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ill-esha Intonations My KVR

Vocal by Black Octopus Sound
ill-esha Intonations
What is it?
Format(s)
Soundware
Formats
WAV 24-Bit
Operating System Availability
Operating System Latest Version
 N/A 
License & Installation Method
No License Required
What does this mean?
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ill-esha Intonations

{See video at top of page}

ill-esha has teamed up with Black Octopus to release Intonations, a 5GB+ vocal sample pack.

What's inside:

  • 12 Full Unreleased Songs as stems (wet & dry).
  • 75 Ad Libs.
  • 10 Atmospheres.
  • 24 FX (Swells and Builds).
  • 95 Loops (Chops, Glitches, FX).
  • 289 Phrases (Harmony, Wordless, Wordy).
  • 223 Spoken Words.
  • 408 Tones (4 songs Broken into AH, MM, OH, OO all at different key).
  • 122 Vocal Drum Hits (Cymbals, Foley, FX, Kicks, Grooves, Percussion, Snares).

Plus:

  • 20 Serum Presets.
  • 25 Wavetables for Xfer Serum.
  • Custom Kontakt Instruments.
  • 16 Ableton Sampler Presets.
  • 17 EXS Sampler Presets.

More details from ill-esha on what you get inside:

  • Twelve full unreleased songs, separated in various stems;
  • Random phrases, adlibs and slides recorded in A, B, C, D, E, F, and G minor (at 120 BPM). Some are lyrical, some are wordless, and some are done through various vocoder/harmonic effects.
  • Ten longer atmospheres, long and continuous sonic layers of processed vocal tones, in various keys;
  • Swells, glitchy builds, and other miscellaneous effects;
  • Spoken phrases including useful DJ terms, worldwide memes, human noises, common phrases, words and numbers, and a computer spaceship;
  • Vocal tones spanning more than two octaves pronouncing four syllables (AH, MM, OO and OH) in three different "character" voices – Breathy, Soulful and Straight.
  • Sampler instruments for the EXS 24, Ableton Sampler, and Kontakt Keyswitch, Single and Multi Instruments;
  • Drums and percussion made entirely from my mouth;
  • Wavetables made from my voice for Serum, and some bonus cool presets co-created with Frost;
  • Loops at 100, 120, 140 and 160 BPM, in various keys.
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