KVR Audio

Thanks Roger! I think Béla Fleck would agree with you!

Roger_Linn wrote: Thu Dec 19, 2024 6:46 am Another nice one, Jeremy. If someone had told me years ago that Chick Corea would make an album with a banjo player, I never would have believed it.

t-IB wrote: Thu Dec 19, 2024 8:51 am Apologies for probably posting in the wrong place

This is the correct thread, thank you for your contribution.

jeffmhopkins wrote: Thu Sep 12, 2024 9:17 pm Some fun guitar work on this one

Hi Jeff, This is great stuff! What presets did you use on this?

Here’s one

Oberheim Xpander in multi mode, one note per channel, and mapping CCs to various patch parameters. It’s a great synth (along with the 12 voice version Matrix 12) for the Linnstrument

It’s quite special to be able to do this with such an old 40 year old vintage analog synth

I think I posted a more general Linnstrument review video from my channel a few years ago which featured this clip in it, but not on its own

I wouldn’t call myself a skilled linnstrumentalist, and have much to lean and plan to practice more, but maybe you’ll enjoy the clip

Thank you for your contribution.

“Entangled” is a long-form musical composition that merges a jazz quartet core consisting of guitar, piano, bass, and drums with orchestral elements, including flute, violin, trumpet, and strings/woodwinds. The guitar melody is harmonized with violin, flute, and trumpet (SWAM instruments played on LinnStrument).

The piece features two extended solo interludes.The first interlude involves a dynamic exchange and collision between the guitar and trumpet, while the second interlude showcases the piano and violin. Towards the end of each section, the orchestral section (Symphobia) is introduced, with the guitar gradually fading in and out.

LinnStrument was used to play SWAM instruments (violin, trumpet, flute) and Upright Bass.

Dolby Atmos and stereo mixes of the song are available on Spotify and Apple Music.

https://jeremycubert.bandcamp.com/track/entangled

I think you should change the artist name to "Jeremy Cubert Band", then list yourself as all the musicians.

Thanks, Roger. I will call a band meeting to have a vote.

New vid. Playing is not perfect at all, but I was so inspired I wanted to put something out to the webs. I've had bit of a break from playing, but got back to it and put in some improved amp modeling since my last vid. Wow, this was a surreal feeling playing this sound. I couldn't believe how good it sounds! At least to my ears :'D. And it will get better of course, as I improve my skills hopefully

Nice lead guitar technique!

Roger_Linn wrote: Fri Jul 18, 2025 7:04 pm Nice lead guitar technique!

Thanks! By the way, I'm not sure if its common practice, at least I can't recall seeing other do this, but I've found having the Linnstrument on an angle like in my video really helps my playing. I can rest my hands on the wooden edge and it feels really comfortable. When I had the instrument on a "straight" surface for example, it put a strain on my wrist and started to hurt quite fast.

Second thing, I just wanted to say that the setup I do now with the guitar sound would not be possible with ANY other midi controller, so thank you very much for this instrument! I want to invest more time into this and really see what is possible with the Linnstrument.

I haven't seen others tilt it forward as you've done, but if it works then keep doing it.

And thanks for the kind compliment.

inffih wrote: Fri Jul 18, 2025 8:14 pm By the way, I'm not sure if its common practice, at least I can't recall seeing other do this, but I've found having the Linnstrument on an angle like in my video really helps my playing. I can rest my hands on the wooden edge and it feels really comfortable. When I had the instrument on a "straight" surface for example, it put a strain on my wrist and started to hurt quite fast.

The K&M Spider Pro I use as a keyboard stand for the LinnStrument comes with two adjustable pairs of arms for the lower and upper tier. I have learned from experience that placing the LinnStrument on the lower arms parallel to the floor and adjusting the height is more ergonomic, but the tradeoff is that the setup is more suited for the stage with a standing performer. The upper tier with angled arms is intended for a hardware desktop synthesizer with limited interaction, although it is currently unoccupied.

Wellp it's me again

Another good one, inffih.