Need help replacing some Ableton stock plugins while moving to Bitwig

VST, AU, AAX, CLAP, etc. Plugin Virtual Effects Discussion
RELATED
PRODUCTS

Post

Tendou wrote: Wed Oct 28, 2020 8:15 am nice, shumovick seems like it could replace my issue with missing the white noise vocoder
Have you tried the Bitwig vocoder?

Post

dangayle wrote: Wed Oct 28, 2020 10:26 am
El°HYM wrote: Wed Oct 28, 2020 6:43 am
Neon Breath wrote: Wed Oct 28, 2020 1:30 am Technically, to answer your question here's the explanation from Ableton effect reference:

The Erosion effect degrades the input signal by modulating a short delay with filtered noise or a sine wave. This adds noisy artifacts or aliasing/downsampling-like distortions that sound very ”digital.”
I believe Corrosion might be your best bet here, there are other Options which can do similar Things, like https://www.meldaproduction.com/MNoiseGenerator & https://www.voxengo.com/product/crtivshumovick.
See, this is where things break down. Instead of throwing a plugin at it, do it the Bitwig way. Take a short Bitwig delay and use a filtered noise or sine wave to modulate the input signal. The raw tools for this sort of thing are extremely powerful in Bitwig, and if you're not taking advantage of the modulation system, why are you even bothering with it?
Yeah... you can build so much in Bitwig. Bitwig's delays are unique in that you can put anything inside the delay feedback.

Post

pdxindy wrote: Wed Oct 28, 2020 3:39 pm
Tendou wrote: Wed Oct 28, 2020 8:15 am nice, shumovick seems like it could replace my issue with missing the white noise vocoder
Have you tried the Bitwig vocoder?
yeah but didnt invest much time. I could not get a pleasing result.

Post

Tendou wrote: Wed Oct 28, 2020 3:59 pm
pdxindy wrote: Wed Oct 28, 2020 3:39 pm
Tendou wrote: Wed Oct 28, 2020 8:15 am nice, shumovick seems like it could replace my issue with missing the white noise vocoder
Have you tried the Bitwig vocoder?
yeah but didnt invest much time. I could not get a pleasing result.
The Bitwig Vocoder is solid... plenty powerful. When you have a chance, revisit it.

I don't know what result you want (I used to use the Live Vocoder quite a bit but it has been a few years now) but am confident that the Bitwig Vocoder can get there. Anything can be the carrier - any device chain.

Post

pdxindy wrote: Wed Oct 28, 2020 4:07 pm
Tendou wrote: Wed Oct 28, 2020 3:59 pm
pdxindy wrote: Wed Oct 28, 2020 3:39 pm
Tendou wrote: Wed Oct 28, 2020 8:15 am nice, shumovick seems like it could replace my issue with missing the white noise vocoder
Have you tried the Bitwig vocoder?
yeah but didnt invest much time. I could not get a pleasing result.
The Bitwig Vocoder is solid... plenty powerful. When you have a chance, revisit it.

I don't know what result you want (I used to use the Live Vocoder quite a bit but it has been a few years now) but am confident that the Bitwig Vocoder can get there. Anything can be the carrier - any device chain.
thank you, I will give it another try

Post

pdxindy wrote: Wed Oct 28, 2020 3:42 pm
dangayle wrote: Wed Oct 28, 2020 10:26 am
El°HYM wrote: Wed Oct 28, 2020 6:43 am
Neon Breath wrote: Wed Oct 28, 2020 1:30 am Technically, to answer your question here's the explanation from Ableton effect reference:

The Erosion effect degrades the input signal by modulating a short delay with filtered noise or a sine wave. This adds noisy artifacts or aliasing/downsampling-like distortions that sound very ”digital.”
I believe Corrosion might be your best bet here, there are other Options which can do similar Things, like https://www.meldaproduction.com/MNoiseGenerator & https://www.voxengo.com/product/crtivshumovick.
See, this is where things break down. Instead of throwing a plugin at it, do it the Bitwig way. Take a short Bitwig delay and use a filtered noise or sine wave to modulate the input signal. The raw tools for this sort of thing are extremely powerful in Bitwig, and if you're not taking advantage of the modulation system, why are you even bothering with it?
Yeah... you can build so much in Bitwig. Bitwig's delays are unique in that you can put anything inside the delay feedback.
I just learned this lesson. I have to admit that I tend to overlook included plugins because I erroneously assume that there are better replacements. In my case, I was looking for a delay plugin that had a really great filter in the feedback loop. Something akin to The Drop level of quality, especially the drive part. Maybe it was you, but someone pointed me towards Delay 2 and before I knew it, I had exactly what I was looking for.
Zerocrossing Media

