The Idea & Process
One of the main improvements of Cassette Piano.02 is a completely new set of samples of an (not so perfect) old upright piano recorded in a ballet training room (in both stereo and mono, with mics at the back of the piano) which resulted in surprisingly organic and tasty sound with all kinds of little imperfections. In order to make the best use of those recordings, and to further expand the sound capabilities of the instrument, four different decks were used to process the samples.
Below, you can listen to how each of those decks affects the sound in their own different way::
Every note has been carefully denoised with a high quality algorithm to avoid noise stacking when playing more than one note (there's still some noise left in the samples to avoid denonising artifacts).
Feel free to also check out the introduction video{See video at top of page}
Kontakt version improvements
The GUI of the Kontakt version has been redesigned - it's still very simple and clear, but it offers much more editing possibilities, including extended modulation section:
Another improvement is the use of impulse reverb with custom impulses (4 spring impulses, 4 hall impulses & 3 corridor impulses), along with a choice of whether you want it to be placed pre or post insert effects - same thing goes for the delay.
In addition, there are also features you may already know from previous instruments in this series, such as the sample start knob (controlled with the GUI or Mod Wheel) which allows you to control initial transients while designing your sound. Moreover, because of the fact that this kind of instruments sounds great when transposed down (it really adds to the overall 'lofiness' of the sound) there's an octave down switch in the GUI now.
And as the last thing - there's now also a simple 2 band equaliser (Instrument Tone) located at the bottom of the GUI.
Main Features:
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