I remember enjoyin listening to it though! Pretty sure it made my short list!Compyfox wrote:CURRENT CHALLENGE - GENERAL INFORMATION
A word from the song provider:
Doc Jon wrote:This track was produced for a competition run by Synthmob featuring presets and sounds designed by The Unfinished. (I didn't win anything )
KVR MIX CHALLENGE - MC07 December 2014 - Winners announced
- KVRAF
- 2096 posts since 24 May, 2008 from London, UK
-
- KVRAF
- Topic Starter
- 14658 posts since 19 Oct, 2003 from Berlin, Germany
Ringing in the bell for the final 24 hours of the first mix round!
Please get your songs in!
Furthermore - a PSA:
Those people that follow KVR Audio's board feed to the right, might have already heard by now that Camel Audio has suddenly closed doors. The official announcement can be found in the Camel Audio Sub-Board.
Due to this, we unfortunately have to pull Camel Audio as sponsor from the current KVR Mix Challenge, and all future ones. We are really sorry about that, but this is beyond our control. A huge thank you goes out to to Camel Audio for providing great plugins to all KVR Audio challenges.
On the other hand, Tone2 is offering another plugin for the KVR Mix Challenge. You can now either get a bundle of Acoustix and Warmverb, or the new and recently released Ultraspace.
Please get your songs in!
Furthermore - a PSA:
Those people that follow KVR Audio's board feed to the right, might have already heard by now that Camel Audio has suddenly closed doors. The official announcement can be found in the Camel Audio Sub-Board.
Due to this, we unfortunately have to pull Camel Audio as sponsor from the current KVR Mix Challenge, and all future ones. We are really sorry about that, but this is beyond our control. A huge thank you goes out to to Camel Audio for providing great plugins to all KVR Audio challenges.
On the other hand, Tone2 is offering another plugin for the KVR Mix Challenge. You can now either get a bundle of Acoustix and Warmverb, or the new and recently released Ultraspace.
Last edited by Compyfox on Sun Jan 11, 2015 2:33 pm, edited 1 time in total.
- KVRian
- 853 posts since 3 Nov, 2006 from Poland
Ok. Here's my mix:
MP3
http://paluchowski.pl/Doc%20Jon%20-%20V ... lonykp.mp3
WAV
http://paluchowski.pl/Doc%20Jon%20-%20V ... lonykp.wav
I've tried to find a place for everything - in stereo panorama, in frequencies and in time (volume automation). It wasn't easy to be honest . I did a lot of volume automation to give the track some more dramaturgy and movement. For reverb I've used ValhallaVintageVerb with the new Smooth Plate mode and I used it plenty .
CYMBAL AMBIENCE
GlissEQ - from the second one a highpass around 60Hz, a boost around 250Hz
TAL-DUB-II - for some overdriven echos
Nugen Stereoizer - to make it wide
BELL FX
NF Echoes - with a modulation turned up
DRUMS DRONE BEAT
GlissEQ - highpass, boost to make the BD more pronounced and another one (a BIG one) for the synth sound, highshelf to get rid of harshness
ValhallaVintageVerb - a roomy reverb
Nugen Monofilter - to get low frequencies to the center
DRUMS PERCUSSION PAN and DRUMS PAN
panned wide left and right
DRUMS TRIBAL BEAT
GlissEQ - highpass, boosts to make the taikos attacks more pronounced
Sknote Snap - to get more attack
GlissEQ - to further shape the sound
Nugen Monofilter - to get low frequencies to the center
I spend a long time to get the cymbals sound better - I really didn’t like how they sounded dry and cut abruptly. I tried many things, but the problem was that when cymbals sounded better the taikos sounded muffled/dull. So in the end I made another track with only them on the track and with big reverb, echo trail and eqs. So I had to find a balance and I’m still not happy with the effect.
BASS SEQ BASS
NF Magnetic - to get more bottom end and some harmonics to make the bass better translate on speakers.
NF Cosmos - MORE BOTTOM END!
Nugen Monofilter - to get low frequencies to the center
PAD WARM PAD
I’ve divided it into two tracks - the lowpassed one and highpassed one.
