Operating System | Latest Version |
---|---|
1.0.1b | |
System Requirements PC: VST3, 32 & 64-bits VST and 64-bits AAX for Windows 7 or higher (Note: PC AAX for PT 12 or higher) M1 ARM processor compatible. Serial/license system with activation whilst registering the product The activation system is offline, which means that there is no direct connection between the plugin and the robpapen.com homepage. The software can be installed on 2 of your own computer systems. Minimal computer display resolution requirement: 1440x900pixels Soon compatible with the NI NKS system (early 2023) | |
1.0.1b | |
System Requirements Mac: 64-bits AU, VST3, VST, and AAX, for OS-10.13 or higher. M1 ARM processor compatible. Serial/license system with activation whilst registering the product The activation system is offline, which means that there is no direct connection between the plugin and the robpapen.com homepage. The software can be installed on 2 of your own computer systems. Minimal computer display resolution requirement: 1440x900pixels Soon compatible with the NI NKS system (early 2023) |
When it was first released in 2005 'BLUE' already reflected Rob Papen's cutting-edge, creative, and — most importantly — musical approach toward developing virtual synthesizers. Rob Papen himself called it 'Cross-fusion synthesis' because it covered both Subtractive and FM synthesis in one creative concept.
With its successor BLUE-II, the 'Cross-fusion synthesis' was also expanded with a creative range of samples and the highly versatile XY pad.
The concept for BLUE-III still remains true to that ethos with even more added sound dimensions and features to its extended name. Firstly adding our own take on 'Karplus Strong String Model Synthesis', new 'Waveforms', new 'Filter types', a new range of creative 'built-in Samples', and lastly the option for you as a user to load up to 6 samples inside each Preset.
BLUE-III's GUI has received an overhaul including many different sizes, the XY pad is now always on the front panel. The audio engine has received DNA from our virtual analog synthesizer B.I.T. resulting in unsurpassed audio quality.
Lastly, of course, this amazing instrument is shipped with 5000+ Presets by Rob himself and well-known industry sound designers.
BLUE-III is a phenomenally powerful virtual instrument to behold and represents an amazing journey into 'Cross-fusion synthesis'.
Main features:
Oscillators:
Filters:
Amp:
Modulations:
Play Modes:
Arp:
Seq:
FX:
Sample:
Bank Manager:
Back Panel:
{See video at top of page}
Version 2? Oh boy, it's good! FM8-like matrix is there! (Behaves a bit differently, but anyway!) All OSCs have all possibilities now as CPU power is higher nowadays. It has some nice samples in OSC's and it can use them to modulate or be modulated! Proper stereo unisono. More FX slots, more FXs. I can play with this thing for looong hours.
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It's quite time ago when I've got copy of Blue from second hand. I didn't understand it back then, so I wasn't using it untill about four months ago. Then I rediscovered it and love it! :)
I want to start with a sound of it. At first sight it might seem a little bit "unstable", "not thick enough" and it's true for some uses. Imho It's not the best synth for subbasses for example. But when you dig in and use it's FM engine, you discover amazing sonic pallete. Someone somewhere called it cinematic. Can't agree more. It has some richness, something that just "tells the story" you play. It's especially handy when you have big track full of background layers and no freaking clue what to give on the top of it.
Another use is as really pleasant substitution for FM8. Especially now when Dubstep is wub-wub-wubbing everywhere, FM8 becme known again. Blue can do lot of similar sounds and it has it's own "extra" charater that diverse it from FM8 pretty well. Again, it just can tell the story. Emotionally. Can't describe it well. Just demo it. :) And as a bonus, it's sawtooth sounds much better then FM8's.
Handling of this synth is bit confusing at first, but when you get yourself around what FM is and how it works, it becomes pretty clean and quick. (Unless you're not preset hunter. Then it doesn't really matters...)
Featurewise also crazy. Not many synths alows you to tune precission of every single OSC's for example. :) Modulations are also great. Those multimode envelopes are really cool. ...and so on and so on. :)
Support is amazing. I've found a little bug it was performing with Ableton Live. Contacted guys, Jon opened those 6 years old codes and fixed it for me in literally no time. (2 days for bug fix like this is really a lightspeed) Bugfix was also included in next update.
Only bad thing is unisono engine that is oldfashioned and mono. But I've got a little "oficial-ish" roumor that version 2 is in planning, so no "dev-poke" point down thistime. :) (but it was close :p)
Summary? Well I believe it's one of most overlooked synths ever. It can really bring colours to your songs, which is amazing complment for all this "sometimes too clean" NI synth stuff everyone's using lately. Great sound, great possibilites, great FX, great developers and amazing potential to the future. Can't go otherwise than full score.
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