I really dont like to comment on other peoples work as we all play, and approach things differently (unlike yourself it seems)….but that was pretty awful, your bandcamp tracks are not my cup of tea but theyre (obviously) better, I remember that kinda stuff in the mid late eighties, but that was just not something Id ever be interested in or appreciate…I remember the kids into this stuff, techno ran over that scene in the UK anyway, thankfully.BONES wrote: ↑Thu Sep 09, 2021 3:21 amFirst off, just because you can do something doesn't mean you should or that it makes sense to. But this is very much DJ music. Like that woman's stuff, it doesn't go anywhere. It just meanders along, pretty much the same all the way through. You could cut into or out of it anywhere and it wouldn't make a difference. And you're all forgetting, or maybe it just never occurred to you, that I've done a lot more with a lot less. I used to get by with a drum machine and a one track sequencer and no sampler at all. This song is from 1986, although this recording of it was a couple of years later, when I had a two-track Korg SQD-1 -kcearl wrote: ↑Wed Sep 08, 2021 3:58 pmThis was all done in the Force, no onboard FX or built in synths were used...Im not saying its great but its nothing to do with being a DJ or making poppy EDM (not thats theres anything wrong with that)
https://soundcloud.com/superjakes/faultline
https://www.youtube.com/watch?v=gxmqD82 ... Nefastuoso
Im glad you can make a living with it though… and your laptop, zero interest in making music with a laptop, Im sure I have one lying about though…its probably apple