Return to the Glass Cliff (Seismic Placidity)

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Here is another track I put together using EXT64, although it's quite different in character to those which preceded it. It's almost ambient, but features some downtempo percussion and almost veers into New-Age territory. I think it's a sequel to "Departure From the Heartlands" from 2015.

https://soundcloud.com/whatsisname/retu ... lass-cliff

This track features on the latest release from Ambient Online (Vol 23), which features over 5 hours of music (at a guess - I haven't added it all up yet), comprising 48 tracks of diverse ambient music, all made by members of Ambient Online, and was released on Bandcamp on Friday. This compilation is available as a "name your price" release, so it should suit all pockets, and is well worth purchasing.

The album may be found here:-

https://ambientonline.bandcamp.com/albu ... -volume-23

Recorded/Mixed in EXT64
Mastered in T-Racks 5

Sources and Intermediaries

Absynth 5
Dune 2
Spitfire LABS
Chromaphone 2
Tremor
Ultra Analog V2
SynthMaster 2
Iris 2
Microtonic
Aether
EQuivocate
kHs Gain
Replicant 2
Equal
Satin
Linear Phase EQ
EQP-1A

DR - 11

EDIT: 20230514 - I have remixed the track, moving the unaffected "bell" synth towards the centre of the stereo field, and reduced its volume. The track was then mastered, using the original chain.

EDIT: 20250325 - I remastered the track in December 2024, ready for a future album release.

https://soundcloud.com/whatsisname/retu ... 024-master
Last edited by seismic1 on Tue Mar 25, 2025 11:38 pm, edited 2 times in total.

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Really nice timbres. The pad evolves nicely, especially when the first drums section comes in. The bass is subtle and warm. Great soundstage.
When the data is corrupt in the Desert of the Real, Beyond the Last Thought, where intuition reigns, is the solace that will embolden and strengthen the soul, giving hope once more to this age of failing technique. eassae.com

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I'll echo the comment on the soundstage ; it's well crafted ...
the mix is good , and the development builds well ...

it's a tad vanilla for my personal taste , and as you note ,
has the hint of a new age aroma , but i think this will appeal
across a rather large spectrum ...

it's good work , held to your usual high standards ...
Image

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I really enjoyed this, especially the vocal qualities of the pad and the melodic gong-like percussion. The rhythmic elements remind me a little of some pieces from Music has the Right to Children by Boards of Canada.

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well prodused soundscape. A tranquill, hovering ambience. Nice ambient track and sounds

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Really like this a lot. Well balanced.

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eassae wrote: Mon Apr 10, 2023 11:48 am Really nice timbres. The pad evolves nicely, especially when the first drums section comes in. The bass is subtle and warm. Great soundstage.
The pad is made up of a Dune2 synth patch, 3 Spitfire LABS instances, and a SynthMaster V2 bell patch (and later, an Iris vocal sample processed through Audacity). They're all soaked in reverb along with the Absynth bells. The bass synth is a lightly-tweaked preset from Ultra Analog VA-2. As with many simple bass patches, I think it sounds more impressive as part of a mix than as a solo instrument.

Thanks very much for listening and commenting, eassae. Glad you liked it :)

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Really nice atmosphere. Very spacious and warm sounding.

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Quite meditative, and relaxing, I love the bells!
The tranquil vibe is so loved.
You are a very creative composer, very nice mix, and superb use of your synth collection.
Thank you for this beauty.

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seismic1 wrote: Thu Apr 13, 2023 12:43 am
eassae wrote: Mon Apr 10, 2023 11:48 am Really nice timbres. The pad evolves nicely, especially when the first drums section comes in. The bass is subtle and warm. Great soundstage.
The pad is made up of a Dune2 synth patch, 3 Spitfire LABS instances, and a SynthMaster V2 bell patch (and later, an Iris vocal sample processed through Audacity). They're all soaked in reverb along with the Absynth bells. The bass synth is a lightly-tweaked preset from Ultra Analog VA-2. As with many simple bass patches, I think it sounds more impressive as part of a mix than as a solo instrument.

Thanks very much for listening and commenting, eassae. Glad you liked it :)
All those layers really make it rich. I love Dune 2, I've been using it a ton lately. I have Iris, but I haven't really delved into it yet.
When the data is corrupt in the Desert of the Real, Beyond the Last Thought, where intuition reigns, is the solace that will embolden and strengthen the soul, giving hope once more to this age of failing technique. eassae.com

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experimental.crow wrote: Mon Apr 10, 2023 3:17 pm I'll echo the comment on the soundstage ; it's well crafted ...
the mix is good , and the development builds well ...

it's a tad vanilla for my personal taste , and as you note ,
has the hint of a new age aroma , but i think this will appeal
across a rather large spectrum ...

it's good work , held to your usual high standards ...
I certainly don't recall making a conscious effort to nudge this piece in the direction of "new age", as I very rarely listen to that style of music, but once the Chromaphone percussion was added, the die was cast, and there was no turning back :)

Thanks very much for your great comments, e.c. Glad you liked it :)

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Really nice soundscape with warm sounds. Well done. Personally i am not the biggest fan of some of the glass/bell sounds (like the one at 1:34). In comparison to the warm and wide sounds it feels almost a bit "harsh". But that is a personal thing... Best part for me is the part with the drums and the deep warm base. But overall it is great piece and a good listen!
it is better to have a track with some mistakes than a track without any soul
myself in 2022

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Genetic_Junk wrote: Tue Apr 11, 2023 2:54 pm I really enjoyed this, especially the vocal qualities of the pad and the melodic gong-like percussion. The rhythmic elements remind me a little of some pieces from Music has the Right to Children by Boards of Canada.
It's quite interesting, layering up these sounds with a rough idea of the sound I'm trying to achieve, but not knowing exactly how it's going to work itself out. There are usually a few EQ cuts to make along the way, although no major problems with this piece. The percussion was a combination of Chromaphone2, Tremor and Microtonic.

Thanks very much for listening and commenting, G_J. Glad you liked it :)

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markkuja wrote: Tue Apr 11, 2023 3:32 pm well prodused soundscape. A tranquill, hovering ambience. Nice ambient track and sounds
Thanks very much for listening and commenting, markkuja. Glad you enjoyed it :)

The music was inspired by this place:-

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I think this is your most accessible track in quite some time and it is also very good. Minimal, relaxing, and contemplative.

The pads and percussion are a sonic treat, especially the percussion.

I like the bells but they are very upfront and clangy. Harshing my mellow, duuude. Maybe push them a little further back in the mix?

Very nice work. :tu:

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