PAD WARM PAD LOW
Guitar Rig 5 - to get some Small Stone Phasing
NF Magnetic - to get more bottom end
Nugen Monofilter and Stereoizer - to get low frequencies to the center
PAD WARM PAD HIGH
RP-Delay - for some ping-pong wide echoes
Nugen Stereoizer - to make it even wider
EQs
PAD ABBEY PAD
GlissEQ
PAD 70s BRASS PAD
panned slightly left
GlissEQ
Acon Digital Multiply - to make it richer
Nugen Stereoizer - to control the stereo field
PAD CHIME DRONE
panned right
GlissEQ
PAD MONASTERY PAD
GlissEQ
PAD WIDE ORGAN PAD
GlissEQ
Nugen Stereoizer - to make it wider
PAD ASTRAL PAD
panned left
GlissEQ
PAD ORGAN PAD
panned right
GlissEQ
PAD TREMOLO PAD
GlissEQ
FXpansion Etch - modulated filter sweep
Nugen Stereoizer - to control the stereo field
PAD DISTANT MELODY
NF Echoes - with a modulation turned up
GlissEQ
Reaktor - with Tape Machine tape emulation for tape warp and wow
KEYS 80s SYNTH
Nugen Stereoizer - to control the stereo field
PLUCK ETHNIC BELLS and ETHNIC PLUCK
TAL Chorus-60
NF Echoes
STRINGS MASSIVE HIGH and MASSIVE STRINGS 1 and 2
GlissEQ
Nugen Stereoplacer and Stereoizer - to control the stereo field
MASTER BUSS
NF Magnetic - for some bass and high boost
Nugen Monofilter
Polysquasher
MP3
http://paluchowski.pl/Doc%20Jon%20-%20V ... lonykp.mp3
WAV
http://paluchowski.pl/Doc%20Jon%20-%20V ... lonykp.wav
I've tried to find a place for everything - in stereo panorama, in frequencies and in time (volume automation). It wasn't easy to be honest . I did a lot of volume automation to give the track some more dramaturgy and movement. For reverb I've used ValhallaVintageVerb with the new Smooth Plate mode and I used it plenty .
CYMBAL AMBIENCE
GlissEQ - from the second one a highpass around 60Hz, a boost around 250Hz
TAL-DUB-II - for some overdriven echos
Nugen Stereoizer - to make it wide
BELL FX
NF Echoes - with a modulation turned up
DRUMS DRONE BEAT
GlissEQ - highpass, boost to make the BD more pronounced and another one (a BIG one) for the synth sound, highshelf to get rid of harshness
ValhallaVintageVerb - a roomy reverb
Nugen Monofilter - to get low frequencies to the center
DRUMS PERCUSSION PAN and DRUMS PAN
panned wide left and right
DRUMS TRIBAL BEAT
GlissEQ - highpass, boosts to make the taikos attacks more pronounced
Sknote Snap - to get more attack
GlissEQ - to further shape the sound
Nugen Monofilter - to get low frequencies to the center
I spend a long time to get the cymbals sound better - I really didn’t like how they sounded dry and cut abruptly. I tried many things, but the problem was that when cymbals sounded better the taikos sounded muffled/dull. So in the end I made another track with only them on the track and with big reverb, echo trail and eqs. So I had to find a balance and I’m still not happy with the effect.
BASS SEQ BASS
NF Magnetic - to get more bottom end and some harmonics to make the bass better translate on speakers.
NF Cosmos - MORE BOTTOM END!
Nugen Monofilter - to get low frequencies to the center
PAD WARM PAD
I’ve divided it into two tracks - the lowpassed one and highpassed one.
PAD WARM PAD LOW
Guitar Rig 5 - to get some Small Stone Phasing
NF Magnetic - to get more bottom end
Nugen Monofilter and Stereoizer - to get low frequencies to the center
PAD WARM PAD HIGH
RP-Delay - for some ping-pong wide echoes
Nugen Stereoizer - to make it even wider
EQs
PAD ABBEY PAD
GlissEQ
PAD 70s BRASS PAD
panned slightly left
GlissEQ
Acon Digital Multiply - to make it richer
Nugen Stereoizer - to control the stereo field
PAD CHIME DRONE
panned right
GlissEQ
PAD MONASTERY PAD
GlissEQ
PAD WIDE ORGAN PAD
GlissEQ
Nugen Stereoizer - to make it wider
PAD ASTRAL PAD
panned left
GlissEQ
PAD ORGAN PAD
panned right
GlissEQ
PAD TREMOLO PAD
GlissEQ
FXpansion Etch - modulated filter sweep
Nugen Stereoizer - to control the stereo field
PAD DISTANT MELODY
NF Echoes - with a modulation turned up
GlissEQ
Reaktor - with Tape Machine tape emulation for tape warp and wow
KEYS 80s SYNTH
Nugen Stereoizer - to control the stereo field
PLUCK ETHNIC BELLS and ETHNIC PLUCK
TAL Chorus-60
NF Echoes
STRINGS MASSIVE HIGH and MASSIVE STRINGS 1 and 2
GlissEQ
Nugen Stereoplacer and Stereoizer - to control the stereo field
MASTER BUSS
NF Magnetic - for some bass and high boost
Nugen Monofilter
Polysquasher
-
- KVRist
- 34 posts since 7 Sep, 2014 from Allen, TX
My MC07 submission:
MP3: https://dl.dropboxusercontent.com/u/896 ... 20MC07.mp3
WAV:
https://dl.dropboxusercontent.com/u/896 ... 20MC07.wav
Nothing too unusual. HPF on most tracks. Multiband compressor on the bass. A couple of delay effects on the bells. Biggest challenge was balancing the low-end while achieving the BIG second half of the song. Not sure how well I accomplished this. Thanks.
