Rhino

I don't want to duplicate what has been said already, so - you can get Rhino for 50 $ now. What you get reminds me strongly of the Yamaha SY Series (77/99) with 1000+ Patches of very skilled Programmers. Just download the Demo and have a Look. I promise you'll not regret it. Complicated - yes. But more than impressing, full of Love and the perfect Place to learn FM (if you don't just want to use the 1000+ Presets). Strongly recommended.

Zebra, DUNE, MSF, Harmor, Razor and some others in my Barn - but I really couldn't resist Rhino. This is no Mainstream Toybox. Real / "Oldschool FM" and passionate Programming. Exotic Spectra. Endless Playground and Source of Inspiration.

Edit:

- VINTAGE inclusive. Rhino can load Samples and use them as Oscillators and quiet many Sample OSC are already included that are nothing but pure Vintage FM Vibe and probably Hardware Samples.

- Rhino sounds great and unique. 90s Vibe.

- The Flexibility is oustanding and the spectral Possibilities are endless.

- FM is complicated, but it's really simple to generate interesting and inspiring Results within Minutes.

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This is my first review so be gentle with me...you'll notice that I've given Rhino a "full house". This is not gushiness on my part - I've thought long and hard about those points, and I even considered marking some areas down simply to prevent the review looking OTT. But I've asked myself if there are any aspects which have room for improvement and I can honestly say I can't think of any. So, full marks it is...

GUI - cool colour scheme, very 'pro'-looking. GUI is functional and clear, and logically laid out for such a versatile (or complex, depending on your POV) instrument. The tabbed, multi-screen approach isn't for everyone, but I personally think it's far more tidy than having 'menus-within-menus' or multiple windows.

SOUNDS - well, name your poison...Rhino can do punchy, nasty (in a good way) analogue, or convincing acoustic instrument emulations, or cold, metallic timbres, or infinitely evolving soundscapes and atmospheres. It really has to be heard to be believed - try the demo or listen to the demo tunes on Big Tick's website. I'll mention presets later in more detail, but you should also listen to the demos on Daniel Maurer's site. The only downside to some of the fuller, more intricate soundscapes, is the danger of swamping the mix in the context of a full song - but the same can be said for many instruments, it really depends on how and where you place the sounds.

FEATURES - you get six oscillators, two filters (with a variety of flavours), multistage envelopes (for oscillators, filters and a shedload of modulation options - envelopes can be cut & pasted, saved & loaded, and there's a stock of useful preset envelope shapes to get you started), waveshaping, additive synthesis, FM synthesis, sample playback, a quirky but nonetheless useful arpeggiator, microtuning, and two FX slots. The FX vary from the bread'n'butter (Chorus fattens up the sounds nicely, QuadPhaser is very tasty) through barking mad (CrazyComb filter or OktaVerb - bonkers but still useful) to the kind of quality that you want to use on other instruments (8-tap Reverb is excellent). (A standalone effects unit is being considered for the next version, by the way). Each effect has a number of editable (and modulatable) parameters, and many of the parameters can be tempo-mapped too. As far as modulation goes: just about anything you'd like to modulate can be modulated by just about anything else. A particularly useful feature is the bank of six user-definable sliders which can be programmed (via MIDI-learn, which is well implemented) for real-time modulation of any number of parameters - there's no limit to the number of parameters per slider, either.

DOCS - the PDF manual is well-written and covers every aspect of operation comprehensively, without being overly technical. Which is a neat trick, when you consider how powerful this instrument is. There are even a few tutorials on the website, and the developer himself is a nice guy who always makes the time to answer queries.

PRESETS - this is an outstanding aspect of Rhino: there is now a massive library of presets, covering a huge spectrum of sounds. Preset management can be handled conventionally, or a more innovative feature is the database. Users can construct a database for their presets, sorting them into (user-definable) categories. So no matter how many banks you own, you can keep all your pads, lead sounds, etc together. Constructing the database is dead easy - just drag and drop the patch name into the chosen category. Daniel Maurer's presets deserve a special mention - they've extended Rhino's palette by an incredible amount, they're cheap as chips (he also offers several bundle deals), and they're a masterclass in Rhino programming. Instant inspiration!

SUPPORT - can't be faulted. Big Tick is very responsive to user requests and suggestions, which is one of the reasons why Rhino is so feature-packed. The odd couple of tech problems I've had with Tick products were dealt with within a few hours (even though they were down to me, not the product...)

VFM - well, this can be very subjective...but in my opinion, Rhino is a steal for 100euros. Sonically, it covers a vast area so it can do the job of three or four more limited synths. Rhino is by now a relatively mature instrument, but it continues to engage thanks to the occasional upgrades (free) which increase the functionality even more, and Daniel Maurer's consistently amazing preset banks.

STABILITY - rock solid, in my experience. Depending on your processor, you may be limited in terms of simultaneous instances (although it's nowhere near as CPU-hungry as it's earlier incarnations), but I've never known it to crash or cause a crash.Read Review

Rhino is a synth that can do just about anything. Wavesequencing, waveshaping, VA, additive, FM/AM/RM, and now in 2.0 simple rompler features.

Put simply, it sounds great. And contrary to earlier versions, the CPU usage is very reasonable compared to other similar synths.

The knock on Rhino has always been: its hard to program. And it is. The interface is functional, but it takes a long-time to create sounds with it - especially as a beginner. Alot of the difficulty has to do with Rhino's reliance on flexible multistage envelopes: you can do anything with these envelopes, but if you just want to program a simple patch, they are overkill. If you just want a simple lfo instead of an envelope you can use an unused oscillator for it - but it takes just as much cpu as if the osc was not an lfo! I'd like to see a more modular approach, maybe the ability to swap out certain envelopes for simple LFOs or ADSR envs, like Kontakt.

Fortunately there is a great manual to help you understand Rhino, and a huge amount of free and commercial presets around made by people that LOVE multistage envs.

Rhino is a steal at the price, even if you only use it as a type of synth rompler - using pre-made presets. But if you can learn to deal with all the features it presents, I honestly can't think of a synth that offers greater possibilities, at any price.Read Review

Describing a synth is not easy but imagine it's the late eighties, a DX7mk11 meets a Wavestation in a bar and go on to have kids - Rhino would be their youngest, most gifted offspring!

The sound of Rhino is the killer. Not analog, not digital as such. just a rich Rhino combination of everything.

Evolving sounds, hard sounds, metallic, crystaline, morphing, even emulative real world sounds.

A CPU hog - yes, but invest in Freeze and enjoy. So many great presets available and first class support - probably the best support out there.

** Since I wrote the above Rhino has found many more uses in my music. The sheer variety of sounds available and presets means it is really a very capable all rounder (especially if you invest in some of Daniel's excellent banks). Rhino can cover most bases very well -and I know that if I feel brave enough to tackle programming some of my own patches, I can go as deep and complex as I want!**Read Review