Constructivism; archaic - lines over ground
- KVRAF
- Topic Starter
- 25053 posts since 20 Oct, 2007 from gonesville
this was an object I had around for a good while, which just sat there, summing up to nothing
it was a decent shape I thought, but it didn't do anything
I decided to through-compose something, freely making lines over it, as a passacalle
material derives from sailor's hornpipe and the main fragments from my stupid sea chantey fantasia
hulls and parts
I tried to avoid cliche, and the lines are a little subversive, where they end up sometimes
it was a decent shape I thought, but it didn't do anything
I decided to through-compose something, freely making lines over it, as a passacalle
material derives from sailor's hornpipe and the main fragments from my stupid sea chantey fantasia
hulls and parts
I tried to avoid cliche, and the lines are a little subversive, where they end up sometimes
- KVRAF
- 12352 posts since 7 May, 2006 from Southern California
I'm loving these tracks of yours more and more each time I hear them. I like to string them in a series and listen to them all at once since they are so short. Great work again.
- KVRAF
- 10234 posts since 17 Sep, 2004 from Austin, TX
Ambient drones and sea chanteys.
Perverse. I'm such a sucker for wind-up toy noises, though
0;47 what cadence is that? thrill to the ear
Perverse. I'm such a sucker for wind-up toy noises, though
0;47 what cadence is that? thrill to the ear
- KVRAF
- Topic Starter
- 25053 posts since 20 Oct, 2007 from gonesville
thanks aginjustin3am wrote:I'm loving these tracks of yours more and more each time I hear them. I like to string them in a series and listen to them all at once since they are so short. Great work again.
my preferred running order:
sea_sic/nebublob
sweetdreme
this one, 'bild one'
antimatter cont. field
segue/traumo/bon voyage/mermonster's horn
and then 'skybed'
>cj, ?
@ 0.47 it just goes to a no-3rd-having 'I' from the no-chord 'dominant', which is the 4-note main frag. [ma pa ni sa sa]; it's oddly satisfying amidst the ambiguities..
> or what's next?, which is a double plagal thing, to (minor v, 2nd inv or) bVII add6 - 'sa, pa' {12, 7), soprano; 'pa, ni' (7, 10), bass: [C#-F#-B, p4ths]
actually was ignoring 'chords', favoring *lines*
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- KVRAF
- 10077 posts since 2 Jan, 2005 from somewhere in the woods
very nice proggy...i like it!
"It dreamed itself along"
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- KVRAF
- 3002 posts since 24 Nov, 2003 from Heidelberg&Hamburg
Funny that you say that, and I fully agree - after reading some of the comments above, I expected a totally different music. Might be because I listened to a radio-show a friend of mine runs on a local radio, and there were slightly similar sounds (names are always a bit boring, but it is indeed proggy and "art-rock" or so he plays).mellotronaut wrote:very nice proggy...i like it!
For my taste this is a VERY nice short music, jancivil, and indeed it reminded me of some classical structures (like many good prog pieces contain), and is a very nice piece of music.
I didn't understand what is "subversive" about it though. Will do it like justin3am said and listen to all other pieces I can find of you, as this is the first one I listened to. Short music can be great, as we see here
- KVRAF
- Topic Starter
- 25053 posts since 20 Oct, 2007 from gonesville
thanx klemperer
what i meant by subvert, was endeavoring to avoid the more obvious pts. of arrival in the construction of parts, which gave me cool 'chords' @ those points, surprises..
what i meant by subvert, was endeavoring to avoid the more obvious pts. of arrival in the construction of parts, which gave me cool 'chords' @ those points, surprises..
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- KVRAF
- 3002 posts since 24 Nov, 2003 from Heidelberg&Hamburg
aah, thanks. By now I downloaded it seems all the recent songs you posted. I like the sounds of many, but as others suggested I play them randomly and forgot which one belongs to which thread. Very "versatile" or so music. All with lots of ideas.jancivil wrote:thanx klemperer
what i meant by subvert, was endeavoring to avoid the more obvious pts. of arrival in the construction of parts, which gave me cool 'chords' @ those points, surprises..
And thanks for explaining! That makes sense, and by the way I generally like the idea of avoiding obvious parts in any genre.
You could go on and send a part of a song or a whole one like or however every day, so we'd have a "Adventskalender" at KVR with jancivil-songs. That would be nice surprise. (Just the contrary of me, I seem to send, besides close friends, a song every 7 years or so )
- KVRAF
- 5687 posts since 11 Feb, 2005 from Bordeaux France
I like it ! Reminds me what I love so much : the early Canterbury scene, the beginnings of bands like Caravan, Soft Machine, Hatfield and the North, Henry Cow and many more !
You can't always get what you waaaant...