MP3: https://dl.dropboxusercontent.com/u/896 ... 20MC07.mp3
WAV:
https://dl.dropboxusercontent.com/u/896 ... 20MC07.wav
Nothing too unusual. HPF on most tracks. Multiband compressor on the bass. A couple of delay effects on the bells. Biggest challenge was balancing the low-end while achieving the BIG second half of the song. Not sure how well I accomplished this. Thanks.
-
- KVRAF
- Topic Starter
- 14658 posts since 19 Oct, 2003 from Berlin, Germany
We have the 12th January.
The first round of the KVR Mix Challenge 07 has officially ended
Thank you for your participation.
If you haven't done so already, please update your posts with as much information as you seem fit. And please keep an eye on this thread for further announcements.
In the meantime - why not spread the word about the Mix Challenge?
For example through Twitter with #kvrmixchallenge
And if you like to see your track mixed by the excellent talents of the KVR Audio Mix Challenge - please get in touch with us.
The first round of the KVR Mix Challenge 07 has officially ended
Thank you for your participation.
If you haven't done so already, please update your posts with as much information as you seem fit. And please keep an eye on this thread for further announcements.
In the meantime - why not spread the word about the Mix Challenge?
For example through Twitter with #kvrmixchallenge
And if you like to see your track mixed by the excellent talents of the KVR Audio Mix Challenge - please get in touch with us.
-
- KVRist
- 485 posts since 19 Feb, 2011
Excellent, I make that 10 tracks, all downloaded and listening has started
Will report back over next couple of days with feedback and the second round selection
Hope to report back by the end of Thursday 15th
Jon
Will report back over next couple of days with feedback and the second round selection
Hope to report back by the end of Thursday 15th
Jon
Cheers Matt!synaesthesia wrote: I remember enjoyin listening to it though! Pretty sure it made my short list!
-
- KVRist
- 485 posts since 19 Feb, 2011
Thanks to all the participants, it has been an illuminating exercise and I can only apologise for presenting you with such a mess of sounds which I did realise might cause some problems
I was looking for a contrast between the two sections, and a clear mix removing as much of the mud as possible with all the competing pad sounds, while managing to retain some of the important low end power in the second section
Disclaimer - I must admit to being just a hobby musician at home so I make no claim to have any specialist mix knowledge!!
I have to say that all the mixes were good and any one of them could have been taken forward to the second round with appropriate changes but in the end I chose those which were already further towards what I was looking for. I kept changing my mind, even up to a minute before posting - but anyway, here we go:
Top 5 (in random order)
Fender19 – Nice uncomplicated mix in the first section, I like the way you found those low frequency sounds and brought them out (maybe a little too much). I like the way you fade into the second section and there certainly is power there, in fact too much in some respects - the low frequencies are overpowering - but behind all that there seems to be a good mix. I would like to hear it again with the low frequencies tamed a little please
Geroyannis – great mix, love the first section, those soft low frequencies are great. Second section not bad at all, maybe a little more high end to add some clarity. I’m not keen on the phasing/flanging/filter effect after the final gong strike at the end, if that could be removed please! Final outro sound after tune ends needs to be quieter
Photonic – excellent clear mix in both section and you’ve really nailed the low end very well indeed. The overall balance is the closest to the original track out of all the mixes here so I really cannot suggest any major changes required and this mix stands as the one to beat. Feel free to make any tweaks you think are needed, but frankly I like it as it is!
