaps too fast for me to dance to but then I'm getting on... Well done!