Here's a question (but not a poll): do you prefer synths/samplers or effects?
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- KVRAF
- Topic Starter
- 2464 posts since 15 Apr, 2004 from Capital City, UK
Do you find yourself more interested in things which make sound (in the box) like new types of synthesisers and samplers or things which change the sound, both subtly or significantly?
As much as I 'enjoy' nice new distortions and FFT manglers I'm far more interested in expressive synthetic performance tools, probably due to my history of brass bands and folk music. I spend far more (fun) time making noises with, and waggling the knobs of, (soft) synths than I do listening-to-and-tweaking reverbs or distortions.
And how much of that difference between the two is expressed in your production or writing time? eg, I spend faaar too long playing and tweaking a sound than I will picking effects. I just want that bit done quickly so I spend more time on the notes and the sound.
I also welcome any comments about how dumb this question is!
As much as I 'enjoy' nice new distortions and FFT manglers I'm far more interested in expressive synthetic performance tools, probably due to my history of brass bands and folk music. I spend far more (fun) time making noises with, and waggling the knobs of, (soft) synths than I do listening-to-and-tweaking reverbs or distortions.
And how much of that difference between the two is expressed in your production or writing time? eg, I spend faaar too long playing and tweaking a sound than I will picking effects. I just want that bit done quickly so I spend more time on the notes and the sound.
I also welcome any comments about how dumb this question is!
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wilkins_micawber wilkins_micawber https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=497291
- KVRist
- 112 posts since 21 Feb, 2021
It's easiest to make interesting changes to a sound close to the source, so synths and resynthesis (harmor, falcon)
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- KVRAF
- 35410 posts since 11 Apr, 2010 from Germany
Same here.CinningBao wrote: ↑Sun Jun 26, 2022 4:32 pm I spend far more (fun) time making noises with, and waggling the knobs of, (soft) synths than I do listening-to-and-tweaking reverbs or distortions.
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- addled muppet weed
- 105800 posts since 26 Jan, 2003 from through the looking glass
it's all just one big toy.
so "the studio" as an entity rather than as a collective of individual entities.
so "the studio" as an entity rather than as a collective of individual entities.
- KVRAF
- 6980 posts since 28 Dec, 2015 from Atlantis Island
I prefer blondes.
Or effectively sampled synths, but these not so much as blondes.
Or effectively sampled synths, but these not so much as blondes.
https://sonograyn.bandcamp.com/music Experimental Ambient
https://martinjuenke.bandcamp.com/music Alternative Instrumental
https://martinjuenke.bandcamp.com/music Alternative Instrumental
- KVRAF
- 6980 posts since 28 Dec, 2015 from Atlantis Island
I like synths that can make boob boob sounds, they are fun.
https://sonograyn.bandcamp.com/music Experimental Ambient
https://martinjuenke.bandcamp.com/music Alternative Instrumental
https://martinjuenke.bandcamp.com/music Alternative Instrumental
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- KVRist
- 88 posts since 8 Jan, 2009
For me, it’s definitely about both. But if I had to choose, I feel more excited by mangling standard sounds with effects than getting crazy in the instrument and having none.I could probably make music with a single physical modeling synth, some crazy effects, and some drum samples and be very happy with the results
- KVRian
- 576 posts since 30 Jan, 2021
I like all three - synths, samplers and effects, but since the ambient/IDM I produce relies solely on synths, that's what I use, even bridged 32bit ones because some of those oldies are still goodies.
If you can't dazzle 'em with brilliance, baffle 'em with bullshit.
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- KVRian
- 657 posts since 7 Oct, 2005
- KVRAF
- 7624 posts since 21 Dec, 2002 from MD USA
yes
my music: http://www.alexcooperusa.com
"It's hard to be humble, when you're as great as I am." Muhammad Ali
"It's hard to be humble, when you're as great as I am." Muhammad Ali
- GRRRRRRR!
- 15942 posts since 14 Jun, 2001 from Somewhere else, on principle
To me this is like asking do you prefer food to garnish because effects are just that - garnish, that last little bit of polish to complete the dish/song but something that doesn't really matter if you can't be bothered.CinningBao wrote: ↑Sun Jun 26, 2022 4:32 pm Do you find yourself more interested in things which make sound (in the box) like new types of synthesisers and samplers or things which change the sound, both subtly or significantly?
I mostly don't use effects at all, beyond the on-board effects in a synth. FireCobra and a limiter on my master, Puncher and EQ on my drums (which all come out of one stereo channel) and that's about it until I record some vocals (vox need lots of effects). Very, very occasionally I might add some saturation/overdrive/distortion but not very often. My process has become very simple over the past few years, to excellent effect.And how much of that difference between the two is expressed in your production or writing time? eg, I spend faaar too long playing and tweaking a sound than I will picking effects. I just want that bit done quickly so I spend more time on the notes and the sound.
Sure but the OP isn't denying that, he's asking where you put your main effort and/or which you enjoy working with more. It's pretty straightforward, really.
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- KVRAF
- Topic Starter
- 2464 posts since 15 Apr, 2004 from Capital City, UK
I totally agree.. resynthesis rules. Thankswilkins_micawber wrote: ↑Sun Jun 26, 2022 6:14 pm It's easiest to make interesting changes to a sound close to the source, so synths and resynthesis (harmor, falcon)
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- KVRAF
- Topic Starter
- 2464 posts since 15 Apr, 2004 from Capital City, UK
Glad to hear it! Thanks for commentingchk071 wrote: ↑Sun Jun 26, 2022 6:18 pmSame here.CinningBao wrote: ↑Sun Jun 26, 2022 4:32 pm I spend far more (fun) time making noises with, and waggling the knobs of, (soft) synths than I do listening-to-and-tweaking reverbs or distortions.