You mean like pretty much every VSTi I ever made? Yeah, fabulous stuff.
Good for you, I mostly find one gets in the way of the other so by taking one out, I can concentrate on getting the other exactly right. I am far more likely to want to adjust the cutoff and filter envelope together which, of course, I can do in both Uno and Uno Pro. Best of all, I can do it with one hand.I found interesting stuff with amp being just slightly slower or faster than filter in part of transition to sustain level - either in attack or decay part.
No, definitely getting into the area of too much cruft now. Simple and focused works best for me, which is why my most used synths, by a country mile, is JP6K.If you got pitch envelope as well, even more to pick and choose from.
That's another thing I don't do. Ujam's guitar plugins work perfectly for my needs.This is what makes you experiment with guitar+pedals+amp too, to find the spot that speaks to you.
No, I am interested in performing our songs at festivals and on tours. You may think about yourself all the time, I never think about myself at all.But the journey is boring to you, that is kind of sad. Life is a journey, and it's like the only thing you are interested in is end result - death.
The only deadlines we have are those we impose upon ourselves. I daresay it takes me far longer to finish a song than it does you. I would never even think about putting a song on an album that I hadn't spent at least 6 months with and most of them spend upwards of two years kicking around before they are in good enough shape to think about releasing.All weird to me loving the full process. In your defence I don't have a deadline to be ready, I can let it linger as I please.
You've probably been driving cars for a long time and only ever used a fraction of their potential. A car is probably just a tool for you, in the same way that synths are just tools for me. What matters are songs and we can make awesome songs without having to use more than the basics. Maybe if you keep at it long enough, you'll be able to do that, too?You've been using synths for a long time, and use so little of what it offers.
Why? Wouldn't you rather have something that makes sounds no-one has ever heard before? That was the thrill of buying a DX9 in 1983 - making amazing sounds I literally could not have dreamt of previously. Sadly, there hasn't been much of that in the last 30 years so these days I challenge myself in other ways.So with great anticipation I alook forward to Behringer Pro 800 to be released to get the real thing.
Yes, really. That's a Roland softsynth - note the "PLUG-OUT" badge on the front panel. This is what the original hardware synth looks like -
I am exactly the opposite. I want to buy something and use and never have to worry about updating it or adding extra shit to it or anything else. For me, that is just about the biggest attraction to hardware - it is what it is and that's all it will ever be, so I can get on with using it for what I bought it for.
See, even that is more than I'm interested in. I bought some tiny Korg multi-effects unit to use with my Rocket but I never got around to connecting it up, not even once. Too much f**king about. This is it, Korg Pandora, it's smaller than a computer mouse -(PS- Running my UNO through the NTS-1 now so, it sounds fantastic!)