dessicant (need your help!)
- KVRAF
- Topic Starter
- 3724 posts since 30 Jan, 2005 from rochester, ny
i'm very fond of stripping things down to bare/splintered bone. problem is beyond a certain point the musical "logic" falls apart for most listeners. results: head-scratching, boredom, projectile vomiting, etc.
here's a piece that wanders through a sparse splintery groove. it's rather extremely stripped down, lots of silence and near-silence.
dessicant
for me it works fine as a piece. how about for you? does it stand as-is? or does it need more? bass? pad (connective tissue)? foreground quasi-melody?
thanks for your help!
enjoy. :-)
here's a piece that wanders through a sparse splintery groove. it's rather extremely stripped down, lots of silence and near-silence.
dessicant
for me it works fine as a piece. how about for you? does it stand as-is? or does it need more? bass? pad (connective tissue)? foreground quasi-melody?
thanks for your help!
enjoy. :-)
Last edited by rachmiel on Fri May 21, 2010 12:05 am, edited 1 time in total.
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- D.H. MOD
- 16419 posts since 21 Jun, 2008
It works for me as-is ("works" in this case including making me feel a bit nervous), but I'd be interested to hear it with something else. I have no idea what that something else should be. I briefly thought upright bass would be good, but the skitteriness (if I may) of the piece made it hard to hear in my head how that part might sound.
An especially odd one, to my ear, but I enjoyed it. Thanks.
An especially odd one, to my ear, but I enjoyed it. Thanks.
No longer a moderator.
- KVRAF
- Topic Starter
- 3724 posts since 30 Jan, 2005 from rochester, ny
thanks dhm. :-) i could hear it either way: as a(n extremely) minimal standalone or as a rhythmic framework over which other, perhaps more foreground-ish sonic events, could be layered.
think i'll give the latter a try. i'll go very easy with the additional material, so as not to dispel the fragile/quirky minimal splinteriness of what's there already.
think i'll give the latter a try. i'll go very easy with the additional material, so as not to dispel the fragile/quirky minimal splinteriness of what's there already.
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- KVRAF
- 3046 posts since 30 Mar, 2002 from 51°53'N 02°15'W
Works as is for me inducing a slightly unsettling vibe but think it would work better as an extra rhythmic layer to a regular hip hop beat to emphasize the unsettledness. Just my 2 cents...
- KVRAF
- Topic Starter
- 3724 posts since 30 Jan, 2005 from rochester, ny
thanks for the listen/comment, Az're-ul. (it's always a pleasure to hear from the Angel of Death. (how's business, btw?)) funny you should mention hip hop beats because i like some of them a lot: crisp, odd, hook-y, short, concise. perhaps i should start adding vocals to these sparse fractured grooves i've been making as of late? it would be interesting to come up with vocal parts that were to conventional hip hop vocals as the fractured grooves are to conventional hip hop beats. lyrics too ... something like finnegans wake meets wu-tang clan.Az're-ul wrote:Works as is for me inducing a slightly unsettling vibe but think it would work better as an extra rhythmic layer to a regular hip hop beat to emphasize the unsettledness. Just my 2 cents...
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- KVRAF
- 1585 posts since 13 Nov, 2005 from St. Paul
i can see why it would be tempting to add more to this, but i think you'd need to be very careful that you don't lose some of those sonic details in the mix. incidentally, the most interesting part of this piece, for me, was the sense that it was building up to a sort of post-structural idea of a climax as it went, so there was that classic dramatic arc that kept my interest.
- KVRAF
- Topic Starter
- 3724 posts since 30 Jan, 2005 from rochester, ny
i tried a bunch of "foreground"-ish additions, none of which worked very well, largely for the reason you cite: they removed detail from the groove.jmeier wrote:i can see why it would be tempting to add more to this, but i think you'd need to be very careful that you don't lose some of those sonic details in the mix.
glad you heard this. i definitely composed an arc in there; i pretty much always do. but you're right, it's very understated.incidentally, the most interesting part of this piece, for me, was the sense that it was building up to a sort of post-structural idea of a climax as it went, so there was that classic dramatic arc that kept my interest.