Shroomfeverish – nice balance of sounds in the first section, I do like what you’ve done with the heavily panned bell sounds. Second section equally good and a well balanced mix. I find it hard to suggest any major changes here, maybe the first section could be just a little quieter to enhance the contrast with the second half and the final outro after the end of the track could be reduced in volume but that really is me being very picky
Westcoast2 – a good mix but I thought it needed a little more of the higher frequencies in the first section, and more bottom end oomph in the second section. Good mix though
The best of the rest (in random order)
MixedMind – A good mix. I liked your use of panning and stereo field in your mix. I felt that some of the elements in the first section were a little lost in the mix due to the central pad sound being too prominent and this also reduced the contrast between the two sections. The second section could have done with a little more defined low end oomph
Piranha81 – Nice mix. First section a little too loud I think which diminishes the contrast with the second section. The pads sound a little distant in the second section and while I can’t be exactly sure what has caused this I wonder whether it is the side effect of overuse widening plugins which has led to this effect where some simple panning of the different pads might be more effective. Only just missed out on top 5
Szalonykp – I liked the ambience you created in the first section with your use of stereo field and delay, in fact the whole first section was great. Second section sounded a little hollow and not as clear and powerful as I had wanted, lacking in top and bottom end
Mwaudioprod – nice mix with a good contrast between the two sections. Some elements seem to have been buried a little in the mix and would have liked a little more top end clarity in the second section. Sound levels seemed to peaking a little high in places
JimKennedy – I though the mix balance across the frequency range was very good but I found the spread of sounds across the stereo field a little too extreme which seemed to diminish the power in the second section
Best of luck to the top 5, sorry to the rest, and thanks to everyone for participating
Jon
I was looking for a contrast between the two sections, and a clear mix removing as much of the mud as possible with all the competing pad sounds, while managing to retain some of the important low end power in the second section
Disclaimer - I must admit to being just a hobby musician at home so I make no claim to have any specialist mix knowledge!!
I have to say that all the mixes were good and any one of them could have been taken forward to the second round with appropriate changes but in the end I chose those which were already further towards what I was looking for. I kept changing my mind, even up to a minute before posting - but anyway, here we go:
Top 5 (in random order)
Fender19 – Nice uncomplicated mix in the first section, I like the way you found those low frequency sounds and brought them out (maybe a little too much). I like the way you fade into the second section and there certainly is power there, in fact too much in some respects - the low frequencies are overpowering - but behind all that there seems to be a good mix. I would like to hear it again with the low frequencies tamed a little please
Geroyannis – great mix, love the first section, those soft low frequencies are great. Second section not bad at all, maybe a little more high end to add some clarity. I’m not keen on the phasing/flanging/filter effect after the final gong strike at the end, if that could be removed please! Final outro sound after tune ends needs to be quieter
Photonic – excellent clear mix in both section and you’ve really nailed the low end very well indeed. The overall balance is the closest to the original track out of all the mixes here so I really cannot suggest any major changes required and this mix stands as the one to beat. Feel free to make any tweaks you think are needed, but frankly I like it as it is!
Shroomfeverish – nice balance of sounds in the first section, I do like what you’ve done with the heavily panned bell sounds. Second section equally good and a well balanced mix. I find it hard to suggest any major changes here, maybe the first section could be just a little quieter to enhance the contrast with the second half and the final outro after the end of the track could be reduced in volume but that really is me being very picky
Westcoast2 – a good mix but I thought it needed a little more of the higher frequencies in the first section, and more bottom end oomph in the second section. Good mix though
The best of the rest (in random order)
MixedMind – A good mix. I liked your use of panning and stereo field in your mix. I felt that some of the elements in the first section were a little lost in the mix due to the central pad sound being too prominent and this also reduced the contrast between the two sections. The second section could have done with a little more defined low end oomph
Piranha81 – Nice mix. First section a little too loud I think which diminishes the contrast with the second section. The pads sound a little distant in the second section and while I can’t be exactly sure what has caused this I wonder whether it is the side effect of overuse widening plugins which has led to this effect where some simple panning of the different pads might be more effective. Only just missed out on top 5
Szalonykp – I liked the ambience you created in the first section with your use of stereo field and delay, in fact the whole first section was great. Second section sounded a little hollow and not as clear and powerful as I had wanted, lacking in top and bottom end
Mwaudioprod – nice mix with a good contrast between the two sections. Some elements seem to have been buried a little in the mix and would have liked a little more top end clarity in the second section. Sound levels seemed to peaking a little high in places
JimKennedy – I though the mix balance across the frequency range was very good but I found the spread of sounds across the stereo field a little too extreme which seemed to diminish the power in the second section
Best of luck to the top 5, sorry to the rest, and thanks to everyone for participating
Jon
-
- KVRAF
- Topic Starter
- 14658 posts since 19 Oct, 2003 from Berlin, Germany
Thanks for the summary, Jon.
