Jesse Gorter - Piano Thread
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- KVRian
- Topic Starter
- 1071 posts since 30 Nov, 2004
All 3 were played by a pianist 
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ChameleonMusic ChameleonMusic https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=430348
- KVRAF
- 1923 posts since 23 Nov, 2018 from Birmingham, UK
Thanks for the reply... Interesting!
They're all interesting compositions and enjoyable listens, but Wings of Time sounds a little more fluid in the playing style .. Especially noticeable in some of the tempo changes for me.
Different pianist! Different piano... 2 and 3 vsts? They just have a different flow to Wings in many ways.. Not better or worse... Just different.
Mark Taylor, Chameleon Music - Professional composition and sound design for all media since 1994.
https://www.chameleonmusic.co.uk/
https://www.chameleonmusic.co.uk/
- KVRian
- 1038 posts since 21 May, 2020 from germany
I would disagree with that opinion. from the perspective of a classical musician, i have to say that it was quite common to use such time-changes. especially in early keyboard music (e.g. frescobaldi, froberger) - but later too. and you even built in a little transition. what one might ask is whether the time proportion ratios are shown effective enough. but in my opinion this is more of a question to the interpreter/player than to the composition. for me the last part offers a clear added value.Jesse Gorter wrote: Tue May 04, 2021 2:27 pm The ending is quite an adventure, and composition wise, it should not even be in there. The work would be stronger without the 6/8 time.
it is better to have a track with some mistakes than a track without any soul
myself in 2022
myself in 2022
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ChameleonMusic ChameleonMusic https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=430348
- KVRAF
- 1923 posts since 23 Nov, 2018 from Birmingham, UK
Yeah, I agree with that assessment...don't knock that ending at all!tomtom1 wrote: Sat May 08, 2021 10:47 amI would disagree with that opinion. from the perspective of a classical musician, i have to say that it was quite common to use such time-changes. especially in early keyboard music (e.g. frescobaldi, froberger) - but later too. and you even built in a little transition. what one might ask is whether the time proportion ratios are shown effective enough. but in my opinion this is more of a question to the interpreter/player than to the composition. for me the last part offers a clear added value.Jesse Gorter wrote: Tue May 04, 2021 2:27 pm The ending is quite an adventure, and composition wise, it should not even be in there. The work would be stronger without the 6/8 time.![]()
It's effective, but just stutters a little tiny bit in this performance...can't tell from here without a score whether it was the playing or the written notes at the transition, but i think the ending is a positive little surprise!Ending - yeah, the change of time signature could be a little bit more fluid, but it works as a sudden lift to end on!
Mark Taylor, Chameleon Music - Professional composition and sound design for all media since 1994.
https://www.chameleonmusic.co.uk/
https://www.chameleonmusic.co.uk/
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ChameleonMusic ChameleonMusic https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=430348
- KVRAF
- 1923 posts since 23 Nov, 2018 from Birmingham, UK
Froberger - yep, but I've never heard of frescobaldi...off to look him up!(e.g. frescobaldi, froberger)
Mark Taylor, Chameleon Music - Professional composition and sound design for all media since 1994.
https://www.chameleonmusic.co.uk/
https://www.chameleonmusic.co.uk/
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- KVRian
- Topic Starter
- 1071 posts since 30 Nov, 2004
and...here is rain waltz!
https://open.spotify.com/album/0Jw86wkO ... epJgbAnm7A
wrote this one for my son Rein.
https://open.spotify.com/album/0Jw86wkO ... epJgbAnm7A
wrote this one for my son Rein.
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- KVRian
- Topic Starter
- 1071 posts since 30 Nov, 2004
No but I like to release the sheet music some timewalidantar wrote: Thu May 06, 2021 12:48 am very nice, i like hearing such music, is there a midi recording for it? i'd like to hear it with my vst plugin![]()
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- KVRian
- Topic Starter
- 1071 posts since 30 Nov, 2004
actually, this was the first one I composed for this upcoming album and I send my pianist a rough midi. He came up with the transition, which I later on transcribed in proper notation when I learned how to actually write with Sibelius.seismic1 wrote: Thu May 06, 2021 12:32 am "The Wings of Time"
I recognised this one from a couple of years ago, but it was so pleasant, I listened to it twice more![]()
It was nicely played and the change from 4/4 to 6/8 worked quite well, but I think it might work better if you went straight from one to the other, but this may not be an option as it was recorded live.