"post-structural climax" ... hmmm, sounds like my sex life.
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- KVRer
- 4 posts since 21 May, 2010
I really dug the track. It strikes me as something that would fit with an abstract or out there animation sequence. It does great as a song though. You said you like splintered, ever thought of experimenting with gluing and ungluing ur tracks more extremely? For example a low attack pad that glues it together for a time and then drops away suddenly? I guess i might be infringing on your artistic direction there, just some ideas I really dug it, the sounds had a very cool quality to them. reminds me of a song off of the Appleseed soundtrack, first disc.. i think it's dragonfly or soemthing to that effect.
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PurpleCatfishBettie PurpleCatfishBettie https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=211816
- KVRAF
- 3278 posts since 22 Jul, 2009
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- KVRAF
- 3046 posts since 30 Mar, 2002 from 51°53'N 02°15'W
Business is always good...rachmiel wrote:thanks for the listen/comment, Az're-ul. (it's always a pleasure to hear from the Angel of Death. (how's business, btw?)) funny you should mention hip hop beats because i like some of them a lot: crisp, odd, hook-y, short, concise. perhaps i should start adding vocals to these sparse fractured grooves i've been making as of late? it would be interesting to come up with vocal parts that were to conventional hip hop vocals as the fractured grooves are to conventional hip hop beats. lyrics too ... something like finnegans wake meets wu-tang clan.
The splintered vocals idea is a brilliant one, get it right and you could have something truly paranoia inducing.
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- KVRist
- 274 posts since 15 Dec, 2003
Interesting stuff, I could hear some kind of fractured melodic element (rather than a solid beat) entering at some point, but on the other hand it is easy to messy up the vibe of this kind of piece. Thanks for sharing!
- KVRAF
- 2645 posts since 21 Jul, 2004
You're messing with my already fragile head.
Even sitting here on a beautiful sunny afternoon this had me feeling uneasy and acutely aware that i'm alone in the house. This is a good thing.
I like the track as it is, it has a nice dry direct sound that i think would be compromised by attempting to add any foreground elements. However, a deep slowly throbbing drone and/or some occasionally rising white noise in the background could tie things together nicely.
Intriguing stuff as always, thanks.
Even sitting here on a beautiful sunny afternoon this had me feeling uneasy and acutely aware that i'm alone in the house. This is a good thing.
I like the track as it is, it has a nice dry direct sound that i think would be compromised by attempting to add any foreground elements. However, a deep slowly throbbing drone and/or some occasionally rising white noise in the background could tie things together nicely.
Intriguing stuff as always, thanks.
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PurpleCatfishBettie PurpleCatfishBettie https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=211816
- KVRAF
- 3278 posts since 22 Jul, 2009
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- KVRer
- 8 posts since 11 May, 2010
Referring to "Dessicant": I don't know if you will appreciate this, but I listen to Radio 3's Saturday night modern (classical) music program and have heard stuff in a similar vein, but not as interesting or original I agree it might need more input towards the second half to sustain it but the beginning is brilliant.
I'm not so sure about "Dessicate Jam" though.
I'm not so sure about "Dessicate Jam" though.
- KVRAF
- Topic Starter
- 3724 posts since 30 Jan, 2005 from rochester, ny
thanks, kestrel. :-) interesting idea: gluing/ungluing. think i'll give it a try.kestrel wrote:I really dug the track. It strikes me as something that would fit with an abstract or out there animation sequence. It does great as a song though. You said you like splintered, ever thought of experimenting with gluing and ungluing ur tracks more extremely? For example a low attack pad that glues it together for a time and then drops away suddenly? I guess i might be infringing on your artistic direction there, just some ideas :) I really dug it, the sounds had a very cool quality to them. reminds me of a song off of the Appleseed soundtrack, first disc.. i think it's dragonfly or soemthing to that effect.