As per the rules, we usually have "6 out of all" that go into the next round. But I think since the participation is a bit low, we can turn a blind eye and continue with round 2.
The deadline for Mix Round 2 is 20-01-2015 11:59pm PST
Thank you once more for your participation, and good luck!
As per the rules, we usually have "6 out of all" that go into the next round. But I think since the participation is a bit low, we can turn a blind eye and continue with round 2.
The deadline for Mix Round 2 is 20-01-2015 11:59pm PST
Thank you once more for your participation, and good luck!
- KVRian
- 853 posts since 3 Nov, 2006 from Poland
Thanks for the feedback and congrats to guys in the second round!
- KVRian
- 628 posts since 5 Mar, 2011 from Austria
Hello Doc,
Thank you very much for your kind words! I am very happy with this review.
Now I will listen again with a bigger timely distance to my mix and I will also compare it to the other top 5. Maybe I will tweak it a little, dunno yet.
Thank you very much for your kind words! I am very happy with this review.
Now I will listen again with a bigger timely distance to my mix and I will also compare it to the other top 5. Maybe I will tweak it a little, dunno yet.
soundcloud.com/photonic-1
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- KVRist
- 87 posts since 28 Nov, 2012
@ Doc Jon
Thank you for your feedback!
Thank you for your feedback!
- KVRian
- 628 posts since 5 Mar, 2011 from Austria
Hi,
Here is my new mix for round 2. I only did some cosmetics to volume automation and some EQs. No big changes, only subtle improvements (hopefully).
WAV: https://dl.dropboxusercontent.com/u/717 ... otonic.wav
MP3: https://dl.dropboxusercontent.com/u/717 ... otonic.mp3
Here is my new mix for round 2. I only did some cosmetics to volume automation and some EQs. No big changes, only subtle improvements (hopefully).
WAV: https://dl.dropboxusercontent.com/u/717 ... otonic.wav
MP3: https://dl.dropboxusercontent.com/u/717 ... otonic.mp3
soundcloud.com/photonic-1
- KVRAF
- 16384 posts since 22 Nov, 2000 from Southern California
Hi everyone,
I'm too late to officially enter or win any prizes but I would appreciate it if you would critique my mix and tell me what you think can be improved:
https://soundcloud.com/jrrshop/valley-o ... tus-dragon
EQ's: UAD Pultec EQP-1A and MEQ-5
Compressors: UAD Precision Buss Compressor, SSL G Buss Compressor, Manley Vari-MU
Effects: UAD Lexicon 224, EP-34 Tape Echo, Roland Dimension D
I'm too late to officially enter or win any prizes but I would appreciate it if you would critique my mix and tell me what you think can be improved:
https://soundcloud.com/jrrshop/valley-o ... tus-dragon
EQ's: UAD Pultec EQP-1A and MEQ-5
Compressors: UAD Precision Buss Compressor, SSL G Buss Compressor, Manley Vari-MU
Effects: UAD Lexicon 224, EP-34 Tape Echo, Roland Dimension D
- KVRist
- 34 posts since 1 Aug, 2014 from Italy
Thanks for the kind and encouraging words. I totally agree for the first part loudness, I shold have put more thought at making the first part less aggressive. I also agree with the part about the pannig: I've always been a little bit confused about panning of stereo tracks, next time I'll work more on this part of the mixing workflow. Your opinion is inspiring me to continue to work and grow as an audio engineer!Doc Jon wrote:Piranha81 – Nice mix. First section a little too loud I think which diminishes the contrast with the second section. The pads sound a little distant in the second section and while I can’t be exactly sure what has caused this I wonder whether it is the side effect of overuse widening plugins which has led to this effect where some simple panning of the different pads might be more effective. Only just missed out on top 5
-
shroom feverish shroom feverish https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=32648
- KVRist
- 30 posts since 10 Jul, 2004 from here and everywhere
Here is my mix for round 2.
wav
https://drive.google.com/file/d/0B1cnad ... sp=sharing
mp3
https://drive.google.com/file/d/0B1cnad ... sp=sharing
Did level automation on first and last part of the song. Also automation of LPFilter in first section to make it darker.
wav
https://drive.google.com/file/d/0B1cnad ... sp=sharing
mp3
https://drive.google.com/file/d/0B1cnad ... sp=sharing
Did level automation on first and last part of the song. Also automation of LPFilter in first section to make it darker.