Good work![]()
After that one, I first wrote them completely in music notation before he perfomed them
- KVRian
- 607 posts since 16 Dec, 2003
Jesse, I listened to the Wings of Time and Red Leaves. Both were enjoyable listens. The melodic path you charted in both tunes kept my interest. I especially like the different moods of Red Leaves. Nice dynamic playing without being overly dramatic (IMO). Cheers.
- KVRian
- 1038 posts since 21 May, 2020 from germany
this is somehow funny and interesting... he was his teacherChameleonMusic wrote: Sat May 08, 2021 4:52 pmFroberger - yep, but I've never heard of frescobaldi...off to look him up!(e.g. frescobaldi, froberger)![]()
it is better to have a track with some mistakes than a track without any soul
myself in 2022
myself in 2022
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- KVRian
- Topic Starter
- 1071 posts since 30 Nov, 2004
tomtom1 wrote: Sat May 08, 2021 10:47 amI would disagree with that opinion. from the perspective of a classical musician, i have to say that it was quite common to use such time-changes. especially in early keyboard music (e.g. frescobaldi, froberger) - but later too. and you even built in a little transition. what one might ask is whether the time proportion ratios are shown effective enough. but in my opinion this is more of a question to the interpreter/player than to the composition. for me the last part offers a clear added value.Jesse Gorter wrote: Tue May 04, 2021 2:27 pm The ending is quite an adventure, and composition wise, it should not even be in there. The work would be stronger without the 6/8 time.![]()
Cool! I did not know this, and nor did I know these composers
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ChameleonMusic ChameleonMusic https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=430348
- KVRAF
- 1923 posts since 23 Nov, 2018 from Birmingham, UK
Yeah, I saw that...it was actually interesting to learn that Frescobaldi influenced the whole German baroque school because he taught JJF!tomtom1 wrote: Mon May 10, 2021 6:43 amthis is somehow funny and interesting... he was his teacherChameleonMusic wrote: Sat May 08, 2021 4:52 pmFroberger - yep, but I've never heard of frescobaldi...off to look him up!(e.g. frescobaldi, froberger)![]()
![]()
Need to stop! This is Uber nerdy!
Mark Taylor, Chameleon Music - Professional composition and sound design for all media since 1994.
https://www.chameleonmusic.co.uk/
https://www.chameleonmusic.co.uk/
- KVRAF
- 12134 posts since 13 Mar, 2009 from UK
Air Dance - which came first? The music or the title? It doesn't really matter, but I thought that the title suited the music so well, with its delicate, and dare I say, airy vibes. I'm guessing that the music was the inspiration for the title, but that's the way I usually do things, so may not be typical.
Good work
Good work
- KVRAF
- 1838 posts since 28 Oct, 2005 from Finland
Red leaves: enjoyable melodylines and ambiance. Beautiful instrumental music.
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- KVRian
- Topic Starter
- 1071 posts since 30 Nov, 2004
originally it was a etude for myself to learn piano, but i never actually played it! it is from 2006 originally. The oldest tune from my upcoming piano album. I renotated it in sibelius so a pianist could play it. And there was a flute in there as well. The name was simply "F-minor". Quite inspired by philip glass as you can hear.seismic1 wrote: Tue May 11, 2021 11:05 pm Air Dance - which came first? The music or the title? It doesn't really matter, but I thought that the title suited the music so well, with its delicate, and dare I say, airy vibes. I'm guessing that the music was the inspiration for the title, but that's the way I usually do things, so may not be typical.
Good work![]()
Only at the last second, when i was creating the video for it, did i change the name