4th Law of Robotics: When turning evil, display a red indicator light. ~[ ●_● ]~

Post

zerocrossing wrote: Wed Oct 28, 2020 5:26 pm
pdxindy wrote: Wed Oct 28, 2020 3:42 pm
dangayle wrote: Wed Oct 28, 2020 10:26 am
El°HYM wrote: Wed Oct 28, 2020 6:43 am
Neon Breath wrote: Wed Oct 28, 2020 1:30 am Technically, to answer your question here's the explanation from Ableton effect reference:

The Erosion effect degrades the input signal by modulating a short delay with filtered noise or a sine wave. This adds noisy artifacts or aliasing/downsampling-like distortions that sound very ”digital.”
I believe Corrosion might be your best bet here, there are other Options which can do similar Things, like https://www.meldaproduction.com/MNoiseGenerator & https://www.voxengo.com/product/crtivshumovick.
See, this is where things break down. Instead of throwing a plugin at it, do it the Bitwig way. Take a short Bitwig delay and use a filtered noise or sine wave to modulate the input signal. The raw tools for this sort of thing are extremely powerful in Bitwig, and if you're not taking advantage of the modulation system, why are you even bothering with it?
Yeah... you can build so much in Bitwig. Bitwig's delays are unique in that you can put anything inside the delay feedback.
I just learned this lesson. I have to admit that I tend to overlook included plugins because I erroneously assume that there are better replacements. In my case, I was looking for a delay plugin that had a really great filter in the feedback loop. Something akin to The Drop level of quality, especially the drive part. Maybe it was you, but someone pointed me towards Delay 2 and before I knew it, I had exactly what I was looking for.
Yeah, might have been me...

Not only can you put The Drop in the feedback, but any chain of devices (Bitwig or VST)... so you could put an EQ followed by the Drop and an ambience Reverb all inside the feedback loop. Add a couple modulators, make a preset page for The Drop then you could save that as the default preset for Delay 2. Then you have The Drop parameters right at hand instead of opening the GUI.

It's really slick!

Post

Other triggered noise plugins:
https://www.denise.io/store/denise/Noize2 (haven't tried)

Also getting a wide variety of good results with MVocoder with noise as the carrier.

The below plugins can do triggered noise, but the noise's tonal aspect are not related to the input's frequencies, unlike a vocoder or shumovik.

https://www.bozdigitallabs.com/product/ ... machine-2/
https://www.meldaproduction.com/MDrumEnhancer (before loading a sample, it instead triggers noise. )
Reaper's Reagate (but only triggers the noise when above the gate threshold)
https://www.reaper.fm/reaplugs/ (works on Windows only. Don't need to use Reaper)

Post

Most of those have prett ydirect replacements in Bitwig. For convolution you could grab the free ConvologyXT, and for stock reverb you might want to grab Oril River Reverb for free.

Someone made a grid preset in an attempt to copy Ableton's erosion I think, worth a search on the Bitwig forum.

Otherwise amps, saturation, waveshaping etc is in Bitwig. And the vocoder is pretty good as well.

Delays are probably the best thing in Bitwig effects thanks to being able to put plugins in the feedback path.

Post

https://bitwiggers.com/presets/41216720 ... e066a7977/ for an Erosion preset, as mentioned above.

I haven't compared the two though.

Post

Echoes in the Attic wrote: Thu Oct 29, 2020 12:21 am Most of those have prett ydirect replacements in Bitwig. For convolution you could grab the free ConvologyXT, and for stock reverb you might want to grab Oril River Reverb for free.

Someone made a grid preset in an attempt to copy Ableton's erosion I think, worth a search on the Bitwig forum.

Otherwise amps, saturation, waveshaping etc is in Bitwig. And the vocoder is pretty good as well.

Delays are probably the best thing in Bitwig effects thanks to being able to put plugins in the feedback path.
You can also put plugins and Bitwig devices in the reverb feedback too. It makes the Bitwig Reverb quite flexible.

Post

pdxindy wrote: Thu Oct 29, 2020 5:02 am
Echoes in the Attic wrote: Thu Oct 29, 2020 12:21 am Most of those have prett ydirect replacements in Bitwig. For convolution you could grab the free ConvologyXT, and for stock reverb you might want to grab Oril River Reverb for free.

Someone made a grid preset in an attempt to copy Ableton's erosion I think, worth a search on the Bitwig forum.

Otherwise amps, saturation, waveshaping etc is in Bitwig. And the vocoder is pretty good as well.

Delays are probably the best thing in Bitwig effects thanks to being able to put plugins in the feedback path.
You can also put plugins and Bitwig devices in the reverb feedback too. It makes the Bitwig Reverb quite flexible.
Yep. True. I guess I do that less because I rarely use Bitwig's reverb, but definitely is a great option.

Post Reply

Return to “Effects”